<coursepack>
    <title>Introduction to Literary Studies fall 2026</title>
    <author>jobrien2026</author>
    <id>IntroductiontoLiteraryStudiesfall202612</id>
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                        <forename>John</forename>
                        <surname>O'Brien</surname>
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                <funder>The National Endowment for the Humanities</funder>
                <principal ref="editors.xml#JOB">John O'Brien</principal>
                <principal ref="editors.xml#TH">Tonya Howe</principal>
                <principal ref="editors.xml#CR">Christine Ruotolo</principal>
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                <date>2024-04-19</date>
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            <change type="reminder">Please be sure to update the publication date when changes are
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            <change when="2019-01-18" who="editors.xml#TH">ADDED: Tonya Howe, John O'Brien,
                Christine Ruotolo, Winona Salesky, Ally Freeland, Amy Ridderhof, James West, Sabrina
                Koumoin, Sara Brunstetter</change>
            <change when="2019-05-11" who="editors.xml#TH">Added occupation, affiliation, and notes
                to contributor details.</change>
            <change when="2024-04-19" who="editors.xml#JOB">Added Whitman headnote</change>
            
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            <p> Imagine that it is the summer of 1855, and that you have wandered into a book shop in Brooklyn, New York. On a front table, along with other just-published books, you see a slender volume with a distinctive, embossed and gilded green cover. The title is <hi rend="italic">Leaves of Grass.</hi> 
                
                <graphic url="https://lic-assets-staging.s3.amazonaws.com/headnote-whitman/leaves-cover.jpg" width="300px" style="float:right" alt="cover of Walt Whitman's Leaves of Grass, from Walt Whitman Archive" source="Walt Whitman Archive" desc="Cover of 1855 edition of Leaves of Grass from Walt Whitman Archive."/>
                
                You are intrigued; is this a book about gardening, maybe? Opening the book, you are surprised to discover that this is a book of poetry, and you turn to a poem, also entitled “Leaves of Grass.” It is unlike any poem that you have ever seen before: </p> 
            <lg>
                <l>I celebrate myself, and sing myself,</l>
                <l>And what I assume you shall assume.</l>
                <l>For every atom belonging to me as good belongs to you.</l>
            </lg>
            <p>And so on: pages and pages of beautiful, hypnotic verse, spoken by voice that invites the reader in to celebrate a shared world of sensual pleasures, among them the sheer pleasure of language itself. No author is identified on the title page. But there is a portrait of a man in the place where author’s portraits tend to be. This too is stange: the man is not dressed in the kind of respectable suit that you would expect, but in workingman’s clothes, with his undershirt visible. You are intrigued; you purchase the book.</p>
            
            <p>The author, of course, was Walt Whitman, and <hi rend="italic">Leaves of Grass</hi> would become one of the most important works in all of American literature. The book seemed to come out of nowhere. Whitman was at this point 36 years old, unmarried and working odd construction jobs and living with his parents in Brooklyn. He had been a printer, a schoolteacher, and newspaper editor in Brooklyn and, for a brief time, New Orleans. To this point, his most substantial published work had been two novels: <hi rend="italic">Franklin Evans, The Inebriate</hi>, published in a periodical called the <hi rend="italic">New World</hi> in 1842 and a serialized novel, <hi rend="italic">The Life and Adventures of Jack Engel: An Auto-Biography</hi>, published in the <hi rend="italic">New York Sunday Dispatch</hi> in March and April 1852. He had contributed dozens of stories, poems, editorials, and reviews in papers in New York and Brooklyn, and become well known in literary circles in both cities. <hi rend="italic"> Leaves of Grass </hi> was something quite different than anything he had published before: a full-sized book, of poetry that did not always look like poetry, in a voice that was very different from any poetic voice that had been heard before. The lines vary from very short to extremely long. There are very few rhymes, but the rhythms of the poem are beautiful, like incantations or verses from the King James Bible. This is poetry that is very accessible, with a vocabulary drawn largely from everyday speech. "Have you felt so proud to get at the meaning of poems?" the poet asks, speaking to a reader who comes to poetry as an experience rooted in, not in schools, but in the real world.
                
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                    </p>
            
            <p>Whitman set out to become what he called an “American Bard,” the poet of a nation that still felt new in his lifetime; as an adult, Whitman fondly recalled being hoisted as a child on the shoulders of Lafayette during the Revolutionary War hero’s visit to Brooklyn in 1826. He was responding to the call that Ralph Waldo Emerson had made in his essay "The Poet" for a native-born poet who could describe the richness of the nation: "America is a poem in our eyes," wrote Emerson, "its ample geography dazzles the imagination, and it will not wait long for metres." <hi rend="italic">Leaves of Grass</hi> is Whitman's answer, the "metres" that Emerson imagined would correspond to America's amplitude; as Whitman remembered years later, "I was simmering, simmering, simmering; Emerson brought me to a boil." Whitman was acutely aware, though, that the integrity of that nation was being challenged even as he was writing, as the question of the future of slavery was coming to a head in the 1850s, with the question of whether slavery would be extended into territories that had been conquered from Mexico dividing the country, and the Fugitive Slave Act, which required even citizens of free states to return people who had escaped bondage back to their enslavers spurring the abolitionist movement. Whitman never wrote openly about his political opinions. But <hi rend="italic">Leaves of Grass</hi> makes it clear that he wanted to promoted a radically democratic vision, where all the people of the United States were equal, at least in his poetic imagination, if not under the law. The figure of "leaves of grass" seems to be a way of describing a combination of individuality and collectivity, the discrete blades of a field having their own integrity while also making up a broad and unified expanse:</p>
                
                <lg>
                        <l rend="indent">Or I guess it is a uniform hieroglyphic,</l>
                <l>And it means, Sprouting alike in broad zones and narrow zones,</l>
                <l>Growing among black folks as white.</l>
                    </lg>
  
<p>In 1855, incorporationg African-Americans into this "uniform hierogloyphic" was a radical statement of imaginative sympathy. The integrity of the nation that Whitman celebrated would be tested a few years after the first edition of <hi rend="italic">Leaves of Grass</hi> by the outbreak of the American Civil War. Whitman moved to Washington, where he held clerical jobs and volunteered in hospitals to help care for wounded soldiers. Whitman maintained his faith in the project of American democracy through the war and after, and saw his own role as sustaining that project in imagination and verse.</p>
       
            <p>Another way in which Whitman is both radically expansive and also somewhat evasive in the way that he describes sexuality. Throughout his poetry, Whitman celebrates our embodied selves: nothing about the human body is shameful, every human body is beautiful because it is part of the same creation. Sexuality is glorious as well, and Whitman's poetry is more openly positive towards all forms of sexual desire than any American poetry that had come before it. Whitman never married, and although he claimed to have loved women, it seems clear that he had little interest in conventional forms of heterosexual romance. There was no real thing as a gay identity in his lifetime, but it does seem that Whitman's strongest erotic impulses were towards other men, and his longest-term relationship was with a much younger man named Peter Doyle, an Irish immigrant who was a conductor on a Washington bus when they met. Sexuality was one of the other domains where Whitman was determined to be radically inclusive, open to all kinds of people and experience.
            
           </p>
            <p>
                        <hi rend="italic">Leaves of Grass</hi> has been an influence on many American poets, establishing a line of loose-limbed, colloquial verse that runs from Whitman through Edna St. Vincent Millay, Allen Ginsberg and many others. Whitman's works have been set to music by something like 500 different composers. </p>
            
          
            
         
            
            <p>Multiple editions of <hi rend="italic">Leaves of Grass</hi> followed that first publication in Brooklyn in 1855. In each one, Whitman revised and expanded, adding new poems, rearranging them, giving them new names. The central poem in each version, and the most important poem of Whitman’s career, is the poem that became known as “Song of Myself,” which celebrates Whitman, America, the human body, and life itself. Our edition of Whitman’s poems is taken from the last edition of <hi rend="italic">Leaves of Grass</hi>, published in 1892. </p>
            
           
    
            

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                            <forename>Willa</forename>
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                    <addrLine>P. O. Box 400121</addrLine>
                    <addrLine>Charlottesville, VA </addrLine>
                    <addrLine>22204-4121</addrLine>
                    <addrLine>jobrien@virginia.edu</addrLine>
                    <addrLine>lic.open.anthology@gmail.com</addrLine>
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                        <title>McClure's Magazine</title>
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                            <publisher>The S. S. McClure Co.</publisher>
                            <date when="1905">May 1905</date>
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                        <extent>Vol. 25, pp 74-83</extent>
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                    <name type="tgn" key="7013927">Pittsburgh</name>
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                    literature of the 18th, 19th, and 20th centuries. This project is funded by the
                    National Endowment for the Humanities and developed by faculty at The University
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                        with links provided where possible. Annotations have also included common
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                        lic.open.anthology@gmail.com. </p>
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        <front>
            <pb n="74" facs="pageImages/74.jpg"/>
            <titlePage>
                <titlePart>PAUL'S CASE<lb/> A STUDY IN TEMPERAMENT<lb/>
                        </titlePart>
                <docAuthor>BY<lb/>WILLA SIBERT CATHER</docAuthor>
                <docImprint/>
            </titlePage>
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        <body>

            <div type="section" n="1">
                <head type="sub">I</head>
                <p> IT was Paul's afternoon to appear before the faculty of the <placeName type="tgn" key="7013927">Pittsburg</placeName> High School to account for
                    his various misdemeanors. He had been suspended a week ago, and his father had
                    called at the principal's office and confessed his perplexity about his son.
                    Paul entered the faculty room, suave and smiling. His clothes were a trifle
                    outgrown, and the tan velvet on the collar of his open overcoat was frayed and
                    worn; but, for all that, there was something of the dandy about him, and he wore
                    an opal pin in his neatly knotted black four-in-hand, and a red carnation in his
                    buttonhole. This latter adornment the faculty somehow felt was not properly
                    significant of the contrite spirit befitting a boy under the ban of suspension. </p>
                <p> Paul was tall for his age and very thin, with high, cramped shoulders and a
                    narrow chest. His eyes were remarkable for a certain hysterical brilliancy, and
                    he continually used them in a conscious, theatrical sort of way, peculiarly
                    offensive in a boy. The pupils were abnormally large, as though he were addicted
                    to belladonna, but there was a glassy glitter about them which that drug does
                    not produce. </p>
                <p> When questioned by the principal as to why he was there, Paul stated, politely
                    enough, that he wanted to come back to school. This was a lie, but Paul was
                    quite accustomed to lying—found it, indeed, indispensible for overcoming
                    friction. His teachers were asked to state their respective charges, which they
                    did with such a rancour and aggrievedness as evinced that this was not a usual
                    case. Disorder and impertinence were among the offences named, yet each of his
                    instructors felt that it was scarcely possible to put into words the real cause
                    of the trouble, which lay in a sort of hysterically defiant manner of the boy's;
                    in the contempt which they all knew he felt for them, and which he seemingly
                    made not the least effort to conceal. Once, when he had been making a synopsis
                    of a paragraph at the blackboard, his English teacher had stepped to his side
                    and attempted to guide his hand. Paul had started back with a shudder, and
                    thrust his hands violently behind him. The astonished woman could scarcely have
                    been more hurt and embarrassed had he struck at her. The insult was so
                    involuntary and definitely personal as to be unforgettable. In one way and
                    another he had made all his teachers, men and women alike, conscious of the same
                    feeling of physical aversion. </p>
                <p> His teachers felt, this afternoon, that his whole attitude was symbolized by his
                    shrug and his flippantly red carnation flower, and they fell upon him without
                    mercy. He stood through it, smiling, his pale lips parted over his white teeth.
                    (His lips were continually twitching, and he had a habit of raising his eyebrows
                    that was contemptuous and irritating to the last degree.) Older boys than Paul
                    had broken down and shed tears under that baptism of fire, but his set smile did
                    not once desert him, and his only sign of discomfort was the nervous trembling
                    of the fingers that toyed with the buttons of his overcoat, and an occasional
                    jerking of the other hand that held his hat. Paul was always smiling, always
                    glancing about him, seeming to feel that people might be watching him and trying
                    to detect something. This conscious expression, since it was as far as possible
                    from boyish mirthfulness, was <note type="authorial" xml:id="fn1">
                        <hi rend="italic">* Author of "The Troll Garden," a book of short stories,
                            in which this is included.</hi>
                    </note>
                    <pb facs="pageImages/75.jpg" n="75"/> usually attributed to insolence or " smartness
                    ." </p>
                <p>As the inquisition proceeded, one of his instructors repeated an impertinent
                    remark of the boy's, and the principal asked him whether he thought that a
                    courteous speech to have made a woman. Paul shrugged his shoulders slightly and
                    his eyebrows twitched.</p>
                <p>"I don't know," he replied. "I didn't mean to be polite, or impolite, either. I
                    guess it's a sort of way I have of saying things, regardless."</p>
                <p> The principal, who was a sympathetic man, asked him whether he didn't think that
                    a way it would be well to get rid of. Paul grinned and said he guessed so. When
                    he was told that he could go, he bowed gracefully and went out. His bow was but
                    a repetition of the scandalous red carnation. </p>
                <p> His teachers were in despair, and his drawing-master voiced the feeling of them
                    all when he declared there was something about the boy which none of them
                    understood. He added: "I don't really believe that smile of his comes altogether
                    from insolence; there's something sort of haunted about it. The boy is not
                    strong, for one thing. I happen to know that he was born in Colorado, only a few
                    months before his mother died out there of a long illness. There is something
                    wrong about the fellow." </p>
                <p>The drawing-master had come to realize that, in looking at Paul, one saw only his
                    white teeth and the forced animation of his eyes. One warm afternoon the boy had
                    gone to sleep at his drawing-board, and his master had noted with amazement what
                    a white, blue-veined face it was; drawn and wrinkled like an old man's about the
                    eyes, the lips twitching even in his sleep, and stiff with a nervous tension
                    that drew them back from his teeth.</p>
                <p> As for Paul, he ran down the hill whistling the soldiers' chorus from "Faust,"
                    looking wildly behind him, now and then, to see whether some of his teachers
                    were not there to writhe under his light-heartedness. As it was now late in the
                    afternoon, and Paul was on duty that evening as usher in Carnegie Hall, he
                    decided that he would not go home to supper, but would hang about an Oakland
                    tobacconist's shop until it was time to go to the concert hall. </p>
                <p> When Paul reached the ushers' dressing-room at about half-past seven that
                    evening, half a dozen boys were there already, and Paul began, excitedly, to
                    tumble into his uniform. It was one of the few that at all approached fitting,
                    and he thought it very becoming, though he knew that the tight, straight coat
                    accentuated his narrow chest, about which he was exceedingly sensitive. He was
                    always considerably excited while he dressed, twanging all over to the tuning of
                    the strings and the preliminary flourishes of the horns in the music-room; but
                    to-night he seemed quite beside himself, and he teased and plagued the boys
                    until, telling him that he was crazy, they put him down on the floor and sat on
                    him. </p>
                <p>Somewhat calmed by his suppression, Paul dashed out to the front of the house to
                    seat the early comers.</p>
                <p>He was a model usher; gracious and smiling, he ran up and down the aisles;
                    nothing was too much trouble for him; he carried messages and brought programs
                    as though it were his greatest pleasure in life, and all the people in his
                    section thought him a charming boy, feeling that he remembered and admired them.
                    As the house filled, he grew more and more vivacious and animated, and the color
                    came to his cheeks and lips. It was very much as though this were a great
                    reception, and Paul were the host.</p>
                <p>When the symphony began, Paul sank into one of the rear seats, with a long sigh
                    of relief. It was not that symphonies, as such, meant anything in particular to
                    Paul, but the first sigh of the instruments seemed to free some hilarious and
                    potent spirit within him— something that struggled there like the Genius in the
                    bottle found by the Arab fisherman. He felt a sudden zest of life; the lights
                    danced before his eyes and the concert hall blazed into unimaginable splendor.
                    When the soprano soloist came on, Paul half closed his eyes, and gave himself up
                    to the peculiar stimulus such personages always had for him. The soloist chanced
                    to be a German woman, by no means in her first youth and the mother of many
                    children; but she wore an elaborate gown and a tiara, and above all, she had
                    that indefinable air of achievement, that world-shine upon her, which, in Paul's
                    eyes, made her a veritable queen of romance.</p>
                <p> After a concert was over Paul was always irritable and wretched until he got to
                    sleep, and to-night he was even more than usually restless. He had the feeling
                    of not being able to let down, of its being impossible to give up this delicious
                    excitement which was the only thing that could be called living <pb facs="pageImages/76.jpg" n="76"/> at all. During the last number he withdrew,
                    and, after hastily changing his clothes in the dressing-room, slipped out to the
                    side door where the soprano's carriage stood. Here he began pacing rapidly up
                    and down the walk, waiting to see her come out. </p>
                <p> Over yonder the Schenley, in its vacant stretch, loomed big and square through
                    the fine rain, the windows of its twelve stories glowing like those of a lighted
                    cardboard house under a Christmas tree. All the actors and singers of the better
                    class stayed there when they were in the city, and a number of the big
                    manufacturers of the place lived there in the winter. Paul had often hung about
                    the hotel, watching the people go in and out, longing to enter and leave
                    school-masters and dull care behind him forever. </p>
                <p> At last the singer came out, accompanied by the conductor who helped her into
                    her carriage and closed the door with a cordial auf wiedersehen, which set Paul
                    to wondering whether she were not an old sweetheart of his. Paul followed the
                    carriage over to the hotel, walking so rapidly as not to be far from the
                    entrance when the singer alighted and disappeared behind the swinging glass
                    doors that were opened by a negro in a tall hat and a long coat. In the moment
                    that the door was ajar, it seemed to Paul that he too entered. He seemed to feel
                    himself go after her up the steps, into the warm, lighted building, into an
                    exotic, a tropical world of shiny, glistening surfaces and basking ease. He
                    reflected upon the mysterious dishes that were brought into the dining-room, the
                    green bottles in buckets of ice, as he had seen them in the supper-party
                    pictures of the Sunday <hi rend="italic">World</hi> supplement. A quick gust of
                    wind brought the rain down with sudden vehemence, and Paul was startled to find
                    that he was still outside in the slush of the gravel driveway; that his boots
                    were letting in the water, and his scanty overcoat was clinging wet about him;
                    that the lights in front of the concert hall were out, and that the rain was
                    driving in sheets between him and the orange glow of the windows above him.
                    There it was, what he wanted—tangibly before him, like the fairy world of a
                    Christmas pantomime, but mocking spirits stood guard at the doors, and, as the
                    rain beat in his face, Paul wondered whether he were destined always to shiver
                    in the black night outside, looking up at it. </p>
                <p> He turned and walked reluctantly toward the car tracks. The end had to come
                    sometime; his father in his night-clothes at the top of the stairs, explanations
                    that did not explain, hastily improvised fictions that were forever tripping him
                    up, his upstairs room and its horrible yellow wall-paper, the creaking bureau
                    with the greasy plush collar box and over his painted wooden bed the pictures of
                    George Washington and John Calvin , and the framed motto, "Feed my Lambs," which
                    had been worked in red worsted by his mother. </p>
                <p> Half an hour later, Paul alighted from his car and went slowly down one of the
                    side streets off the main thoroughfare. It was a highly respectable street,
                    where all the houses were exactly alike, and where business men of moderate
                    means begot and reared large families of children, all of whom went to
                    Sabbath-school and learned the shorter catechism, and were interested in
                    arithmetic; all of whom were as exactly alike as their homes, and of a piece
                    with the monotony in which they lived. Paul never went up Cordelia Street
                    without a shudder of loathing . His home was next to the house of the Cumberland
                    minister. He approached it to-night with the nerveless sense of defeat, the
                    hopeless feeling of sinking back forever into ugliness and commonness that he
                    always had when he came home. The moment he turned into Cordelia Street he felt
                    the waters close above his head. After each of these orgies of living, he
                    experienced all the physical depression which follows a debauch; the loathing of
                    respectable beds, of common food, of a house penetrated by kitchen odors; a
                    shuddering repulsion for the flavorless , colorless mass of every-day existence;
                    a morbid desire for cool things and soft lights and fresh flowers. </p>
                <p>The nearer he approached the house, the more absolutely unequal Paul felt to the
                    sight of it all; his ugly sleeping chamber, the cold bath-room, with the grimy
                    zinc tub, the cracked mirror, the dripping spigots, his father at the top of the
                    stairs, his hairy legs sticking out from his night-shirt, his feet thrust into
                    carpet slippers. He was so much later than usual that there would certainly be
                    inquiries and reproaches. Paul stopped short before the door. He felt that he
                    could not be accosted by his father to-night, that he could not toss again on
                    that miserable bed. He would not go in. He would tell his father that he had no
                    car fare, and it was raining so hard he had gone home with one of the boys and
                    stayed all night.</p>
                <pb facs="pageImages/77.jpg" n="77"/>
                <p> Meanwhile, he was wet and cold. He went around to the back of the house and
                    tried one of the basement windows, found it open, raised it cautiously, and
                    scrambled down the cellar wall to the floor. There he stood, holding his breath,
                    terrified by the noise he had made, but the floor above him was silent, and
                    there was no creak on the stairs. He found a soap box, and carried it over to
                    the soft ring of light that streamed from the furnace door, and sat down. He was
                    horribly afraid of rats, so he did not try to sleep, but sat looking
                    distrustfully at the dark, still terrified least he might have awakened his
                    father. In such reactions, after one of the experiences which made days and
                    nights out of the dreary blanks of the calendar, when his senses were deadened ,
                    Paul's head was always singularly clear. Suppose his father had heard him
                    getting in at the window, and come down and shot him for a burglar? Then, again,
                    suppose his father had come down, pistol in hand, and he had cried out in time
                    to save himself, and his father had been horrified to think how nearly he had
                    killed him? Then, again, suppose a day should come when his father would
                    remember that night, and wish there had been no warning cry to stay his hand?
                    With this last supposition Paul entertained himself until daybreak. </p>
                <p> The following Sunday was fine; the sodden November chill was broken by the last
                    flash of autumnal summer. In the morning Paul had to go to church and
                    Sabbath-school, as always. On seasonable Sunday afternoons the burghers of
                    Cordelia Street always sat out on their front "stoops," and talked to their
                    neighbors on the next stoop, or called to those across the street in neighborly
                    fashion . The men usually sat on gay cushions placed upon the steps that led
                    down to the sidewalk, while the women, in their Sunday "waists," sat in rockers
                    on the cramped porches, pretending to be greatly at their ease. The children
                    played in the streets; there were so many of them that the place resembled the
                    recreation grounds of a kindergarten . The men on the steps—all in their shirt
                    sleeves, their vests unbuttoned—sat with their legs well apart, their stomachs
                    comfortably protruding, and talked of the prices of things, or told anecdotes of
                    the sagacity of their various chiefs and overlords. They occasionally looked
                    over the multitude of squabbling children, listened affectionately to their
                    high-pitched, nasal voices, smiling to see their own proclivities reproduced in
                    their offspring, and interspersed their legends of the iron kings with remarks
                    about their sons' progress at school, their grades in arithmetic, and the
                    amounts they had saved in their toy banks. </p>
                <p>On this last Sunday of November, Paul sat all the afternoon on the lowest step of
                    his "stoop," staring into the street, while his sisters, in their rockers, were
                    talking to the minister's daughters next door about how many shirt-waists they
                    had made in the last week, and how many waffles some one had eaten at the last
                    church supper. When the weather was warm, and his father was in a particularly
                    jovial frame of mind, the girls made lemonade, which was always brought out in a
                    red glass pitcher, ornamented with forget-me-nots in blue enamel. This the girls
                    thought very fine, and the neighbors always joked about the suspicious color of
                    the pitcher.</p>
                <p> To-day Paul's father sat on the top step, talking to a young man who shifted a
                    restless baby from knee to knee. He happened to be the young man who was daily
                    held up to Paul as a model, and after whom it was his father's dearest hope that
                    he would pattern . This young man was of a ruddy complexion , with a compressed,
                    red mouth, and faded, near-sighted eyes, over which he wore thick spectacles,
                    with gold bows that curved about his ears. He was clerk to one of the magnates
                    of a great steel corporation, and was looked upon in Cordelia Street as a young
                    man with a future. There was a story that, some five years ago—he was now barely
                    twenty-six—he had been a trifle dissipated, but in order to curb his appetites
                    and save the loss of time and strength that a sowing of wild oats might have
                    entailed, he had taken his chief's advice, oft reiterated to his employees, and
                    at twenty-one, had married the first woman whom he could persuade to share his
                    fortunes. She happened to be an angular schoolmistress, much older than he, who
                    also wore thick glasses, and who had now borne him four children, all
                    near-sighted, like herself. </p>
                <p> The young man was relating how his chief, now cruising in the Mediterranean,
                    kept in touch with all the details of the business , arranging his office hours
                    on his yacht just as though he were at home, and " knocking off work enough to
                    keep two stenographers busy." His father told, in turn, the plan his corporation
                    was considering, of putting <pb facs="pageImages/78.jpg" n="78"/> in an electric
                    railway plant at Cairo. Paul snapped his teeth; he had an awful apprehension
                    that they might spoil it all before he got there. Yet he rather liked to hear
                    these legends of the iron kings, that were told and retold on Sundays and
                    holidays; these stories of palaces in Venice, yachts on the Mediterranean, and
                    high play at Monte Carlo appealed to his fancy, and he was interested in the
                    triumphs of these cash-boys who had become famous, though he had no mind for the
                    cash-boy stage. </p>
                <p>After supper was over, and he had helped to dry the dishes, Paul nervously asked
                    his father whether he could go to George's to get some help in his geometry, and
                    still more nervously asked for car fare. This latter request he had to repeat,
                    as his father, on principle, did not like to hear requests for money, whether
                    much or little. He asked Paul whether he could not go to some boy who lived
                    nearer, and told him that he ought not to leave his school work until Sunday;
                    but he gave him the dime. He was not a poor man, but he had a worthy ambition to
                    come up in the world. His only reason for allowing Paul to usher was, that he
                    thought a boy ought to be earning a little.</p>
                <p> Paul bounded up-stairs, scrubbed the greasy odor of the dish-water from his
                    hands with the ill-smelling soap he hated, and then shook over his fingers a few
                    drops of violet water from the bottle he kept hidden in his drawer. He left the
                    house with his geometry conspicuously under his arm, and the moment he got out
                    of Cordelia Street and boarded a downtown car, he shook off the lethargy of two
                    deadening days, and began to live again. </p>
                <p>The leading juvenile of the permanent stock company which played at one of the
                    downtown theatres was an acquaintance of Paul's, and the boy had been invited to
                    drop in at the Sunday-night rehearsals whenever he could. For more than a year
                    Paul had spent every available moment loitering about Charley Edwards's
                    dressing-room. He had won a place among Edwards's following, not only because
                    the young actor, who could not afford to employ a dresser, often found the boy
                    very useful, but because he recognized in Paul something akin to what Churchmen
                    term 'vocation.'</p>
                <p> It was at the theatre and at Carnegie Hall that Paul really lived; the rest was
                    but a sleep and a forgetting. This was Paul's fairy tale, and it had for him all
                    the allurement of a secret love. The moment he inhaled the gassy, painty, dusty
                    odor behind the scenes, he breathed like a prisoner set free, and felt within
                    him the possibility of doing or saying splendid, brilliant, poetic things. The
                    moment the cracked orchestra beat out the overture from "Martha", or jerked at
                    the serenade from "Rigoletto," all stupid and ugly things slid from him, and his
                    senses were deliciously, yet delicately fired. </p>
                <p> Perhaps it was because, in Paul's world, the natural nearly always wore the
                    guise of ugliness, that a certain element of artificiality seemed to him
                    necessary in beauty. Perhaps it was because his experience of life elsewhere was
                    so full of Sabbath-school picnics , petty economies, wholesome advice as to how
                    to succeed in life, and the unescapable odors of cooking, that he found this
                    existence so alluring, these smartly clad men and women so attractive, that he
                    was so moved by these starry apple orchards that bloomed perennially under the
                    lime-light. </p>
                <p> It would be difficult to put it strongly enough how convincingly the stage
                    entrance of that theatre was for Paul the actual portal of Romance. Certainly
                    none of the company ever suspected it, least of all Charley Edwards . It was
                    very like the old stories that used to float about London of fabulously rich
                    Jews, who had subterranean halls there; with palms, and fountains, and soft
                    lamps, and richly appareled women who never saw the disenchanting light of
                    London day. So, in the midst of that smoke-palled city, enamored of figures and
                    grimy toil, Paul had his secret temple, his wishing carpet, his bit of
                    blue-and-white Mediterranean shore bathed in perpetual sunshine. </p>
                <p> Several of Paul's teachers had a theory that his imagination had been perverted
                    by garish fiction, but the truth was that he scarcely ever read at all. The
                    books at home were not such as would either tempt or corrupt a youthful mind,
                    and as for reading the novels that some of his friends urged upon him—well, he
                    got what he wanted much more quickly from music; any sort of music , from an
                    orchestra to a barrel-organ. He needed only the spark, the indescribable thrill
                    that made his imagination master of his senses, and he could make plots and
                    pictures enough of his own. It was equally true that he was not
                    stage-struck—not, at any rate, in the usual acceptation of that <pb facs="pageImages/79.jpg" n="79"/> expression. He had no desire to become an
                    actor, any more than he had to become a musician. He felt no necessity to do any
                    of these things; what he wanted was to see, to be in the atmosphere, float on
                    the wave of it, to be carried out, blue league after blue league, away from
                    everything. </p>
                <p> After a night behind the scenes, Paul found the school-room more than ever
                    repulsive : the bare floors and naked walls, the prosy men who never wore
                    frock-coats, or violets in their button-holes; the women with their dull gowns,
                    shrill voices, and pitiful seriousness about prepositions that govern the
                    dative. He could not bear to have the other pupils think, for a moment, that he
                    took these people seriously; he must convey to them that he considered it all
                    trivial, and was there only by way of a jest, anyway. He had autograph pictures
                    of all the members of the stock company, which he showed his classmates, telling
                    them the most incredible stories of his familiarity with these people, of his
                    acquaintance with the soloists who came to Carnegie Hall, his suppers with them
                    and the flowers he sent them. When these stories lost their effect, and his
                    audience grew listless, he became desperate and would bid all the boys
                    good-night, announcing that he was going to travel for a while, going to Naples,
                    to Venice, to Egypt. Then, next Monday, he would slip back, conscious, and
                    nervously smiling; his sister was ill, and he should have to defer his voyage
                    until spring. </p>
                <p> Matters went steadily worse with Paul at school. In the itch to let his
                    instructors know how heartily he despised them and their homilies, and how
                    thoroughly he was appreciated elsewhere, he mentioned once or twice that he had
                    no time to fool with theorems; adding, with a twitch of the eyebrows and a touch
                    of that nervous bravado which so perplexed them, that he was helping the people
                    down at the stock company; they were old friends of his. </p>
                <p> The upshot of the matter was, that the principal went to Paul's father, and Paul
                    was taken out of school and put to work. The manager at Carnegie Hall was told
                    to get another usher in his stead, the doorkeeper at the theatre was warned not
                    to admit him to the house, and Charley Edwards remorsefully promised the boy's
                    father not to see him again. </p>
                <p> The members of the stock company were vastly amused when some of Paul's stories
                    reached them—especially the women. They were hard-working women, most of them
                    supporting indigent husbands or brothers, and they laughed rather bitterly at
                    having stirred the boy to such fervid and florid inventions . They agreed with
                    the faculty and with his father that Paul's was a bad case. </p>
            </div>
            <div type="section" n="2">
                <head type="sub">II</head>
                <p> The east-bound train was plowing through a January snow-storm; the dull dawn was
                    beginning to show gray, when the engine whistled a mile out of <placeName type="tgn" key="7014218">Newark</placeName>. Paul
                    started up from the seat where he had lain curled in uneasy slumber, rubbed the
                    breath-misted window-glass with his hand, and peered out. The snow was whirling
                    in curling eddies above the white bottom-lands, and the drifts lay already deep
                    in the fields and along the fences, while here and there the long dead grass and
                    dried weed stalks protruded black above it. Lights shone from the scattered
                    houses, and a gang of laborers who stood beside the track waved their lanterns. </p>
                <p>Paul had slept very little, and he felt grimy and uncomfortable. He had made the
                    all-night journey in a day coach, partly because he was ashamed, dressed as he
                    was, to go into a Pullman, and partly because he was afraid of being seen there
                    by some <placeName type="tgn" key="7013927">Pittsburg</placeName> business man,
                    who might have noticed him in Denny &amp; Carson's office. When the whistle
                    awoke him, he clutched quickly at his breast pocket, glancing about him with an
                    uncertain smile. But the little, clay-bespattered Italians were still sleeping,
                    the slatternly women across the aisle were in open-mouthed oblivion, and even
                    the crumby, crying babies were for the nonce stilled. Paul settled back to
                    struggle with his impatience as best he could.</p>
                <p> When he arrived at the Jersey City station , Paul hurried through his breakfast,
                    manifestly ill at ease and keeping a sharp eye about him. After he reached the
                    Twenty-third Street station, he consulted a cabman, and had himself driven to a
                    men's furnishing establishment that was just opening for the day. He spent
                    upward of two hours there, buying with endless reconsidering and great care. His
                    new street suit he put on in the fitting-room; the frock-coat and dress-clothes
                    he had bundled into the cab with his linen. Then he drove to a hatter's and a
                    shoe house. His next errand was at Tiffany's, where he selected his silver and a
                    new scarf-pin. He would not wait to have his silver marked, <pb facs="pageImages/80.jpg" n="80"/> he said. Lastly, he stopped at a trunk shop on
                    Broadway, and had his purchases packed into various traveling bags. </p>
                <p>It was a little after one o'clock when he drove up to the Waldorf, and after
                    settling with the cabman, went into the office. He registered from Washington;
                    said his mother and father had been abroad, and that he had come down to await
                    the arrival of their steamer. He told his story plausibly and had no trouble,
                    since he volunteered to pay for them in advance, in engaging his rooms, a
                    sleeping-room, sitting-room and bath.</p>
                <p> Not once, but a hundred times, Paul had planned this entry into <placeName type="tgn" key="7007567">New York</placeName>. He had
                    gone over every detail of it with Charley Edwards, and in his scrap-book at home
                    there were pages of description about <placeName type="tgn" key="7007567">New York</placeName> hotels, cut from the Sunday
                    papers. When he was shown to his sitting-room on the eighth floor, he saw at a
                    glance that everything was as it should be; there was but one detail in his
                    mental picture that the place did not realize, so he rang for the bell-boy and
                    sent him down for flowers. He moved about nervously until the boy returned,
                    putting away his new linen and fingering it delightedly as he did so. When the
                    flowers came, he put them hastily into water, and then tumbled into a hot bath.
                    Presently he came out of his white bath-room, resplendent in his new silk
                    underwear, and playing with the tassels of his red robe. The snow was whirling
                    so fiercely outside his windows that he could scarcely see across the street but
                    within the air was deliciously soft and fragrant. He put the violets and
                    jonquils on the taboret beside the couch, and threw himself down, with a long
                    sigh, covering himself with a Roman blanket. He was thoroughly tired; he had
                    been in such haste, had stood up to such a strain, covered so much ground in the
                    last twenty-four hours, that he wanted to think how it had all come about.
                    Lulled by the sound of the wind, the warm air, and the cool fragrance of the
                    flowers, he sank into deep, drowsy retrospection. </p>
                <p> It had been wonderfully simple; when they had shut him out of the theatre and
                    concert hall, when they had taken away his bone, the whole thing was virtually
                    determined . The rest was a mere matter of opportunity . The only thing that at
                    all surprised him was his own courage, for he realized well enough that he had
                    always been tormented by fear, a sort of apprehensive dread that, of late years,
                    as the meshes of the lies he had told closed about him, had been pulling the
                    muscles of his body tighter and tighter. Until now, he could not remember the
                    time when he had not been dreading something. Even when he was a little boy, it
                    was always there—behind him, or before, or on either side. There had always been
                    the shadowed corner, the dark place into which he dared not look, but from which
                    something seemed always to be watching him—and Paul had done things that were
                    not pretty to watch, he knew. </p>
                <p>But now he had a curious sense of relief, as though he had at last thrown down
                    the gauntlet to the thing in the corner.</p>
                <p> Yet it was but a day since he had been sulking in the traces; but yesterday
                    afternoon that he had been sent to the bank with Denny &amp; Carson's deposits
                    as usual—but this time he was instructed to leave the book to be balanced. There
                    were above two thousand dollars in checks, and nearly a thousand in the
                    bank-notes which he had taken from the book and quietly transferred to his
                    pocket. At the bank he had made out a new deposit slip. His nerves had been
                    steady enough to permit of his returning to the office, where he had finished
                    his work and asked for a full day's holiday tomorrow , Saturday, giving a
                    perfectly reasonable pretext. The bank-book, he knew, would not be returned
                    before Monday or Tuesday, and his father would be out of town for the next week.
                    From the time he slipped the bank-notes into his pocket until he boarded the
                    night train for <placeName type="tgn" key="7007567">New York</placeName>, he had not known a moment's hesitation. It was not the
                    first time Paul had steered through treacherous waters. </p>
                <p>How astonishingly easy it had all been; here he was, the thing done, and this
                    time there would be no awakening, no figure at the top of the stairs. He watched
                    the snow-flakes whirling by his window until he fell asleep.</p>
                <p> When he awoke, it was three o'clock in the afternoon. He bounded up with a
                    start; half of one of his precious days gone already! He spent more than an hour
                    in dressing, watching every stage of his toilet carefully in the mirror.
                    Everything was quite perfect ; he was exactly the kind of boy he had always
                    wanted to be. </p>
                <p> When he went down-stairs, Paul took a carriage and drove up Fifth Avenue toward
                    the Park. The snow had somewhat abated, carriages and tradesmen's wagons were
                        <pb facs="pageImages/81.jpg" n="81"/> hurrying to and fro in the winter
                    twilight, boys in woollen mufflers were shovelling off the doorsteps, the avenue
                    stages made fine spots of color against the white street. Here and there on the
                    corners were stands, with whole flower gardens blooming under glass cases,
                    against the sides of which the snow-flakes stuck and melted; violets, roses,
                    carnations, lilies of the valley, somehow vastly more lovely and alluring that
                    they blossomed thus unnaturally in the snow. The Park itself was a wonderful
                    stage winter-piece. </p>
                <p> When he returned, the pause of the twilight had ceased, and the tune of the
                    streets had changed. The snow was falling faster, lights streamed from the
                    hotels that reared their dozen stories fearlessly up into the storm, defying the
                    raging Atlantic winds. A long, black stream of carriages poured down the avenue,
                    intersected here and there by other streams, tending horizontally. There were a
                    score of cabs about the entrance of his hotel, and his driver had to wait. Boys
                    in livery were running in and out of the awning that was stretched across the
                    sidewalk, up and down the red velvet carpet laid from the door to the street.
                    Above, about, within it all was the rumble and roar, the hurry and toss of
                    thousands of human beings as hot for pleasure as himself, and on every side of
                    him towered the glaring affirmation of the omnipotence of wealth. </p>
                <p> The boy set his teeth and drew his shoulders together in a spasm of realization;
                    the plot of all dramas, the text of all romances, the nerve-stuff of all
                    sensations was whirling about him like the snow-flakes. He burnt like a faggot
                    in a tempest. </p>
                <p>When Paul went down to dinner, the music of the orchestra came floating up the
                    elevator shaft to greet him. His head whirled as he stepped into the thronged
                    corridor, and he sank back into one of the chairs against the wall to get his
                    breath. The lights, the chatter, the perfumes, the bewildering medley of
                    color—he had for a moment the feeling of not being able to stand it. But only
                    for a moment; these were his own people, he told himself. He went slowly about
                    the corridors, through the writing-rooms, smoking-rooms, reception-rooms, as
                    though he were exploring the chambers of an enchanted palace, built and peopled
                    for him alone.</p>
                <p> When he reached the dining-room he sat down at a table near a window. The
                    flowers, the white linen, the many-colored wine glasses, the gay toilettes of
                    the women, the low popping of corks, the undulating repetitions of the "Blue
                    Danube" from the orchestra, all flooded Paul's dream with bewildering radiance.
                    When the rosy tinge of his champagne was added—that cold, precious, bubbling
                    stuff that creamed and foamed in his glass—Paul wondered that there were honest
                    men in the world at all. This was what all the world was fighting for, he
                    reflected; this was what all the struggle was about. He doubted the reality of
                    his past. Had he ever known a place called Cordelia Street, a place where
                    fagged- looking business men got on the early car; mere rivets in a machine,
                    they seemed to Paul—sickening men, with combings of children's hair always
                    hanging to their coats, and the smell of cooking in their clothes. Cordelia
                    Street—Ah! that belonged to another time and country; had he not always been
                    thus, had he not sat here night after night, from as far back as he could
                    remember, looking pensively over just such shimmering textures and slowly
                    twirling the stem of a glass like this one between his thumb and middle finger?
                    He rather thought he had. </p>
                <p> He was not in the least abashed or lonely. He had no especial desire to meet or
                    to know any of these people; all he demanded was the right to look on and
                    conjecture, to watch the pageant. The mere stage properties were all he
                    contended for. Nor was he lonely later in the evening, in his <hi rend="italic">loge</hi> at the Metropolitan. He was now entirely rid of his nervous
                    misgivings, of his forced aggressiveness , of the imperative desire to show
                    himself different from his surroundings. He felt now that his surroundings
                    explained him. Nobody questioned the purple; he had only to wear it passively.
                    He had only to glance down at his attire to reassure himself that here it would
                    be impossible for anyone to humiliate him. </p>
                <p>He found it hard to leave his beautiful sitting-room to go to bed that night, and
                    sat long watching the raging storm from his turret window. When he went to
                    sleep, it was with the lights turned on in his bedroom; partly because of his
                    old timidity and partly so that, if he should wake in the night, there would be
                    no wretched moment of doubt, no horrible suspicion of yellow wall-paper, or of
                    Washington and Calvin above his bed.</p>
                <p> Sunday morning the city was practically snow-bound. Paul breakfasted late, and
                        <pb facs="pageImages/82.jpg" n="82"/> in the afternoon he fell in with a wild
                    San Francisco boy, a freshman at Yale, who said he had run down for a "little
                    flyer" over Sunday. The young man offered to show Paul the night side of the
                    town, and the two boys went out together after dinner, not returning to the
                    hotel until seven o'clock the next morning. They had started out in the
                    confiding warmth of a champagne friendship , but their parting in the elevator
                    was singularly cool. The freshman pulled himself together to make his train and
                    Paul went to bed. He awoke at two o'clock in the afternoon, very thirsty and
                    dizzy, and rang for ice-water, coffee, and the <placeName type="tgn" key="7013927">Pittsburg</placeName> papers. </p>
                <p> On the part of the hotel management, Paul excited no suspicion. There was this
                    to be said for him, that he wore his spoils with dignity and in no way made
                    himself conspicuous. Even under the glow of his wine he was never boisterous,
                    though he found the stuff like a magician's wand for wonder-building. His chief
                    greediness lay in his ears and eyes, and his excesses were not offensive ones.
                    His dearest pleasures were the gray winter twilights in his sitting-room; his
                    quiet enjoyment of his flowers, his clothes, his wide divan, his cigarette, and
                    his sense of power. He could not remember a time when he had felt so at peace
                    with himself . The mere release from the necessity of petty lying, lying every
                    day and every day, restored his self-respect. He had never lied for pleasure,
                    even at school, but to be noticed and admired, to assert his difference from
                    other Cordelia Street boys; and he felt a good deal more manly, more honest
                    even, now that he had no need for boastful pretensions , now that he could, as
                    his actor friends used to say, "dress the part." It was characteristic that
                    remorse did not occur to him. His golden days went by without a shadow, and he
                    made each as perfect as he could. </p>
                <p> On the eighth day after his arrival in <placeName type="tgn" key="7007567">New York</placeName>, he found the whole affair
                    exploited in the <placeName type="tgn" key="7013927">Pittsburg</placeName>
                    papers, exploited with a wealth of detail which indicated that local news of a
                    sensational nature was at a low ebb. The firm of Denny &amp; Carson announced
                    that the boy's father had refunded the full amount of the theft, and that they
                    had no intention of prosecuting. The Cumberland minister had been interviewed,
                    and expressed his hope of yet reclaiming the motherless boy, and his
                    Sabbath-school teacher declared that she would spare no effort to that end. The
                    rumor had reached <placeName type="tgn" key="7013927">Pittsburg</placeName> that
                    the boy had been seen in a <placeName type="tgn" key="7007567">New York</placeName> hotel, and his father had gone East to find
                    him and bring him home. </p>
                <p>Paul had just come in to dress for dinner; he sank into a chair, weak to the
                    knees, and clasped his head in his hands. It was to be worse than jail, even;
                    the tepid waters of Cordelia Street were to close over him finally and forever.
                    The gray monotony stretched before him in hopeless, unrelieved years;
                    Sabbath-school, Young People's Meeting, the yellow-papered room, the damp
                    dish-towels; it all rushed back upon him with a sickening vividness. He had the
                    old feeling that the orchestra had suddenly stopped, the sinking sensation that
                    the play was over. The sweat broke out on his face, and he sprang to his feet,
                    looked about him with his white, conscious smile, and winked at himself in the
                    mirror. With something of the old childish belief in miracles with which he had
                    so often gone to class, all his lessons unlearned, Paul dressed and dashed
                    whistling down the corridor to the elevator.</p>
                <p> He had no sooner entered the dining-room and caught the measure of the music
                    than his remembrance was lightened by his old elastic power of claiming the
                    moment, mounting with it, and finding it all-sufficient. The glare and glitter
                    about him, the mere scenic accessories had again, and for the last time, their
                    old potency. He would show himself that he was game, he would finish the thing
                    splendidly. He doubted, more than ever, the existence of Cordelia Street, and
                    for the first time he drank his wine recklessly. Was he not, after all, one of
                    those fortunate beings born to the purple, was he not still himself and in his
                    own place? He drummed a nervous accompaniment to the Pagliacci music and looked
                    about him, telling himself over and over that it had paid. </p>
                <p> He reflected drowsily, to the swell of the music and the chill sweetness of his
                    wine, that he might have done it more wisely. He might have caught an outbound
                    steamer and been well out of their clutches before now. But the other side of
                    the world had seemed too far away and too uncertain then; he could not have
                    waited for it; his need had been too sharp. If he had to choose over again, he
                    would do the same thing tomorrow. He looked affectionately about the
                    dining-room, now gilded with a soft mist. Ah, it had paid indeed! </p>
                <pb facs="pageImages/83.jpg" n="83"/>
                <p> Paul was awakened next morning by a painful throbbing in his head and feet. He
                    had thrown himself across the bed without undressing, and had slept with his
                    shoes on. His limbs and hands were lead heavy, and his tongue and throat were
                    parched and burnt. There came upon him one of those fateful attacks of
                    clear-headedness that never occurred except when he was physically exhausted and
                    his nerves hung loose. He lay still and closed his eyes and let the tide of
                    things wash over him. </p>
                <p>His father was in <placeName type="tgn" key="7007567">New York</placeName>; "stopping at some joint or other," he told himself.
                    The memory of successive summers on the front stoop fell upon him like a weight
                    of black water. He had not a hundred dollars left; and he knew now, more than
                    ever, that money was everything, the wall that stood between all he loathed and
                    all he wanted. The thing was winding itself up; he had thought of that on his
                    first glorious day in <placeName type="tgn" key="7007567">New York</placeName>, and had even provided a way to snap the thread.
                    It lay on his dressing-table now; he had got it out last night when he came
                    blindly up from dinner, but the shiny metal hurt his eyes, and he disliked the
                    looks of the thing.</p>
                <p> He rose and moved about with a painful effort, succumbing now and again to
                    attacks of nausea. It was the old depression exaggerated ; all the world had
                    become Cordelia Street. Yet somehow, he was not afraid of anything, was
                    absolutely calm; perhaps because he had looked into the dark corner at last and
                    knew. It was bad enough, what he saw there, but somehow not so bad as his long
                    fear of it had been. He saw everything clearly now. He had a feeling that he had
                    made the best of it, that he had lived the sort of life he was meant to live,
                    and for half an hour he sat staring at the revolver. But he told himself that
                    was not the way, so he went down stairs and took a cab to the ferry. </p>
                <p> When Paul arrived at <placeName type="tgn" key="7014218">Newark</placeName>, he got off the train and took another cab,
                    directing the driver to follow the Pennsylvania tracks out of the town. The snow
                    lay heavy on the roadways and had drifted deep in the open fields. Only here and
                    there the dead grass or dried weed stalks projected, singularly black, above it.
                    Once well into the country, Paul dismissed the carriage and walked, floundering
                    along the tracks, his mind a medley of irrelevant things. He seemed to hold in
                    his brain an actual picture of everything he had seen that morning. He
                    remembered every feature of both his drivers, of the toothless old woman from
                    whom he had bought the red flowers in his coat, the agent from whom he had got
                    his ticket, and all of his fellow-passengers on the ferry. His mind, unable to
                    cope with vital matters near at hand, worked feverishly and deftly at sorting
                    and grouping these images. They made for him a part of the ugliness of the
                    world, of the ache in his head, and the bitter burning on his tongue. He stooped
                    and put a handful of snow into his mouth as he walked, but that, too, seemed
                    hot. When he reached a little hillside, where the tracks ran through a cut some
                    twenty feet below him, he stopped and sat down. </p>
                <p> The carnations in his coat were drooping with the cold, he noticed, their red
                    glory all over. It occurred to him that all the flowers he had seen in the glass
                    cases that first night must have gone the same way, long before this. It was
                    only one splendid breath they had, in spite of their brave mockery at the winter
                    outside the glass, and it was a losing game in the end, it seemed, this revolt
                    against the homilies by which the world is run. Paul took one of the blossoms
                    carefully from his coat and scooped a little hole in the snow, where he covered
                    it up. Then he dozed a while, from his weak condition, seemingly insensible to
                    the cold. </p>
                <p> The sound of an approaching train awoke him, and he started to his feet,
                    remembering only his resolution, and afraid lest he should be too late. He stood
                    watching the approaching locomotive, his teeth chattering, his lips drawn away
                    from them in a frightened smile; once or twice he glanced nervously sidewise, as
                    though he were being watched. When the right moment came, he jumped. As he fell,
                    the folly of his haste occurred to him with merciless clearness , the vastness
                    of what he had left undone . There flashed through his brain, clearer than ever
                    before, the blue of Adriatic water, the yellow of Algerian sands. </p>
                <p> He felt something strike his chest, and that his body was being thrown swiftly
                    through the air, on and on, immeasurably far and fast, while his limbs were
                    gently relaxed . Then, because the picture-making mechanism was crushed, the
                    disturbing visions flashed into black, and Paul dropped back into the immense
                    design of things. </p>
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                            <forename>Aphra</forename>
                            <surname>Behn</surname>
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                        <title>"To the fair Clarinda, who made Love to me, imagin'd more than
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                        <author>
                            <name>
                                <forename>Aphra</forename>
                                <surname>Behn</surname>
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                        <title>Lysidus, or, The lover in Fashion</title>

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                            <pubPlace>
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                            <publisher>Joseph Knight and Francis Saunders</publisher>
                            <date when="1688">1688</date>
                            <note>"To the fair Clarinda, who made Love to me, imagin'd more than
                                Woman" was first published in 1688 in a book entitled <hi rend="italic">Lysidus, or, The lover in Fashion, being an
                                    account from Lycidus to Lysander, of his voyage from the Island
                                    of Love: From the French, By the same Author of the Voyage of
                                    the Isle of Love; Together with a Miscellany of New Poems, by
                                    Several Hands.</hi> The first part of the book is a translation
                                by Aphra Behn of Paul Tallemant's French novel, <hi rend="italic">Voyage de l'isle d'amour</hi>, published in 1663. The second
                                part of the volume, the "Miscellany of New Poems," includes poems by
                                several authors, including Behn. "The the fair Clarinda" is the last
                                poem in the collection, and closes out the volume. We have based our
                                text on the digital surrogate available through the Text Creation
                                Partnership and the Oxford Text Archive. Page images are sourced from the first edition of <hi rend="italic">Lysidus</hi>, provided courtesy of the <ref target="https://catalyst.library.jhu.edu/permalink/01JHU_INST/1lu78g9/alma991040802949707861">John Work Garrett Library at Johns Hopkins University</ref>.</note>

                        </imprint>


                        <extent/>
                        <biblScope>pp 175-76</biblScope>
                        <!-- Indicate page numbers of the poem from the book described in this <monogr> -->

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                    <time from="1660" to="1700">Late Seventeenth Century</time>

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                    selection of primary sources relevant to the study and the teaching of British
                    and American literature. This project is was initially funded by the National
                    Endowment for the Humanities and developed by faculty at The University of
                    Virginia and Marymount University.</p>
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                <interpretation>
                    <p>Research informing these annotations draws on publicly-accessible resources,
                        with links provided where possible. Annotations have also included common
                        knowledge, defined as information that can be found in multiple reliable
                        sources. If you notice an error in these annotations, please contact
                        lic.open.anthology@gmail.com.</p>
                </interpretation>
                <normalization>
                    <p>Original spelling and capitalization is retained, though the long s has been
                        silently modernized and ligatured forms are not encoded.</p>
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        <front>
            <pb n="[TP]" facs="pageImages/TP.png"/>
            <titlePage>
                <docTitle>
                    <titlePart>LYCIDUS:<lb/>OR THE<lb/>Lover in Fashion.<lb/>
                            </titlePart>
                    <titlePart>Being an Account from<lb/>
                                <hi rend="italic">LYCIDUS</hi> to <hi rend="italic">LYSANDER,</hi>
                                <lb/>
                    Of his Voyage from the<lb/>
                    ISLAND of LOVE.<lb/>
                            </titlePart>
                    <titlePart>
                                <hi rend="italic">From the French.</hi>
                                <lb/>
                            </titlePart>
                    <titlePart>By the same AUTHOR<lb/>
                                <hi rend="italic">Of the Voyage to the Isle of LOVE.</hi>
                                <lb/>
                            </titlePart>
                    <titlePart>Together with a<lb/>MISCELLANY<lb/>OF<lb/>New Poems.<lb/>
                            </titlePart>
                    <titlePart>
                                <hi rend="italic">By Several HANDS.<lb/>
                                </hi>
                            </titlePart>
                </docTitle>
               
                <docAuthor/>

                <docImprint>
                    <pubPlace>
                                <placeName type="tgn" key="7008136"/>
                                <hi rend="italic">LONDON: </hi>
                            </pubPlace>
                    <publisher>Printed for <hi rend="italic">Joseph Knight,</hi> and <hi rend="italic">Francis</hi>
                                <lb/>
                                <hi rend="italic">Saunders,</hi>
                            </publisher>
                    <pubPlace>at the <hi rend="italic">Blew Anchor</hi> in the Lower Walk of<lb/>the <hi rend="italic">New-Exchange</hi>,</pubPlace>
                    <docDate>1688</docDate>.
                    <lb/>
                </docImprint>
            </titlePage>
        </front>
        <body>
<pb n="175" facs="pageImages/175.png"/>
            <div type="poem">
                <head type="sub">
                            <hi rend="italic">To the fair</hi> Clarinda, <hi rend="italic">who made Love to me,</hi>
                            <lb/>
                            <hi rend="italic">imagin'd more than Woman. By. Mrs.</hi> B.</head>
                <lg>
                    <l n="1">Fair lovely Maid, or if that Title be</l>
                    <l n="2">Too weak, too Feminine for Nobler thee,</l>
                    <l n="3">Permit a Name that more Approaches Truth:</l>
                    <l n="4">And let me call thee, Lovely Charming Youth.</l>
                    <pb n="176" facs="pageImages/176.png"/>
                    <l n="5">This last will justifie my soft complaint,</l>
                    <l n="6">While that may serve to lessen my constraint;</l>
                    <l n="7">And without Blushes I the Youth persue,</l>
                    <l n="8">When so much beauteous Woman is in view.</l>
                    <l n="9">Against thy Charms we struggle but in vain</l>
                    <l n="10">With thy deluding Form thou giv'st us pain,</l>
                    <l n="11">While the bright Nymph betrays us to the Swain.</l>
                    <l n="12">In pity to our Sex sure thou wer't sent,</l>
                    <l n="13">That we might Love, and yet be Innocent:</l>
                    <l n="14">For sure no Crime with thee we can commit;</l>
                    <l n="15">Or if we shou'd—thy Form excuses it.</l>
                    <l n="16">For who, that gathers fairest Flowers believes</l>
                    <l n="17">A Snake lies hid beneath the Fragrant Leaves.</l>
                </lg>
                <lg>
                    <l n="18" rend="indent">Thou beauteous Wonder of a different kind,</l>
                    <l n="19">Soft <hi rend="italic">Cloris</hi> with the dear <hi rend="italic">Alexis</hi> join'd; </l>
                    <l n="20">When e'r the Manly part of thee, wou'd plead</l>
                    <l n="21">Thou tempts us with the Image of the Maid,</l>
                    <l n="22">While we the noblest Passions do extend</l>
                    <l n="23"> The Love to <hi rend="italic">Hermes, Aphrodite</hi> the Friend. </l>
                </lg>
            </div>
            <p>FINIS.</p>
        </body>
    </text>
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                     <forename>Walt</forename> 
                     <surname>Whitman</surname>
                     
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                 <addrLine>P. O. Box 400121</addrLine>
                 <addrLine>Charlottesville, VA</addrLine>
                 <addrLine>22904-4121</addrLine>
                 <addrLine>jobrien@virginia.edu</addrLine>
                 <addrLine>lic.open.anthology@gmail.com</addrLine>
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             <availability status="free">
                 
                 <licence target="http://creativecommons.org/licenses/by-sa/4.0/">Published by
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                        <surname>Whitman</surname>
                        
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                  <title>Leaves of Grass</title>

                  <imprint>
                     <pubPlace>
                        <placeName type="tgn" key="7014406">Philadelphia</placeName>
                     </pubPlace>
                     <publisher>David McKay</publisher>
                     <date when="1892">1892</date>
                     <note>Our text is based on the edition of Leaves of Grass created for the UVa etext Center in collaboration with the Walt Whitman Archive.</note>
                    
                     <note>Page images are of the copy of the 1892 edition housed in the Albert Small Special Collections Library at the University of Virginia, and adapted from the surrogates at the Walt Whitman Archive.</note>
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               literature. This project is was initially funded by the National Endowment for the
               Humanities and developed by faculty at The University of Virginia and Marymount
               University.</p>
         </projectDesc>
         <editorialDecl>
            <interpretation>
               <p>Research informing these annotations draws on publicly-accessible resources, with
                  links provided where possible. Annotations have also included common knowledge,
                  defined as information that can be found in multiple reliable sources. If you
                  notice an error in these annotations, please contact
                  lic.open.anthology@gmail.com.</p>
            </interpretation>
            <normalization>
               <p>Original spelling and capitalization is retained, though the long s has been
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               <p>Materials have been transcribed from and checked against first editions, where
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      <body>
         
         <div type="poem">
           
            <pb n="29" facs="pageImages/29.jpg"/>
            
          <lg type="poem">
             
               <head type="main-authorial">SONG OF MYSELF.</head>
               <lg type="section" n="1">
                  
                  <head type="main-authorial">1</head>
                  <lg type="linegroup">
                     <l>I <hi rend="smallcaps">CELEBRATE</hi> myself, and sing myself,</l>
                     <l>And what I assume you shall assume,</l>
                     <l>For every atom belonging to me as good belongs to you.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>I loafe and invite my soul,</l>
                     <l>I lean and loafe at my ease observing a spear of summer grass.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>My tongue, every atom of my blood, form'd from this soil, this </l>
                     <l rend="indent">air,</l>
                     <l>Born here of parents born here from parents the same, and their</l> 
                     <l rend="indent">parents the same,</l>
                     <l>I, now thirty-seven years old in perfect health begin,</l>
                     <l>Hoping to cease not till death.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Creeds and schools in abeyance,</l>
                     <l>Retiring back a while sufficed at what they are, but never forgotten,</l>
                     <l>I harbor for good or bad, I permit to speak at every hazard,</l>
                     <l>Nature without check with original energy.</l>
                  </lg>
               </lg>
               <lg type="section" n="2">
                  <head type="main-authorial">2</head>
                  <lg type="linegroup">
                     <l>Houses and rooms are full of perfumes, the shelves are crowded </l>
                        <l rend="indent">with perfumes,</l>
                     <l>I breathe the fragrance myself and know it and like it,</l>
                     <l>The distillation would intoxicate me also, but I shall not let it.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>The atmosphere is not a perfume, it has no taste of the distillation,</l>
                        <l rend="indent">it is odorless,</l>
                     <l>It is for my mouth forever, I am in love with it,</l>
                     <l>I will go to the bank by the wood and become undisguised and </l>
                        <l rend="indent">naked,</l>
                     <l>I am mad for it to be in contact with me.</l>
                  </lg>
                  <pb n="30" facs="pageImages/30.jpg"/>
               </lg>
                  <lg type="linegroup">
                     <l>The smoke of my own breath,</l>
                     <l>Echoes, ripples, buzz'd whispers, love-root, silk-thread, crotch and </l>
                        <l rend="indent">vine,</l>
                     <l>My respiration and inspiration, the beating of my heart, the pass-</l>
                        <l rend="indent">ing of blood and air through my lungs,</l>
                     <l>The sniff of green leaves and dry leaves, and of the shore and </l>
                        <l rend="indent">dark-color'd sea-rocks, and of hay in the barn,</l>
                     <l>The sound of the belch'd words of my voice loos'd to the eddies </l>
                        <l rend="indent">of the wind,</l>
                     <l>A few light kisses, a few embraces, a reaching around of arms,</l>
                     <l>The play of shine and shade on the trees as the supple boughs </l>
                        <l rend="indent">wag,</l>
                     <l>The delight alone or in the rush of the streets, or along the fields </l>
                        <l rend="indent">and hill-sides,</l>
                     <l>The feeling of health, the full-noon trill, the song of me rising from </l>
                        <l rend="indent">bed and meeting the sun.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Have you reckon'd a thousand acres much? have you reckon'd</l>
                        <l rend="indent">the earth much?</l>
                     <l>Have you practis'd so long to learn to read?</l>
                     <l>Have you felt so proud to get at the meaning of poems?</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Stop this day and night with me and you shall possess the origin </l>
                        <l rend="indent">of all poems,</l>
                     <l>You shall possess the good of the earth and sun, (there are millions </l>
                        <l rend="indent">of suns left,)</l>
                     <l>You shall no longer take things at second or third hand, nor look </l>
                     <l rend="indent">through the eyes of the dead, nor feed on the spectres in </l>
                        <l rend="indent">books,</l>
                     <l>You shall not look through my eyes either, nor take things from me,</l>
                     <l>You shall listen to all sides and filter them from your self.</l>
                  </lg>
               </lg>
               <lg type="section" n="3">
                  <head type="main-authorial">3</head>
                  <lg type="linegroup">
                     <l>I have heard what the talkers were talking, the talk of the begin-</l>
                        <l rend="indent">ning and the end,</l>
                     <l>But I do not talk of the beginning or the end.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>There was never any more inception than there is now,</l>
                     <l>Nor any more youth or age than there is now,</l>
                     <l>And will never be any more perfection than there is now,</l>
                     <l>Nor any more heaven or hell than there is now.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Urge and urge and urge,</l>
                     <l>Always the procreant urge of the world.</l>
                  </lg>
                        </lg>
                  <pb n="31" facs="pageImages/31.jpg"/>
                  <lg type="linegroup">
                     <l>Out of the dimness opposite equals advance, always substance and </l>
                        <l rend="indent">increase, always sex,</l>
                     <l>Always a knit of identity, always distinction, always a breed of life.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>To elaborate is no avail, learn'd and unlearn'd feel that it is so.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Sure as the most certain sure, plumb in the uprights, well entretied,</l>
                        <l rend="indent">braced in the beams,</l>
                     <l>Stout as a horse, affectionate, haughty, electrical,</l>
                     <l>I and this mystery here we stand.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Clear and sweet is my soul, and clear and sweet is all that is not </l>
                        <l rend="indent">my soul.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Lack one lacks both, and the unseen is proved by the seen,</l>
                     <l>Till that becomes unseen and receives proof in its turn.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Showing the best and dividing it from the worst age vexes age,</l>
                     <l>Knowing the perfect fitness and equanimity of things, while they </l>
                        <l rend="indent">discuss I am silent, and go bathe and admire myself.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Welcome is every organ and attribute of me, and of any man </l>
                        <l rend="indent">hearty and clean,</l>
                     <l>Not an inch nor a particle of an inch is vile, and none shall be </l>
                        <l rend="indent">less familiar than the rest.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>I am satisfied—I see, dance, laugh, sing;</l>
                     <l>As the hugging and loving bed-fellow sleeps at my side through </l>
                     <l rend="indent">the night, and withdraws at the peep of the day with </l>
                        <l rend="indent">stealthy tread,</l>
                     <l>Leaving me baskets cover'd with white towels swelling the house </l>
                        <l rend="indent">with their plenty,</l>
                     <l>Shall I postpone my acceptation and realization and scream at my </l>
                        <l rend="indent">eyes,</l>
                     <l>That they turn from gazing after and down the road,</l>
                     <l>And forthwith cipher and show me to a cent,</l>
                     <l>Exactly the value of one and exactly the value of two, and which </l>
                        <l rend="indent">is ahead?</l>
                  </lg>
              
               <lg type="section" n="4">
                  <head type="main-authorial">4</head>
                  <lg type="linegroup">
                     <l>Trippers and askers surround me,</l>
                     <l>People I meet, the effect upon me of my early life or the ward</l>
                        <l rend="indent">and city I live in, or the nation,</l>
                     <l>The latest dates, discoveries, inventions, societies, authors old and </l>
                        <l rend="indent">new,</l>
                     <pb facs="pageImages/32.jpg" n="32"/>
                     <l>My dinner, dress, associates, looks, compliments, dues,</l>
                     <l>The real or fancied indifference of some man or woman I love,</l>
                     <l>The sickness of one of my folks or of myself, or ill-doing or loss or </l>
                                <l rend="indent">lack of money, or depressions or exaltations,</l>
                     <l>Battles, the horrors of fratricidal war, the fever of doubtful news,</l>
                                <l rend="indent">the fitful events;</l>
                     <l>These come to me days and nights and go from me again,</l>
                     <l>But they are not the Me myself.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Apart from the pulling and hauling stands what I am,</l>
                     <l>Stands amused, complacent, compassionating, idle, unitary,</l>
                     <l>Looks down, is erect, or bends an arm on an impalpable certain </l>
                                <l rend="indent">rest,</l>
                     <l>Looking with side-curved head curious what will come next,</l>
                     <l>Both in and out of the game and watching and wondering at it.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Backward I see in my own days where I sweated through fog with </l>
                                <l rend="indent">linguists and contenders,</l>
                     <l>I have no mockings or arguments, I witness and wait.</l>
                  </lg>
               </lg>
               <lg type="section" n="5">
                  <head type="main-authorial">5</head>
                  <lg type="linegroup">
                     <l>I believe in you my soul, the other I am must not abase itself to you,</l>
                     <l>And you must not be abased to the other.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Loafe with me on the grass, loose the stop from your throat,</l>
                     <l>Not words, not music or rhyme I want, not custom or lecture, not </l>
                                <l rend="indent">even the best,</l>
                     <l>Only the lull I like, the hum of your valvèd voice.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>I mind how once we lay such a transparent summer morning,</l>
                     <l>How you settled your head athwart my hips and gently turn'd over </l>
                                <l rend="indent">upon me,</l>
                     <l>And parted the shirt from my bosom-bone, and plunged your </l>
                                <l rend="indent">tongue to my bare-stript heart,</l>
                     <l>And reach'd till you felt my beard, and reach'd till you held my </l>
                                <l rend="indent">feet.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Swiftly arose and spread around me the peace and knowledge that </l>
                                <l rend="indent">pass all the argument of the earth,</l>
                     <l>And I know that the hand of God is the promise of my own,</l>
                     <l>And I know that the spirit of God is the brother of my own,</l>
                     <l>And that all the men ever born are also my brothers, and the </l>
                                <l rend="indent">women my sisters and lovers,</l>
                     <l>And that a kelson of the creation is love,</l>
                     <l>And limitless are leaves stiff or drooping in the fields,</l>
                  </lg>
                  <pb facs="pageImages/33.jpg" n="33"/>
                        </lg>
                  <lg type="linegroup">
                     <l>And brown ants in the little wells beneath them,</l>
                     <l>And mossy scabs of the worm fence, heap'd stones, elder, mullein </l>
                            <l rend="indent">and poke-weed.</l>
                  </lg>
               
               <lg type="section" n="6">
                  <head type="main-authorial">6</head>
                  <lg type="linegroup">
                     <l>A child said <hi rend="italic">What is the grass?</hi> fetching it to me with full hands;</l>
                     <l>How could I answer the child? I do not know what it is any </l>
                                <l rend="indent">more than he.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>I guess it must be the flag of my disposition, out of hopeful green </l>
                                <l rend="indent">stuff woven.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Or I guess it is the handkerchief of the Lord,</l>
                     <l>A scented gift and remembrancer designedly dropt,</l>
                     <l>Bearing the owner's name someway in the corners, that we may </l>
                                <l rend="indent">see and remark, and say <hi rend="italic">Whose?</hi> 
                     </l>
                  </lg>
                  <lg type="linegroup">
                     <l>Or I guess the grass is itself a child, the produced babe of the </l>
                                <l rend="indent">vegetation.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Or I guess it is a uniform hieroglyphic,</l>
                     <l>And it means, Sprouting alike in broad zones and narrow zones,</l>
                     <l>Growing among black folks as among white,</l>
                     <l>Kanuck, Tuckahoe, Congressman, Cuff, I give them the same, I </l>
                                <l rend="indent">receive them the same.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>And now it seems to me the beautiful uncut hair of graves.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Tenderly will I use you curling grass,</l>
                     <l>It may be you transpire from the breasts of young men,</l>
                     <l>It may be if I had known them I would have loved them,</l>
                     <l>It may be you are from old people, or from offspring taken soon </l>
                                <l rend="indent">out of their mothers' laps,</l>
                     <l>And here you are the mothers' laps.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>This grass is very dark to be from the white heads of old mothers,</l>
                     <l>Darker than the colorless beards of old men,</l>
                     <l>Dark to come from under the faint red roofs of mouths.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>O I perceive after all so many uttering tongues,</l>
                     <l>And I perceive they do not come from the roofs of mouths for </l>
                                <l rend="indent">nothing.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>I wish I could translate the hints about the dead young men and </l>
                                <l rend="indent">women,</l>
                     <pb facs="pageImages/34.jpg" n="34"/>
                     <l>And the hints about old men and mothers, and the offspring taken </l>
                                <l rend="indent">soon out of their laps.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>What do you think has become of the young and old men?</l>
                     <l>And what do you think has become of the women and chil-</l>
                                <l rend="indent">dren?</l>
                  </lg>
                  <lg type="linegroup">
                     <l>They are alive and well somewhere,</l>
                     <l>The smallest sprout shows there is really no death,</l>
                     <l>And if ever there was it led forward life, and does not wait at the </l>
                                <l rend="indent">end to arrest it,</l>
                     <l>And ceas'd the moment life appear'd.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>All goes onward and outward, nothing collapses,</l>
                     <l>And to die is different from what any one supposed, and luckier.</l>
                  </lg>
               </lg>
               <lg type="section" n="7">
                  <head type="main-authorial">7</head>
                  <lg type="linegroup">
                     <l>Has any one supposed it lucky to be born?</l>
                     <l>I hasten to inform him or her it is just as lucky to die, and I </l>
                                <l rend="indent">know it.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>I pass death with the dying and birth with the new-wash'd babe,</l>
                                <l rend="indent">and am not contain'd between my hat and boots,</l>
                     <l>And peruse manifold objects, no two alike and every one good,</l>
                     <l>The earth good and the stars good, and their adjuncts all good.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>I am not an earth nor an adjunct of an earth,</l>
                     <l>I am the mate and companion of people, all just as immortal and </l>
                                <l rend="indent">fathomless as myself,</l>
                     <l>(They do not know how immortal, but I know.)</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Every kind for itself and its own, for me mine male and female,</l>
                     <l>For me those that have been boys and that love women,</l>
                     <l>For me the man that is proud and feels how it stings to be </l>
                                <l rend="indent">slighted,</l>
                     <l>For me the sweet-heart and the old maid, for me mothers and the </l>
                                <l rend="indent">mothers of mothers,</l>
                     <l>For me lips that have smiled, eyes that have shed tears,</l>
                     <l>For me children and the begetters of children.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Undrape! you are not guilty to me, nor stale nor discarded,</l>
                     <l>I see through the broadcloth and gingham whether or no,</l>
                     <l>And am around, tenacious, acquisitive, tireless, and cannot be </l>
                                <l rend="indent">shaken away.</l>
                  </lg>
               </lg>
            <pb facs="pageImages/35.jpg" n="35"/>
               <lg type="section" n="8">
                  <head type="main-authorial">8</head>
                  <lg type="linegroup">
                     <l>The little one sleeps in its cradle,</l>
                     <l>I lift the gauze and look a long time, and silently brush away flies </l>
                                <l rend="indent">with my hand.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>The youngster and the red-faced girl turn aside up the bushy hill,</l>
                     <l>I peeringly view them from the top.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>The suicide sprawls on the bloody floor of the bedroom,</l>
                     <l>I witness the corpse with its dabbled hair, I note where the pistol </l>
                                <l rend="indent">has fallen.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>The blab of the pave, tires of carts, sluff of boot-soles, talk of the </l>
                                <l rend="indent">promenaders,</l>
                     <l>The heavy omnibus, the driver with his interrogating thumb, the </l>
                                <l rend="indent">clank of the shod horses on the granite floor,</l>
                     <l>The snow-sleighs, clinking, shouted jokes, pelts of snow-balls,</l>
                     <l>The hurrahs for popular favorites, the fury of rous'd mobs,</l>
                     <l>The flap of the curtain'd litter, a sick man inside borne to the </l>
                                <l rend="indent">hospital,</l>
                     <l>The meeting of enemies, the sudden oath, the blows and fall,</l>
                     <l>The excited crowd, the policeman with his star quickly working </l>
                                <l rend="indent">his passage to the centre of the crowd,</l>
                     <l>The impassive stones that receive and return so many echoes,</l>
                     <l>What groans of over-fed or half-starv'd who fall sunstruck or in </l>
                                <l rend="indent">fits,</l>
                     <l>What exclamations of women taken suddenly who hurry home and </l>
                                <l rend="indent">give birth to babes,</l>
                     <l>What living and buried speech is always vibrating here, what howls </l>
                                <l rend="indent">restrain'd by decorum,</l>
                     <l>Arrests of criminals, slights, adulterous offers made, acceptances,</l>
                                <l rend="indent">rejections with convex lips,</l>
                     <l>I mind them or the show or resonance of them—I come and I </l>
                                <l rend="indent">depart.</l>
                  </lg>
               </lg>
               <lg type="section" n="9">
                  <head type="main-authorial">9</head>
                  <lg type="linegroup">
                     <l>The big doors of the country barn stand open and ready,</l>
                     <l>The dried grass of the harvest-time loads the slow-drawn wagon,</l>
                     <l>The clear light plays on the brown gray and green intertinged,</l>
                     <l>The armfuls are pack'd to the sagging mow.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>I am there, I help, I came stretch'd atop of the load,</l>
                     <l>I felt its soft jolts, one leg reclined on the other,</l>
                     <l>I jump from the cross-beams and seize the clover and timothy,</l>
                     <l>And roll head over heels and tangle my hair full of wisps.</l>
                  </lg>
               </lg>
            <pb facs="pageImages/36.jpg" n="36"/>
               <lg type="section" n="10">
                  <head type="main-authorial">10</head>
                  <lg type="linegroup">
                     <l>Alone far in the wilds and mountains I hunt,</l>
                     <l>Wandering amazed at my own lightness and glee,</l>
                     <l>In the late afternoon choosing a safe spot to pass the night,</l>
                     <l>Kindling a fire and broiling the fresh-kill'd game,</l>
                     <l>Falling asleep on the gather'd leaves with my dog and gun by my </l>
                                <l rend="indent">side.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>The Yankee clipper is under her sky-sails, she cuts the sparkle and </l>
                                <l rend="indent">scud,</l>
                     <l>My eyes settle the land, I bend at her prow or shout joyously from </l>
                                <l rend="indent">the deck.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>The boatmen and clam-diggers arose early and stopt for me,</l>
                     <l>I tuck'd my trowser-ends in my boots and went and had a good </l>
                                <l rend="indent">time;</l>
                     <l>You should have been with us that day round the chowder-kettle.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>I saw the marriage of the trapper in the open air in the far west,</l>
                                <l rend="indent">the bride was a red girl,</l>
                     <l>Her father and his friends sat near cross-legged and dumbly </l>
                                <l rend="indent">smoking, they had moccasins to their feet and large thick </l>
                                <l rend="indent">blankets hanging from their shoulders,</l>
                     <l>On a bank lounged the trapper, he was drest mostly in skins, his </l>
                                <l rend="indent">luxuriant beard and curls protected his neck, he held his </l>
                                <l rend="indent">bride by the hand,</l>
                     <l>She had long eyelashes, her head was bare, her coarse straight </l>
                                <l rend="indent">locks descended upon her voluptuous limbs and reach'd to </l>
                                <l rend="indent">her feet.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>The runaway slave came to my house and stopt outside,</l>
                     <l>I heard his motions crackling the twigs of the woodpile,</l>
                     <l>Through the swung half-door of the kitchen I saw him limpsy and </l>
                                <l rend="indent">weak,</l>
                     <l>And went where he sat on a log and led him in and assured him,</l>
                     <l>And brought water and fill'd a tub for his sweated body and bruis'd </l>
                                <l rend="indent">feet,</l>
                     <l>And gave him a room that enter'd from my own, and gave him </l>
                                <l rend="indent">some coarse clean clothes,</l>
                     <l>And remember perfectly well his revolving eyes and his awkwardness,</l>
                     <l>And remember putting plasters on the galls of his neck and ankles;</l>
                     <l>He staid with me a week before he was recuperated and pass'd </l>
                                <l rend="indent">north,</l>
                     <l>I had him sit next me at table, my fire-lock lean'd in the corner.</l>
                  </lg>
               </lg>
            <pb facs="pageImages/37.jpg" n="37"/>
               <lg type="section" n="11">
                  <head type="main-authorial">11</head>
                  <lg type="linegroup">
                     <l>Twenty-eight young men bathe by the shore,</l>
                     <l>Twenty-eight young men and all so friendly;</l>
                     <l>Twenty-eight years of womanly life and all so lonesome.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>She owns the fine house by the rise of the bank,</l>
                     <l>She hides handsome and richly drest aft the blinds of the window.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Which of the young men does she like the best?</l>
                     <l>Ah the homeliest of them is beautiful to her.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Where are you off to, lady? for I see you,</l>
                     <l>You splash in the water there, yet stay stock still in your room.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Dancing and laughing along the beach came the twenty-ninth bather,</l>
                     <l>The rest did not see her, but she saw them and loved them.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>The beards of the young men glisten'd with wet, it ran from their </l>
                                <l rend="indent">long hair,</l>
                     <l>Little streams pass'd all over their bodies.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>An unseen hand also pass'd over their bodies,</l>
                     <l>It descended tremblingly from their temples and ribs.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>The young men float on their backs, their white bellies bulge to </l>
                                <l rend="indent">the sun, they do not ask who seizes fast to them,</l>
                     <l>They do not know who puffs and declines with pendant and bend-</l>
                                <l rend="indent">ing arch,</l>
                     <l>They do not think whom they souse with spray.</l>
                  </lg>
               </lg>
               <lg type="section" n="12">
                  <head type="main-authorial">12</head>
                  <lg type="linegroup">
                     <l>The butcher-boy puts off his killing-clothes, or sharpens his knife </l>
                                <l rend="indent">at the stall in the market,</l>
                     <l>I loiter enjoying his repartee and his shuffle and break-down.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Blacksmiths with grimed and hairy chests environ the anvil,</l>
                     <l>Each has his main-sledge, they are all out, there is a great heat in </l>
                                <l rend="indent">the fire.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>From the cinder-strew'd threshold I follow their movements,</l>
                     <l>The lithe sheer of their waists plays even with their massive arms,</l>
                     <l>Overhand the hammers swing, overhand so slow, overhand so </l>
                                <l rend="indent">sure,</l>
                     <l>They do not hasten, each man hits in his place.</l>
                  </lg>
               </lg>
            <pb facs="pageImages/38.jpg" n="38"/>
               <lg type="section" n="13">
                  <head type="main-authorial">13</head>
                  <lg type="linegroup">
                     <l>The negro holds firmly the reins of his four horses, the block swags </l>
                                <l rend="indent">underneath on its tied-over chain,</l>
                     <l>The negro that drives the long dray of the stone-yard, steady and </l>
                                <l rend="indent">tall he stands pois'd on one leg on the string-piece,</l>
                     <l>His blue shirt exposes his ample neck and breast and loosens over </l>
                                <l rend="indent">his hip-band,</l>
                     <l>His glance is calm and commanding, he tosses the slouch of his </l>
                                <l rend="indent">hat away from his forehead,</l>
                     <l>The sun falls on his crispy hair and mustache, falls on the black </l>
                                <l rend="indent">of his polish'd and perfect limbs.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>I behold the picturesque giant and love him, and I do not stop </l>
                                <l rend="indent">there,</l>
                     <l>I go with the team also.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>In me the caresser of life wherever moving, backward as well as </l>
                                <l rend="indent">forward sluing,</l>
                     <l>To niches aside and junior bending, not a person or object miss-</l>
                                <l rend="indent">ing,</l>
                     <l>Absorbing all to myself and for this song.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Oxen that rattle the yoke and chain or halt in the leafy shade,</l>
                                <l rend="indent">what is that you express in your eyes?</l>
                     <l>It seems to me more than all the print I have read in my life.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>My tread scares the wood-drake and wood-duck on my distant and </l>
                                <l rend="indent">day-long ramble,</l>
                     <l>They rise together, they slowly circle around.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>I believe in those wing'd purposes,</l>
                     <l>And acknowledge red, yellow, white, playing within me,</l>
                     <l>And consider green and violet and the tufted crown intentional,</l>
                     <l>And do not call the tortoise unworthy because she is not something </l>
                                <l rend="indent">else,</l>
                     <l>And the jay in the woods never studied the gamut, yet trills pretty </l>
                                <l rend="indent">well to me,</l>
                     <l>And the look of the bay mare shames silliness out of me.</l>
                  </lg>
               </lg>
               <lg type="section" n="14">
                  <head type="main-authorial">14</head>
                  <lg type="linegroup">
                     <l>The wild gander leads his flock through the cool night,</l>
                     <l>
                        <hi rend="italic">Ya-honk</hi> he says, and sounds it down to me like an invitation,</l>
                     <l>The pert may suppose it meaningless, but I listening close,</l>
                     <l>Find its purpose and place up there toward the wintry sky.</l>
                  </lg>
                        </lg>
            <pb facs="pageImages/39.jpg" n="39"/>
                  <lg type="linegroup">
                     <l>The sharp-hoof'd moose of the north, the cat on the house-sill,</l>
                            <l rend="indent">the chickadee, the prairie-dog,</l>
                     <l>The litter of the grunting sow as they tug at her teats,</l>
                     <l>The brood of the turkey-hen and she with her half-spread wings,</l>
                     <l>I see in them and myself the same old law.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>The press of my foot to the earth springs a hundred affections,</l>
                     <l>They scorn the best I can do to relate them.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>I am enamour'd of growing out-doors,</l>
                     <l>Of men that live among cattle or taste of the ocean or woods,</l>
                     <l>Of the builders and steerers of ships and the wielders of axes and </l>
                            <l rend="indent">mauls, and the drivers of horses,</l>
                     <l>I can eat and sleep with them week in and week out.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>What is commonest, cheapest, nearest, easiest, is Me,</l>
                     <l>Me going in for my chances, spending for vast returns,</l>
                     <l>Adorning myself to bestow myself on the first that will take me,</l>
                     <l>Not asking the sky to come down to my good will,</l>
                     <l>Scattering it freely forever.</l>
                  </lg>
         
               <lg type="section" n="15">
                  <head type="main-authorial">15</head>
                  <lg type="linegroup">
                     <l>The pure contralto sings in the organ loft,</l>
                     <l>The carpenter dresses his plank, the tongue of his foreplane whistles </l>
                                <l rend="indent">its wild ascending lisp,</l>
                     <l>The married and unmarried children ride home to their Thanks-</l>
                                <l rend="indent">giving dinner,</l>
                     <l>The pilot seizes the king-pin, he heaves down with a strong arm,</l>
                     <l>The mate stands braced in the whale-boat, lance and harpoon are </l>
                                <l rend="indent">ready,</l>
                     <l>The duck-shooter walks by silent and cautious stretches,</l>
                     <l>The deacons are ordain'd with cross'd hands at the altar,</l>
                     <l>The spinning-girl retreats and advances to the hum of the big </l>
                                <l rend="indent">wheel,</l>
                     <l>The farmer stops by the bars as he walks on a First-day loafe and </l>
                                <l rend="indent">looks at the oats and rye,</l>
                     <l>The lunatic is carried at last to the asylum a confirm'd case,</l>
                     <l>(He will never sleep any more as he did in the cot in his mother's </l>
                                <l rend="indent">bed-room;)</l>
                     <l>The jour printer with gray head and gaunt jaws works at his case,</l>
                     <l>He turns his quid of tobacco while his eyes blurr with the ]manu-</l>
                                <l rend="indent">script;</l>
                     <l>The malform'd limbs are tied to the surgeon's table,</l>
                     <l>What is removed drops horribly in a pail;</l>
                     <pb facs="pageImages/40.jpg" n="40"/>
                     <l>The quadroon girl is sold at the auction-stand, the drunkard nods </l>
                                <l rend="indent">by the bar-room stove,</l>
                     <l>The machinist rolls up his sleeves, the policeman travels his beat,</l>
                                <l rend="indent">the gate-keeper marks who pass,</l>
                     <l>The young fellow drives the express-wagon, (I love him, though </l>
                                <l rend="indent">I do not know him;)</l>
                     <l>The half-breed straps on his light boots to compete in the race,</l>
                     <l>The western turkey-shooting draws old and young, some lean on </l>
                                <l rend="indent">their rifles, some sit on logs,</l>
                     <l>Out from the crowd steps the marksman, takes his position, levels </l>
                                <l rend="indent">his piece;</l>
                     <l>The groups of newly-come immigrants cover the wharf or levee,</l>
                     <l>As the woolly-pates hoe in the sugar-field, the overseer views them </l>
                                <l rend="indent">from his saddle,</l>
                     <l>The bugle calls in the ball-room, the gentlemen run for their part-</l>
                                <l rend="indent">ners, the dancers bow to each other,</l>
                     <l>The youth lies awake in the cedar-roof'd garret and harks to the </l>
                                <l rend="indent">musical rain,</l>
                     <l>The Wolverine sets traps on the creek that helps fill the Huron,</l>
                     <l>The squaw wrapt in her yellow-hemm'd cloth is offering moccasins </l>
                                <l rend="indent">and bead-bags for sale,</l>
                     <l>The connoisseur peers along the exhibition-gallery with half-shut </l>
                                <l rend="indent">eyes bent sideways,</l>
                     <l>As the deck-hands make fast the steamboat the plank is thrown for </l>
                                <l rend="indent">the shore-going passengers,</l>
                     <l>The young sister holds out the skein while the elder sister winds it </l>
                                <l rend="indent">off in a ball, and stops now and then for the knots,</l>
                     <l>The one-year wife is recovering and happy having a week ago </l>
                                <l rend="indent">borne her first child,</l>
                     <l>The clean-hair'd Yankee girl works with her sewing-machine or in </l>
                                <l rend="indent">the factory or mill,</l>
                     <l>The paving-man leans on his two-handed rammer, the reporter's </l>
                                <l rend="indent">lead flies swiftly over the note-book, the sign-painter is </l>
                                <l rend="indent">lettering with blue and gold,</l>
                     <l>The canal boy trots on the tow-path, the book-keeper counts at </l>
                                <l rend="indent">his desk, the shoemaker waxes his thread,</l>
                     <l>The conductor beats time for the band and all the performers </l>
                                <l rend="indent">follow him,</l>
                     <l>The child is baptized, the convert is making his first professions,</l>
                     <l>The regatta is spread on the bay, the race is begun, (how the </l>
                                <l rend="indent">white sails sparkle!)</l>
                     <l>The drover watching his drove sings out to them that would </l>
                                <l rend="indent">stray,</l>
                     <l>The pedler sweats with his pack on his back, (the purchaser hig-</l>
                                <l rend="indent">gling about the odd cent;)</l>
                     <pb facs="pageImages/41.jpg" n="41"/>
                     <l>The bride unrumples her white dress, the minute-hand of the clock </l>
                                <l rend="indent">moves slowly,</l>
                     <l>The opium-eater reclines with rigid head and just-open'd lips,</l>
                     <l>The prostitute draggles her shawl, her bonnet bobs on her tipsy </l>
                                <l rend="indent">and pimpled neck,</l>
                     <l>The crowd laugh at her blackguard oaths, the men jeer and wink </l>
                                <l rend="indent">to each other,</l>
                     <l>(Miserable! I do not laugh at your oaths nor jeer you;)</l>
                     <l>The President holding a cabinet council is surrounded by the great </l>
                                <l rend="indent">Secretaries,</l>
                     <l>On the piazza walk three matrons stately and friendly with twined </l>
                                <l rend="indent">arms,</l>
                     <l>The crew of the fish-smack pack repeated layers of halibut in the </l>
                                <l rend="indent">hold,</l>
                     <l>The Missourian crosses the plains toting his wares and his cattle,</l>
                     <l>As the fare-collector goes through the train he gives notice by the </l>
                                <l rend="indent">jingling of loose change,</l>
                     <l>The floor-men are laying the floor, the tinners are tinning the roof,</l>
                                <l rend="indent">the masons are calling for mortar,</l>
                     <l>In single file each shouldering his hod pass onward the laborers;</l>
                     <l>Seasons pursuing each other the indescribable crowd is gather'd,</l>
                                <l rend="indent">it is the fourth of Seventh-month, (what salutes of cannon </l>
                                <l rend="indent">and small arms!)</l>
                     <l>Seasons pursuing each other the plougher ploughs, the mower </l>
                                <l rend="indent">mows, and the winter-grain falls in the ground;</l>
                     <l>Off on the lakes the pike-fisher watches and waits by the hole in </l>
                                <l rend="indent">the frozen surface,</l>
                     <l>The stumps stand thick round the clearing, the squatter strikes </l>
                                <l rend="indent">deep with his axe,</l>
                     <l>Flatboatmen make fast towards dusk near the cotton-wood or </l>
                                <l rend="indent">pecan-trees,</l>
                     <l>Coon-seekers go through the regions of the Red river or through </l>
                                <l rend="indent">those drain'd by the Tennessee, or through those of the </l>
                                <l rend="indent">Arkansas,</l>
                     <l>Torches shine in the dark that hangs on the Chattahooche or </l>
                                <l rend="indent">Altamahaw,</l>
                     <l>Patriarchs sit at supper with sons and grandsons and great-grand-</l>
                                <l rend="indent">sons around them,</l>
                     <l>In walls of adobie, in canvas tents, rest hunters and trappers after </l>
                                <l rend="indent">their day's sport,</l>
                     <l>The city sleeps and the country sleeps,</l>
                     <l>The living sleep for their time, the dead sleep for their time,</l>
                     <l>The old husband sleeps by his wife and the young husband sleeps </l>
                                <l rend="indent">by his wife;</l>
                     <l>And these tend inward to me, and I tend outward to them,</l>
                     <pb facs="pageImages/42.jpg" n="42"/>
                     <l>And such as it is to be of these more or less I am,</l>
                     <l>And of these one and all I weave the song of myself.</l>
                  </lg>
               </lg>
               <lg type="section" n="16">
                  <head type="main-authorial">16</head>
                  <lg type="linegroup">
                     <l>I am of old and young, of the foolish as much as the wise,</l>
                     <l>Regardless of others, ever regardful of others,</l>
                     <l>Maternal as well as paternal, a child as well as a man,</l>
                     <l>Stuff'd with the stuff that is coarse and stuff'd with the stuff that </l>
                                <l rend="indent">is fine,</l>
                     <l>One of the Nation of many nations, the smallest the same and the </l>
                                <l rend="indent">largest the same,</l>
                     <l>A Southerner soon as a Northerner, a planter nonchalant and </l>
                                <l rend="indent">hospitable down by the Oconee I live,</l>
                     <l>A Yankee bound my own way ready for trade, my joints the </l>
                                <l rend="indent">limberest joints on earth and the sternest joints on </l>
                                <l rend="indent">earth,</l>
                     <l>A Kentuckian walking the vale of the Elkhorn in my deer-skin </l>
                                <l rend="indent">leggings, a Louisianian or Georgian,</l>
                     <l>A boatman over lakes or bays or along coasts, a Hoosier, Badger,</l>
                                <l rend="indent">Buckeye;</l>
                     <l>At home on Kanadian snow-shoes or up in the bush, or with </l>
                                <l rend="indent">fishermen off Newfoundland,</l>
                     <l>At home in the fleet of ice-boats, sailing with the rest and tack-</l>
                                <l rend="indent">ing,</l>
                     <l>At home on the hills of Vermont or in the woods of Maine, or the </l>
                                <l rend="indent">Texan ranch,</l>
                     <l>Comrade of Californians, comrade of free North-Westerners, (lov-</l>
                                <l rend="indent">ing their big proportions,)</l>
                     <l>Comrade of raftsmen and coalmen, comrade of all who shake </l>
                                <l rend="indent">hands and welcome to drink and meat,</l>
                     <l>A learner with the simplest, a teacher of the thoughtfullest,</l>
                     <l>A novice beginning yet experient of myriads of seasons,</l>
                     <l>Of every hue and caste am I, of every rank and religion,</l>
                     <l>A farmer, mechanic, artist, gentleman, sailor, quaker,</l>
                     <l>Prisoner, fancy-man, rowdy, lawyer, physician, priest.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>I resist any thing better than my own diversity,</l>
                     <l>Breathe the air but leave plenty after me,</l>
                     <l>And am not stuck up, and am in my place.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>(The moth and the fish-eggs are in their place,</l>
                     <l>The bright suns I see and the dark suns I cannot see are in their </l>
                                <l rend="indent">place,</l>
                     <l>The palpable is in its place and the impalpable is in its place.)</l>
                  </lg>
               </lg>
            <pb facs="pageImages/43.jpg" n="43"/>
               <lg type="section" n="17">
                  <head type="main-authorial">17</head>
                  <lg type="linegroup">
                     <l>These are really the thoughts of all men in all ages and lands, they </l>
                                <l rend="indent">are not original with me,</l>
                     <l>If they are not yours as much as mine they are nothing, or next </l>
                                <l rend="indent">to nothing,</l>
                     <l>If they are not the riddle and the untying of the riddle they are </l>
                                <l rend="indent">nothing,</l>
                     <l>If they are not just as close as they are distant they are nothing.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>This is the grass that grows wherever the land is and the water is,</l>
                     <l>This the common air that bathes the globe.</l>
                  </lg>
               </lg>
               <lg type="section" n="18">
                  <head type="main-authorial">18</head>
                  <lg type="linegroup">
                     <l>With music strong I come, with my cornets and my drums,</l>
                     <l>I play not marches for accepted victors only, I play marches for </l>
                                <l rend="indent">conquer'd and slain persons.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Have you heard that it was good to gain the day?</l>
                     <l>I also say it is good to fall, battles are lost in the same spirit in </l>
                                <l rend="indent">which they are won.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>I beat and pound for the dead,</l>
                     <l>I blow through my embouchures my loudest and gayest for them.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Vivas to those who have fail'd!</l>
                     <l>And to those whose war-vessels sank in the sea!</l>
                     <l>And to those themselves who sank in the sea!</l>
                     <l>And to all generals that lost engagements, and all overcome heroes!</l>
                     <l>And the numberless unknown heroes equal to the greatest heroes </l>
                                <l rend="indent">known!</l>
                  </lg>
               </lg>
               <lg type="section" n="19">
                  <head type="main-authorial">19</head>
                  <lg type="linegroup">
                     <l>This is the meal equally set, this the meat for natural hunger,</l>
                     <l>It is for the wicked just the same as the righteous, I make appoint-</l>
                                <l rend="indent">ments with all,</l>
                     <l>I will not have a single person slighted or left away,</l>
                     <l>The kept-woman, sponger, thief, are hereby invited,</l>
                     <l>The heavy-lipp'd slave is invited, the venerealee is invited;</l>
                     <l>There shall be no difference between them and the rest.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>This is the press of a bashful hand, this the float and odor of hair,</l>
                     <l>This the touch of my lips to yours, this the murmur of yearning,</l>
                     <l>This the far-off depth and height reflecting my own face,</l>
                     <l>This the thoughtful merge of myself, and the outlet again.</l>
                  </lg>
                        </lg>
            <pb facs="pageImages/44.jpg" n="44"/>
                  <lg type="linegroup">
                     <l>Do you guess I have some intricate purpose?</l>
                     <l>Well I have, for the Fourth-month showers have, and the mica on </l>
                            <l rend="indent">the side of a rock has.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Do you take it I would astonish?</l>
                     <l>Does the daylight astonish? does the early redstart twittering </l>
                            <l rend="indent">through the woods?</l>
                     <l>Do I astonish more than they?</l>
                  </lg>
                  <lg type="linegroup">
                     <l>This hour I tell things in confidence,</l>
                     <l>I might not tell everybody, but I will tell you.</l>
                  </lg>
              
               <lg type="section" n="20">
                  <head type="main-authorial">20</head>
                  <lg type="linegroup">
                     <l>Who goes there? hankering, gross, mystical, nude;</l>
                     <l>How is it I extract strength from the beef I eat?</l>
                  </lg>
                  <lg type="linegroup">
                     <l>What is a man anyhow? what am I? what are you?</l>
                  </lg>
                  <lg type="linegroup">
                     <l>All I mark as my own you shall offset it with your own,</l>
                     <l>Else it were time lost listening to me.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>I do not snivel that snivel the world over,</l>
                     
                     <l>That months are vacuums and the ground but wallow and filth.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Whimpering and truckling fold with powders for invalids, con-</l>
                                <l rend="indent">formity goes to the fourth-remov'd,</l>
                     <l>I wear my hat as I please indoors or out.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Why should I pray? why should I venerate and be ceremonious?</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Having pried through the strata, analyzed to a hair, counsel'd with </l>
                                <l rend="indent">doctors and calculated close,</l>
                     <l>I find no sweeter fat than sticks to my own bones.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>In all people I see myself, none more and not one a barley-corn </l>
                                <l rend="indent">less,</l>
                     <l>And the good or bad I say of myself I say of them.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>I know I am solid and sound,</l>
                     <l>To me the converging objects of the universe perpetually flow,</l>
                     <l>All are written to me, and I must get what the writing means.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>I know I am deathless,</l>
                     <l>I know this orbit of mine cannot be swept by a carpenter's </l>
                                <l rend="indent">compass,</l>
                     <pb facs="pageImages/45.jpg" n="45"/>
                     <l>I know I shall not pass like a child's carlacue cut with a burnt </l>
                                <l rend="indent">stick at night.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>I know I am august,</l>
                     <l>I do not trouble my spirit to vindicate itself or be understood,</l>
                     <l>I see that the elementary laws never apologize,</l>
                     <l>(I reckon I behave no prouder than the level I plant my house by,</l>
                                <l rend="indent">after all.)</l>
                  </lg>
                  <lg type="linegroup">
                     <l>I exist as I am, that is enough,</l>
                     <l>If no other in the world be aware I sit content,</l>
                     <l>And if each and all be aware I sit content.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>One world is aware and by far the largest to me, and that is &gt;my-</l>
                                <l rend="indent">self,</l>
                     <l>And whether I come to my own to-day or in ten thousand or ten </l>
                                <l rend="indent">million years,</l>
                     <l>I can cheerfully take it now, or with equal cheerfulness I can wait.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>My foothold is tenon'd and mortis'd in granite,</l>
                     <l>I laugh at what you call dissolution,</l>
                     <l>And I know the amplitude of time.</l>
                  </lg>
               </lg>
               <lg type="section" n="21">
                  <head type="main-authorial">21</head>
                  <lg type="linegroup">
                     <l>I am the poet of the Body and I am the poet of the Soul,</l>
                     <l>The pleasures of heaven are with me and the pains of hell are </l>
                                <l rend="indent">with me,</l>
                     <l>The first I graft and increase upon myself, the latter I translate </l>
                                <l rend="indent">into a new tongue.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>I am the poet of the woman the same as the man,</l>
                     <l>And I say it is as great to be a woman as to be a man,</l>
                     <l>And I say there is nothing greater than the mother of men.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>I chant the chant of dilation or pride,</l>
                     <l>We have had ducking and deprecating about enough,</l>
                     <l>I show that size is only development.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Have you outstript the rest? are you the President?</l>
                     <l>It is a trifle, they will more than arrive there every one, and still </l>
                                <l rend="indent">pass on.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>I am he that walks with the tender and growing night,</l>
                     <l>I call to the earth and sea half-held by the night.</l>
                  </lg>
                        </lg>
            <pb facs="pageImages/46.jpg" n="46"/>
                  <lg type="linegroup">
                     <l>Press close bare-bosom'd night—press close magnetic nourishing </l>
                            <l rend="indent">night!</l>
                     <l>Night of south winds—night of the large few stars!</l>
                     <l>Still nodding night—mad naked summer night.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Smile O voluptuous cool-breath'd earth!</l>
                     <l>Earth of the slumbering and liquid trees!</l>
                     <l>Earth of departed sunset—earth of the mountains misty-topt!</l>
                     <l>Earth of the vitreous pour of the full moon just tinged with blue!</l>
                     <l>Earth of shine and dark mottling the tide of the river!</l>
                     <l>Earth of the limpid gray of clouds brighter and clearer for my </l>
                            <l rend="indent">sake!</l>
                     <l>Far-swooping elbow'd earth—rich apple-blossom'd earth!</l>
                     <l>Smile, for your lover comes.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Prodigal, you have given me love—therefore I to you give love!</l>
                     <l>O unspeakable passionate love.</l>
                  </lg>

               <lg type="section" n="22">
                  <head type="main-authorial">22</head>
                  <lg type="linegroup">
                     <l>You sea! I resign myself to you also—I guess what you mean,</l>
                     <l>I behold from the beach your crooked inviting fingers,</l>
                     <l>I believe you refuse to go back without feeling of me,</l>
                     <l>We must have a turn together, I undress, hurry me out of sight of </l>
                                <l rend="indent">the land,</l>
                     <l>Cushion me soft, rock me in billowy drowse,</l>
                     <l>Dash me with amorous wet, I can repay you.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Sea of stretch'd ground-swells,</l>
                     <l>Sea breathing broad and convulsive breaths,</l>
                     <l>Sea of the brine of life and of unshovell'd yet always-ready graves,</l>
                     <l>Howler and scooper of storms, capricious and dainty sea,</l>
                     <l>I am integral with you, I too am of one phase and of all phases.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Partaker of influx and efflux I, extoller of hate and conciliation,</l>
                     <l>Extoller of amies and those that sleep in each others' arms.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>I am he attesting sympathy,</l>
                     <l>(Shall I make my list of things in the house and skip the house </l>
                                <l rend="indent">that supports them?)</l>
                  </lg>
                  <lg type="linegroup">
                     <l>I am not the poet of goodness only, I do not decline to be the </l>
                                <l rend="indent">poet of wickedness also.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>What blurt is this about virtue and about vice?</l>
                     <l>Evil propels me and reform of evil propels me, I stand indifferent,</l>
                     <pb facs="pageImages/47.jpg" n="47"/>
                     <l>My gait is no fault-finder's or rejecter's gait,</l>
                     <l>I moisten the roots of all that has grown.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Did you fear some scrofula out of the unflagging pregnancy?</l>
                     <l>Did you guess the celestial laws are yet to be work'd over and </l>
                                <l rend="indent">rectified?</l>
                  </lg>
                  <lg type="linegroup">
                     <l>I find one side a balance and the antipodal side a balance,</l>
                     <l>Soft doctrine as steady help as stable doctrine,</l>
                     <l>Thoughts and deeds of the present our rouse and early start.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>This minute that comes to me over the past decillions,</l>
                     <l>There is no better than it and now.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>What behaved well in the past or behaves well to-day is not such a </l>
                                <l rend="indent">wonder,</l>
                     <l>The wonder is always and always how there can be a mean man </l>
                                <l rend="indent">or an infidel.</l>
                  </lg>
               </lg>
               <lg type="section" n="23">
                  <head type="main-authorial">23</head>
                  <lg type="linegroup">
                     <l>Endless unfolding of words of ages!</l>
                     <l>And mine a word of the modern, the word En-Masse.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>A word of the faith that never balks,</l>
                     <l>Here or henceforward it is all the same to me, I accept Time abso-</l>
                                <l rend="indent">lutely.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>It alone is without flaw, it alone rounds and completes all,</l>
                     <l>That mystic baffling wonder alone completes all.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>I accept Reality and dare not question it,</l>
                     <l>Materialism first and last imbuing.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Hurrah for positive science! long live exact demonstration!</l>
                     <l>Fetch stonecrop mixt with cedar and branches of lilac,</l>
                     <l>This is the lexicographer, this the chemist, this made a grammar </l>
                                <l rend="indent">of the old cartouches,</l>
                     <l>These mariners put the ship through dangerous unknown seas.</l>
                     <l>This is the geologist, this works with the scalpel, and this is a </l>
                                <l rend="indent">mathematician.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Gentlemen, to you the first honors always!</l>
                     <l>Your facts are useful, and yet they are not my dwelling,</l>
                     <l>I but enter by them to an area of my dwelling.</l>
                  </lg>
                  <pb facs="pageImages/48.jpg" n="48"/>
                        </lg>
                  <lg type="linegroup">
                     <l>Less the reminders of properties told my words,</l>
                     <l>And more the reminders they of life untold, and of freedom and </l>
                            <l rend="indent">extrication,</l>
                     <l>And make short account of neuters and geldings, and favor men </l>
                            <l rend="indent">and women fully equipt,</l>
                     <l>And beat the gong of revolt, and stop with fugitives and them that </l>
                            <l rend="indent">plot and conspire.</l>
                  </lg>
              
               <lg type="section" n="24">
                  <head type="main-authorial">24</head>
                  <lg type="linegroup">
                     <l>Walt Whitman, a kosmos, of Manhattan the son,</l>
                     <l>Turbulent, fleshy, sensual, eating, drinking and breeding,</l>
                     <l>No sentimentalist, no stander above men and women or apart from </l>
                                <l rend="indent">them,</l>
                     <l>No more modest than immodest.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Unscrew the locks from the doors!</l>
                     <l>Unscrew the doors themselves from their jambs!</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Whoever degrades another degrades me,</l>
                     <l>And whatever is done or said returns at last to me.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Through me the afflatus surging and surging, through me the cur-</l>
                                <l rend="indent">rent and index.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>I speak the pass-word primeval, I give the sign of democracy,</l>
                     <l>By God! I will accept nothing which all cannot have their coun-</l>
                                <l rend="indent">terpart of on the same terms.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Through me many long dumb voices,</l>
                     <l>Voices of the interminable generations of prisoners and slaves,</l>
                     <l>Voices of the diseas'd and despairing and of thieves and dwarfs,</l>
                     <l>Voices of cycles of preparation and accretion,</l>
                     <l>And of the threads that connect the stars, and of wombs and of </l>
                                <l rend="indent">the father-stuff,</l>
                     <l>And of the rights of them the others are down upon,</l>
                     <l>Of the deform'd, trivial, flat, foolish, despised,</l>
                     <l>Fog in the air, beetles rolling balls of dung.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Through me forbidden voices,</l>
                     <l>Voices of sexes and lusts, voices veil'd and I remove the veil,</l>
                     <l>Voices indecent by me clarified and transfigur'd.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>I do not press my fingers across my mouth,</l>
                     <l>I keep as delicate around the bowels as around the head and heart,</l>
                     <l>Copulation is no more rank to me than death is.</l>
                  </lg>
                        </lg>
            <pb facs="pageImages/49.jpg" n="49"/>
                  <lg type="linegroup">
                     <l>I believe in the flesh and the appetites,</l>
                     <l>Seeing, hearing, feeling, are miracles, and each part and tag of me </l>
                            <l rend="indent">is a miracle.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Divine am I inside and out, and I make holy whatever I touch or </l>
                            <l rend="indent">am touch'd from,</l>
                     <l>The scent of these arm-pits aroma finer than prayer,</l>
                     <l>This head more than churches, bibles, and all the creeds.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>If I worship one thing more than another it shall be the spread of </l>
                            <l rend="indent">my own body, or any part of it,</l>
                     <l>Translucent mould of me it shall be you!</l>
                     <l>Shaded ledges and rests it shall be you!</l>
                     <l>Firm masculine colter it shall be you!</l>
                     <l>Whatever goes to the tilth of me it shall be you!</l>
                     <l>You my rich blood! your milky stream pale strippings of my life!</l>
                     <l>Breast that presses against other breasts it shall be you!</l>
                     <l>My brain it shall be your occult convolutions!</l>
                     <l>Root of wash'd sweet-flag! timorous pond-snipe! nest of guarded </l>
                            <l rend="indent">duplicate eggs! it shall be you!</l>
                     <l>Mix'd tussled hay of head, beard, brawn, it shall be you!</l>
                     <l>Trickling sap of maple, fibre of manly wheat, it shall be you!</l>
                     <l>Sun so generous it shall be you!</l>
                     <l>Vapors lighting and shading my face it shall be you!</l>
                     <l>You sweaty brooks and dews it shall be you!</l>
                     <l>Winds whose soft-tickling genitals rub against me it shall be you!</l>
                     <l>Broad muscular fields, branches of live oak, loving lounger in my </l>
                            <l rend="indent">winding paths, it shall be you!</l>
                     <l>Hands I have taken, face I have kiss'd, mortal I have ever </l>
                            <l rend="indent">touch'd, it shall be you.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>I dote on myself, there is that lot of me and all so luscious,</l>
                     <l>Each moment and whatever happens thrills me with joy,</l>
                     <l>I cannot tell how my ankles bend, nor whence the cause of my </l>
                            <l rend="indent">faintest wish,</l>
                     <l>Nor the cause of the friendship I emit, nor the cause of the friend-</l>
                            <l rend="indent">ship I take again.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>That I walk up my stoop, I pause to consider if it really be,</l>
                     <l>A morning-glory at my window satisfies me more than the meta-</l>
                            <l rend="indent">physics of books.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>To behold the day-break!</l>
                     <l>The little light fades the immense and diaphanous shadows,</l>
                     <l>The air tastes good to my palate.</l>
                  </lg>
            <pb facs="pageImages/50.jpg" n="50"/>
                  <lg type="linegroup">
                     <l>Hefts of the moving world at innocent gambols silently rising </l>
                            <l rend="indent">freshly exuding,</l>
                     <l>Scooting obliquely high and low.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Something I cannot see puts upward libidinous prongs,</l>
                     <l>Seas of bright juice suffuse heaven.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>The earth by the sky staid with, the daily close of their junction,</l>
                     <l>The heav'd challenge from the east that moment over my head,</l>
                     <l>The mocking taunt. See then whether you shall be master!</l>
                  </lg>
               
               <lg type="section" n="25">
                  <head type="main-authorial">25</head>
                  <lg type="linegroup">
                     <l>Dazzling and tremendous how quick the sun-rise would kill me,</l>
                     <l>If I could not now and always send sun-rise out of me.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>We also ascend dazzling and tremendous as the sun,</l>
                     <l>We found our own O my soul in the calm and cool of the day-</l>
                                <l rend="indent">break.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>My voice goes after what my eyes cannot reach,</l>
                     <l>With the twirl of my tongue I encompass worlds and volumes of </l>
                                <l rend="indent">worlds.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Speech is the twin of my vision, it is unequal to measure itself,</l>
                     <l>It provokes me forever, it says sarcastically,</l>
                     <l>
                        <hi rend="italic">Walt you contain enough, why don't you let it out then?</hi> 
                     </l>
                  </lg>
                  <lg type="linegroup">
                     <l>Come now I will not be tantalized, you conceive too much of </l>
                                <l rend="indent">articulation,</l>
                     <l>Do you not know O speech how the buds beneath you are folded?</l>
                     <l>Waiting in gloom, protected by frost,</l>
                     <l>The dirt receding before my prophetical screams,</l>
                     <l>I underlying causes to balance them at last,</l>
                     <l>My knowledge my live parts, it keeping tally with the meaning of </l>
                                <l rend="indent">all things,</l>
                     <l>Happiness, (which whoever hears me let him or her set out in </l>
                                <l rend="indent">search of this day.)</l>
                  </lg>
                  <lg type="linegroup">
                     <l>My final merit I refuse you, I refuse putting from me what I really </l>
                                <l rend="indent">am,</l>
                     <l>Encompass worlds, but never try to encompass me,</l>
                     <l>I crowd your sleekest and best by simply looking toward you.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Writing and talk do not prove me,</l>
                     <l>I carry the plenum of proof and every thing else in my face,</l>
                     <l>With the hush of my lips I wholly confound the skeptic.</l>
                  </lg>
               </lg>
            <pb facs="pageImages/51.jpg" n="51"/>
               <lg type="section" n="26">
                  <head type="main-authorial">26</head>
                  <lg type="linegroup">
                     <l>Now I will do nothing but listen,</l>
                     <l>To accrue what I hear into this song, to let sounds contribute </l>
                                <l rend="indent">toward it.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>I hear bravuras of birds, bustle of growing wheat, gossip of flames,</l>
                                <l rend="indent">clack of sticks cooking my meals,</l>
                     <l>I hear the sound I love, the sound of the human voice,</l>
                     <l>I hear all sounds running together, combined, fused or following,</l>
                     <l>Sounds of the city and sounds out of the city, sounds of the day </l>
                                <l rend="indent">and night,</l>
                     <l>Talkative young ones to those that like them, the loud laugh of </l>
                                <l rend="indent">work-people at their meals,</l>
                     <l>The angry base of disjointed friendship, the faint tones of the sick,</l>
                     <l>The judge with hands tight to the desk, his pallid lips pronoun-</l>
                                <l rend="indent">cing a death-sentence,</l>
                     <l>The heave'e'yo of stevedores unlading ships by the wharves, the </l>
                                <l rend="indent">refrain of the anchor-lifters,</l>
                     <l>The ring of alarm-bells, the cry of fire, the whirr of swift-streak-</l>
                                <l rend="indent">ing engines and hose-carts with premonitory tinkles and </l>
                                <l rend="indent">color'd lights,</l>
                     <l>The steam-whistle, the solid roll of the train of approaching cars,</l>
                     <l>The slow march play'd at the head of the association marching </l>
                                <l rend="indent">two and two,</l>
                     <l>(They go to guard some corpse, the flag-tops are draped with </l>
                                <l rend="indent">black muslin.)</l>
                  </lg>
                  <lg type="linegroup">
                     <l>I hear the violoncello, ('tis the
                        young man's heart's complaint,)</l>
                     <l>I hear the key'd cornet, it glides quickly in through my ears,</l>
                     <l>It shakes mad-sweet pangs through my belly and breast.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>I hear the chorus, it is a grand opera,</l>
                     <l>Ah this indeed is music—this suits me.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>A tenor large and fresh as the creation fills me,</l>
                     <l>The orbic flex of his mouth is pouring and filling me full.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>I hear the train'd soprano (what work with hers is this?)</l>
                     <l>The orchestra whirls me wider than Uranus flies,</l>
                     <l>It wrenches such ardors from me I did not know I possess'd </l>
                                <l rend="indent">them,</l>
                     <l>It sails me, I dab with bare feet, they are lick'd by the indolent </l>
                                <l rend="indent">waves,</l>
                     <l>I am cut by bitter and angry hail, I lose my breath,</l>
                     <pb facs="pageImages/52.jpg" n="52"/>
                     <l>Steep'd amid honey'd morphine, my windpipe throttled in fakes </l>
                                <l rend="indent">of death,</l>
                     <l>At length let up again to feel the puzzle of puzzles,</l>
                     <l>And that we call Being.</l>
                  </lg>
               </lg>
               <lg type="section" n="27">
                  <head type="main-authorial">27</head>
                  <lg type="linegroup">
                     <l>To be in any form, what is that?</l>
                     <l>(Round and round we go, all of us, and ever come back thither,)</l>
                     <l>If nothing lay more develop'd the quahaug in its callous shell were </l>
                                <l rend="indent">enough.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Mine is no callous shell,</l>
                     <l>I have instant conductors all over me whether I pass or stop,</l>
                     <l>They seize every object and lead it harmlessly through me.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>I merely stir, press, feel with my fingers, and am happy,</l>
                     <l>To touch my person to some one else's is about as much as I can </l>
                                <l rend="indent">stand.</l>
                  </lg>
               </lg>
               <lg type="section" n="28">
                  <head type="main-authorial">28</head>
                  <lg type="linegroup">
                     <l>Is this then a touch? quivering me to a new identity,</l>
                     <l>Flames and ether making a rush for my veins,</l>
                     <l>Treacherous tip of me reaching and crowding to help them,</l>
                     <l>My flesh and blood playing out lightning to strike what is hardly </l>
                                <l rend="indent">different from myself,</l>
                     <l>On all sides prurient provokers stiffening my limbs,</l>
                     <l>Straining the udder of my heart for its withheld drip,</l>
                     <l>Behaving licentious toward me, taking no denial,</l>
                     <l>Depriving me of my best as for a purpose,</l>
                     <l>Unbuttoning my clothes, holding me by the bare waist,</l>
                     <l>Deluding my confusion with the calm of the sunlight and pasture-</l>
                                <l rend="indent">fields,</l>
                     <l>Immodestly sliding the fellow-senses away,</l>
                     <l>They bribed to swap off with touch and go and graze at the edges </l>
                                <l rend="indent">of me,</l>
                     <l>No consideration, no regard for my draining strength or my anger,</l>
                     <l>Fetching the rest of the herd around to enjoy them a while,</l>
                     <l>Then all uniting to stand on a headland and worry me.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>The sentries desert every other part of me,</l>
                     <l>They have left me helpless to a red marauder,</l>
                     <l>They all come to the headland to witness and assist against me.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>I am given up by traitors,</l>
                     <l>I talk wildly, I have lost my wits, I and nobody else am the </l>
                                <l rend="indent">greatest traitor,</l>
                     <pb facs="pageImages/53.jpg" n="53"/>
                     <l>I went myself first to the headland, my own hands carried me </l>
                                <l rend="indent">there.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>You villain touch! what are you doing? my breath is tight in its </l>
                                <l rend="indent">throat,</l>
                     <l>Unclench your floodgates, you are too much for me.</l>
                  </lg>
               </lg>
               <lg type="section" n="29">
                  <head type="main-authorial">29</head>
                  <lg type="linegroup">
                     <l>Blind loving wrestling touch, sheath'd hooded sharp-tooth'd </l>
                                <l rend="indent">touch!</l>
                     <l>Did it make you ache so, leaving me?</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Parting track'd by arriving, perpetual payment of perpetual loan,</l>
                     <l>Rich showering rain, and recompense richer afterward.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Sprouts take and accumulate, stand by the curb prolific and vital,</l>
                     <l>Landscapes projected masculine, full-sized and golden.</l>
                  </lg>
               </lg>
               <lg type="section" n="30">
                  <head type="main-authorial">30</head>
                  <lg type="linegroup">
                     <l>All truths wait in all things,</l>
                     <l>They neither hasten their own delivery nor resist it,</l>
                     <l>They do not need the obstetric forceps of the surgeon,</l>
                     <l>The insignificant is as big to me as any,</l>
                     <l>(What is less or more than a touch?)</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Logic and sermons never convince,</l>
                     <l>The damp of the night drives deeper into my soul.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>(Only what proves itself to every man and woman is so,</l>
                     <l>Only what nobody denies is so.)</l>
                  </lg>
                  <lg type="linegroup">
                     <l>A minute and a drop of me settle my brain,</l>
                     <l>I believe the soggy clods shall become lovers and lamps,</l>
                     <l>And a compend of compends is the meat of a man or woman,</l>
                     <l>And a summit and flower there is the feeling they have for each </l>
                                <l rend="indent">other,</l>
                     <l>And they are to branch boundlessly out of that lesson until it </l>
                                <l rend="indent">becomes omnific,</l>
                     <l>And until one and all shall delight us, and we them.</l>
                  </lg>
               </lg>
               <lg type="section" n="31">
                  <head type="main-authorial">31</head>
                  <lg type="linegroup">
                     <l>I believe a leaf of grass is no less than the journey-work of the stars,</l>
                     <l>And the pismire is equally perfect, and a grain of sand, and the </l>
                                <l rend="indent">egg of the wren,</l>
                     <pb facs="pageImages/54.jpg" n="54"/>
                     <l>And the tree-toad is a chef-d'oeuvre for the highest,</l>
                     <l>And the running blackberry would adorn the parlors of heaven,</l>
                     <l>And the narrowest hinge in my hand puts to scorn all machinery,</l>
                     <l>And the cow crunching with depress'd head surpasses any statue,</l>
                     <l>And a mouse is miracle enough to stagger sextillions of infidels.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>I find I incorporate gneiss, coal, long-threaded moss, fruits, grains,</l>
                                <l rend="indent">esculent roots,</l>
                     <l>And am stucco'd with quadrupeds and birds all over,</l>
                     <l>And have distanced what is behind me for good reasons,</l>
                     <l>But call any thing back again when I desire it.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>In vain the speeding or shyness,</l>
                     <l>In vain the plutonic rocks send their old heat against my approach,</l>
                     <l>In vain the mastodon retreats beneath its own powder'd bones,</l>
                     <l>In vain objects stand leagues off and assume manifold shapes,</l>
                     <l>In vain the ocean settling in hollows and the great monsters lying </l>
                                <l rend="indent">low,</l>
                     <l>In vain the buzzard houses herself with the sky,</l>
                     <l>In vain the snake slides through the creepers and logs,</l>
                     <l>In vain the elk takes to the inner passes of the woods,</l>
                     <l>In vain the razor-bill'd auk sails far north to Labrador,</l>
                     <l>I follow quickly, I ascend to the nest in the fissure of the cliff.</l>
                  </lg>
               </lg>
               <lg type="section" n="32">
                  <head type="main-authorial">32</head>
                  <lg type="linegroup">
                     <l>I think I could turn and live with animals, they are so placid and </l>
                                <l rend="indent">self-contain'd,</l>
                     <l>I stand and look at them long and long.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>They do not sweat and whine about their condition,</l>
                     <l>They do not lie awake in the dark and weep for their sins,</l>
                     <l>They do not make me sick discussing their duty to God,</l>
                     <l>Not one is dissatisfied, not one is demented with the mania of </l>
                                <l rend="indent">owning things,</l>
                     <l>Not one kneels to another, nor to his kind that lived thousands of </l>
                                <l rend="indent">years ago,</l>
                     <l>Not one is respectable or unhappy over the whole earth.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>So they show their relations to me and I accept them,</l>
                     <l>They bring me tokens of myself, they evince them plainly in their </l>
                                <l rend="indent">possession.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>I wonder where they get those tokens,</l>
                     <l>Did I pass that way huge times ago and negligently drop them?</l>
                  </lg>
                  <pb facs="pageImages/55.jpg" n="55"/>
                        </lg>
                  <lg type="linegroup">
                     <l>Myself moving forward then and now and forever,</l>
                     <l>Gathering and showing more always and with velocity,</l>
                     <l>Infinite and omnigenous, and the like of these among them,</l>
                     <l>Not too exclusive toward the reachers of my remembrancers,</l>
                     <l>Picking out here one that I love, and now go with him on brotherly </l>
                            <l rend="indent">terms.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>A gigantic beauty of a stallion, fresh and responsive to my caresses,</l>
                     <l>Head high in the forehead, wide between the ears,</l>
                     <l>Limbs glossy and supple, tail dusting the ground,</l>
                     <l>Eyes full of sparkling wickedness, ears finely cut, flexibly moving.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>His nostrils dilate as my heels embrace him,</l>
                     <l>His well-built limbs tremble with pleasure as we race around and </l>
                            <l rend="indent">return.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>I but use you a minute, then I resign you, stallion,</l>
                     <l>Why do I need your paces when I myself out-gallop them?</l>
                     <l>Even as I stand or sit passing faster than you.</l>
                  </lg>
            
               <lg type="section" n="33">
                  <head type="main-authorial">33</head>
                  <lg type="linegroup">
                     <l>Space and Time! now I see it is true, what I guess'd at,</l>
                     <l>What I guess'd when I loaf'd on the grass,</l>
                     <l>What I guess'd while I lay alone in my bed,</l>
                     <l>And again as I walk'd the beach under the paling stars of the </l>
                                <l rend="indent">morning.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>My ties and ballasts leave me, my elbows rest in sea-gaps,</l>
                     <l>I skirt sierras, my palms cover continents,</l>
                     <l>I am afoot with my vision.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>By the city's quadrangular houses—in log huts, camping with </l>
                                <l rend="indent">lumbermen,</l>
                     <l>Along the ruts of the turnpike, along the dry gulch and rivulet bed,</l>
                     <l>Weeding my onion-patch or hoeing rows of carrots and parsnips,</l>
                                <l rend="indent">crossing savannas, trailing in forests,</l>
                     <l>Prospecting, gold-digging, girdling the trees of a new purchase,</l>
                     <l>Scorch'd ankle-deep by the hot sand, hauling my boat down the </l>
                                <l rend="indent">shallow river,</l>
                     <l>Where the panther walks to and fro on a limb overhead, where </l>
                                <l rend="indent">the buck turns furiously at the hunter,</l>
                     <l>Where the rattlesnake suns his flabby length on a rock, where the </l>
                                <l rend="indent">otter is feeding on fish,</l>
                     <l>Where the alligator in his tough pimples sleeps by the bayou,</l>
                     <pb facs="pageImages/56.jpg" n="56"/>
                     <l>Where the black bear is searching for roots or honey, where the </l>
                                <l rend="indent">beaver pats the mud with his paddle-shaped tail;</l>
                     <l>Over the growing sugar, over the yellow-flower'd cotton plant, over </l>
                                <l rend="indent">the rice in its low moist field,</l>
                     <l>Over the sharp-peak'd farm house, with its scallop'd scum and </l>
                                <l rend="indent">slender shoots from the gutters,</l>
                     <l>Over the western persimmon, over the long-leav'd corn, over the </l>
                                <l rend="indent">delicate blue-flower flax,</l>
                     <l>Over the white and brown buckwheat, a hummer and buzzer there </l>
                                <l rend="indent">with the rest,</l>
                     <l>Over the dusky green of the rye as it ripples and shades in the </l>
                                <l rend="indent">breeze;</l>
                     <l>Scaling mountains, pulling myself cautiously up, holding on by low </l>
                                <l rend="indent">scragged limbs,</l>
                     <l>Walking the path worn in the grass and beat through the leaves of </l>
                                <l rend="indent">the brush,</l>
                     <l>Where the quail is whistling betwixt the woods and the wheat-lot,</l>
                     <l>Where the bat flies in the Seventh-month eve, where the great gold-</l>
                                <l rend="indent">bug drops through the dark,</l>
                     <l>Where the brook puts out of the roots of the old tree and flows to </l>
                                <l rend="indent">the meadow,</l>
                     <l>Where cattle stand and shake away flies with the tremulous shud-</l>
                                <l rend="indent">dering of their hides,</l>
                     <l>Where the cheese-cloth hangs in the kitchen, where andirons </l>
                                <l rend="indent">straddle the hearth-slab, where cobwebs fall in festoons </l>
                                <l rend="indent">from the rafters;</l>
                     <l>Where trip-hammers crash, where the press is whirling its cylinders,</l>
                     <l>Wherever the human heart beats with terrible throes under its </l>
                                <l rend="indent">ribs,</l>
                     <l>Where the pear-shaped balloon is floating aloft, (floating in it &gt;my-</l>
                                <l rend="indent">self and looking composedly down,)</l>
                     <l>Where the life-car is drawn on the slip-noose, where the heat </l>
                                <l rend="indent">hatches pale-green eggs in the dented sand,</l>
                     <l>Where the she-whale swims with her calf and never forsakes it,</l>
                     <l>Where the steam-ship trails hind-ways its long pennant of smoke,</l>
                     <l>Where the fin of the shark cuts like a black chip out of the water,</l>
                     <l>Where the half-burn'd brig is riding on unknown currents,</l>
                     <l>Where shells grow to her slimy deck, where the dead are corrupt-</l>
                                <l rend="indent">ing below;</l>
                     <l>Where the dense-starr'd flag is borne at the head of the regiments,</l>
                     <l>Approaching Manhattan up by the long-stretching island,</l>
                     <l>Under Niagara, the cataract falling like a veil over my countenance,</l>
                     <l>Upon a door-step, upon the horse-block of hard wood outside,</l>
                     <l>Upon the race-course, or enjoying picnics or jigs or a good game </l>
                                <l rend="indent">of base-ball,</l>
                     <pb facs="pageImages/57.jpg" n="57"/>
                     <l>At he-festivals, with blackguard gibes, ironical license, bull-dances,</l>
                                <l rend="indent">drinking, laughter,</l>
                     <l>At the cider-mill tasting the sweets of the brown mash, sucking </l>
                                <l rend="indent">the juice through a straw,</l>
                     <l>At apple-peelings wanting kisses for all the red fruit I find,</l>
                     <l>At musters, beach-parties, friendly bees, huskings, house-raisings;</l>
                     <l>Where the mocking-bird sounds his delicious gurgles, cackles,</l>
                                <l rend="indent">screams, weeps,</l>
                     <l>Where the hay-rick stands in the barn-yard, where the dry-stalks </l>
                                <l rend="indent">are scatter'd, where the brood-cow waits in the hovel,</l>
                     <l>Where the bull advances to do his masculine work, where the stud </l>
                                <l rend="indent">to the mare, where the cock is treading the hen,</l>
                     <l>Where the heifers browse, where geese nip their food with short </l>
                                <l rend="indent">jerks,</l>
                     <l>Where sun-down shadows lengthen over the limitless and lonesome </l>
                                <l rend="indent">prairie,</l>
                     <l>Where herds of buffalo make a crawling spread of the square </l>
                                <l rend="indent">miles far and near,</l>
                     <l>Where the humming-bird shimmers, where the neck of the long-</l>
                                <l rend="indent">lived swan is curving and winding,</l>
                     <l>Where the laughing-gull scoots by the shore, where she laughs her </l>
                                <l rend="indent">near-human laugh,</l>
                     <l>Where bee-hives range on a gray bench in the garden half hid by </l>
                                <l rend="indent">the high weeds,</l>
                     <l>Where band-neck'd partridges roost in a ring on the ground with </l>
                                <l rend="indent">their heads out,</l>
                     <l>Where burial coaches enter the arch'd gates of a cemetery,</l>
                     <l>Where winter wolves bark amid wastes of snow and icicled trees,</l>
                     <l>Where the yellow-crown'd heron comes to the edge of the marsh </l>
                                <l rend="indent">at night and feeds upon small crabs,</l>
                     <l>Where the splash of swimmers and divers cools the warm noon,</l>
                     <l>Where the katy-did works her chromatic reed on the walnut-tree </l>
                                <l rend="indent">over the well,</l>
                     <l>Through patches of citrons and cucumbers with silver-wired leaves,</l>
                     <l>Through the salt-lick or orange glade, or under conical firs,</l>
                     <l>Through the gymnasium, through the curtain'd saloon, through the </l>
                                <l rend="indent">office or public hall;</l>
                     <l>Pleas'd with the native and pleas'd with the foreign, pleas'd with </l>
                                <l rend="indent">the new and old,</l>
                     <l>Pleas'd with the homely woman as well as the handsome,</l>
                     <l>Pleas'd with the quakeress as she puts off her bonnet and talks </l>
                                <l rend="indent">melodiously,</l>
                     <l>Pleas'd with the tune of the choir of the whitewash'd church,</l>
                     <l>Pleas'd with the earnest words of the sweating Methodist preach-</l>
                                <l rend="indent">er, impress'd seriously at the camp-meeting;</l>
                     <pb facs="pageImages/58.jpg" n="58"/>
                     <l>Looking in at the shop-windows of Broadway the whole forenoon,</l>
                                <l rend="indent">flatting the flesh of my nose on the thick plate glass,</l>
                     <l>Wandering the same afternoon with my face turn'd up to the </l>
                                <l rend="indent">clouds, or down a lane or along the beach,</l>
                     <l>My right and left arms round the sides of two friends, and I in the </l>
                                <l rend="indent">middle;</l>
                     <l>Coming home with the silent and dark-cheek'd bush-boy, (behind </l>
                                <l rend="indent">me he rides at the drape of the day,)</l>
                     <l>Far from the settlements studying the print of animals' feet, or </l>
                                <l rend="indent">the moccasin print,</l>
                     <l>By the cot in the hospital reaching lemonade to a feverish patient,</l>
                     <l>Nigh the coffin'd corpse when all is still, examining with a candle;</l>
                     <l>Voyaging to every port to dicker and adventure,</l>
                     <l>Hurrying with the modern crowd as eager and fickle as any,</l>
                     <l>Hot toward one I hate, ready in my madness to knife him,</l>
                     <l>Solitary at midnight in my back yard, my thoughts gone from me </l>
                                <l rend="indent">a long while,</l>
                     <l>Walking the old hills of Judaea with the beautiful gentle God by </l>
                                <l rend="indent">my side,</l>
                     <l>Speeding through space, speeding through heaven and the stars,</l>
                     <l>Speeding amid the seven satellites and the broad ring, and the </l>
                                <l rend="indent">diameter of eighty thousand miles,</l>
                     <l>Speeding with tail'd meteors, throwing fire-balls like the rest,</l>
                     <l>Carrying the crescent child that carries its own full mother in </l>
                                <l rend="indent">its belly,</l>
                     <l>Storming, enjoying, planning, loving, cautioning,</l>
                     <l>Backing and filling, appearing and disappearing,</l>
                     <l>I tread day and night such roads.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>I visit the orchards of spheres and look at the product,</l>
                     <l>And look at quintillions ripen'd and look at quintillions green.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>I fly those flights of a fluid and swallowing soul,</l>
                     <l>My course runs below the soundings of plummets.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>I help myself to material and immaterial,</l>
                     <l>No guard can shut me off, no law prevent me.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>I anchor my ship for a little while only,</l>
                     <l>My messengers continually cruise away or bring their returns to me.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>I go hunting polar furs and the seal, leaping chasms with a pike-</l>
                                <l rend="indent">pointed staff, clinging to topples of brittle and blue.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>I ascend to the foretruck,</l>
                     <pb facs="pageImages/59.jpg" n="59"/>
                     <l>I take my place late at night in the crow's-nest,</l>
                     <l>We sail the arctic sea, it is plenty light enough,</l>
                     <l>Through the clear atmosphere I stretch around on the wonderful </l>
                                <l rend="indent">beauty,</l>
                     <l>The enormous masses of ice pass me and I pass them, the scenery </l>
                                <l rend="indent">is plain in all directions,</l>
                     <l>The white-topt mountains show in the distance, I fling out my </l>
                                <l rend="indent">fancies toward them,</l>
                     <l>We are approaching some great battle-field in which we are soon </l>
                                <l rend="indent">to be engaged,</l>
                     <l>We pass the colossal outposts of the encampment, we pass with </l>
                                <l rend="indent">still feet and caution,</l>
                     <l>Or we are entering by the suburbs some vast and ruin'd city,</l>
                     <l>The blocks and fallen architecture more than all the living cities </l>
                                <l rend="indent">of the globe.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>I am a free companion, I bivouac by invading watchfires,</l>
                     <l>I turn the bridegroom out of bed and stay with the bride myself,</l>
                     <l>I tighten her all night to my thighs and lips.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>My voice is the wife's voice, the screech by the rail of the stairs,</l>
                     <l>They fetch my man's body up dripping and drown'd.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>I understand the large hearts of heroes,</l>
                     <l>The courage of present times and all times,</l>
                     <l>How the skipper saw the crowded and rudderless wreck of the </l>
                                <l rend="indent">steam-ship, and Death chasing it up and down the storm,</l>
                     <l>How he knuckled tight and gave not back an inch, and was faith </l>
                                <l rend="indent">ful of days and faithful of nights,</l>
                     <l>And chalk'd in large letters on a board, <hi rend="italic">Be of good cheer, we will </hi>
                        </l>
                                <l rend="indent">
                        <hi rend="italic">not desert you;</hi> 
                     </l>
                     <l>How he follow'd with them and tack'd with them three days and </l>
                                <l rend="indent">would not give it up,</l>
                     <l>How he saved the drifting company at last,</l>
                     <l>How the lank loose-gown'd women look'd when boated from the </l>
                                <l rend="indent">side of their prepared graves,</l>
                     <l>How the silent old-faced infants and the lifted sick, and the sharp-</l>
                                <l rend="indent">lipp'd unshaved men;</l>
                     <l>All this I swallow, it tastes good, I like it well, it becomes mine,</l>
                     <l>I am the man, I suffer'd, I was there.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>The disdain and calmness of martyrs,</l>
                     <l>The mother of old, condemn'd for a witch, burnt with dry wood,</l>
                                <l rend="indent">her children gazing on,</l>
                     <l>The hounded slave that flags in the race, leans by the fence, blow-</l>
                                <l rend="indent">ing, cover'd with sweat,</l>
                     <pb facs="pageImages/60.jpg" n="60"/>
                     <l>The twinges that sting like needles his legs and neck, the mur-</l>
                                <l rend="indent">derous buckshot and the bullets,</l>
                     <l>All these I feel or am.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>I am the hounded slave, I wince at the bite of the dogs,</l>
                     <l>Hell and despair are upon me, crack and again crack the marks-</l>
                                <l rend="indent">men,</l>
                     <l>I clutch the rails of the fence, my gore dribs, thinn'd with the </l>
                                <l rend="indent">ooze of my skin,</l>
                     <l>I fall on the weeds and stones,</l>
                     <l>The riders spur their unwilling horses, haul close,</l>
                     <l>Taunt my dizzy ears and beat me violently over the head with </l>
                                <l rend="indent">whip-stocks.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Agonies are one of my changes of garments,</l>
                     <l>I do not ask the wounded person how he feels, I myself become </l>
                                <l rend="indent">the wounded person,</l>
                     <l>My hurts turn livid upon me as I lean on a cane and observe.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>I am the mash'd fireman with breast-bone broken,</l>
                     <l>Tumbling walls buried me in their debris,</l>
                     <l>Heat and smoke I inspired, I heard the yelling shouts of my com-</l>
                                <l rend="indent">rades,</l>
                     <l>I heard the distant click of their picks and shovels,</l>
                     <l>They have clear'd the beams away, they tenderly lift me forth.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>I lie in the night air in my red shirt, the pervading hush is for my </l>
                                <l rend="indent">sake,</l>
                     <l>Painless after all I lie exhausted but not so unhappy,</l>
                     <l>White and beautiful are the faces around me, the heads are bared </l>
                                <l rend="indent">of their fire-caps,</l>
                     <l>The kneeling crowd fades with the light of the torches.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Distant and dead resuscitate,</l>
                     <l>They show as the dial or move as the hands of me, I am the clock </l>
                                <l rend="indent">myself.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>I am an old artillerist, I tell of my fort's bombardment,</l>
                     <l>I am there again.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Again the long roll of the drummers,</l>
                     <l>Again the attacking cannon, mortars,</l>
                     <l>Again to my listening ears the cannon responsive.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>I take part, I see and hear the whole,</l>
                     <pb facs="pageImages/61.jpg" n="61"/>
                     <l>The cries, curses, roar, the plaudits for well-aim'd shots,</l>
                     <l>The ambulanza slowly passing trailing its red drip,</l>
                     <l>Workmen searching after damages, making indispensable repairs,</l>
                     <l>The fall of grenades through the rent roof, the fan-shaped explo-</l>
                                <l rend="indent">sion,</l>
                     <l>The whizz of limbs, heads, stone, wood, iron, high in the air.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Again gurgles the mouth of my dying general, he furiously waves </l>
                                <l rend="indent">with his hand,</l>
                     <l>He gasps through the clot <hi rend="italic">Mind not me—mind—the entrench-</hi>
                        </l>
                                <l rend="indent">
                        <hi rend="italic">ments.</hi>
                     </l>
                  </lg>
               </lg>
               <lg type="section" n="34">
                  <head type="main-authorial">34</head>
                  <lg type="linegroup">
                     <l>Now I tell what I knew in Texas in my early youth,</l>
                     <l>(I tell not the fall of Alamo,</l>
                     <l>Not one escaped to tell the fall of Alamo,</l>
                     <l>The hundred and fifty are dumb yet at Alamo,)</l>
                     <l>'Tis the tale of the murder in cold blood of four hundred and </l>
                                <l rend="indent">twelve young men.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Retreating they had form'd in a hollow square with their baggage </l>
                                <l rend="indent">for breastworks,</l>
                     <l>Nine hundred lives out of the surrounding enemy's, nine times </l>
                                <l rend="indent">their number, was the price they took in advance,</l>
                     <l>Their colonel was wounded and their ammunition gone,</l>
                     <l>They treated for an honorable capitulation, receiv'd writing and </l>
                                <l rend="indent">seal, gave up their arms and march'd back prisoners of war.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>They were the glory of the race of rangers,</l>
                     <l>Matchless with horse, rifle, song, supper, courtship,</l>
                     <l>Large, turbulent, generous, handsome, proud, and affectionate,</l>
                     <l>Bearded, sunburnt, drest in the free costume of hunters,</l>
                     <l>Not a single one over thirty years of age.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>The second First-day morning they were brought out in squads </l>
                                <l rend="indent">and massacred, it was beautiful early summer,</l>
                     <l>The work commenced about five o'clock and was over by eight.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>None obey'd the command to kneel,</l>
                     <l>Some made a mad and helpless rush, some stood stark and </l>
                                <l rend="indent">straight,</l>
                     <l>A few fell at once, shot in the temple or heart, the living and dead </l>
                                <l rend="indent">lay together,</l>
                     <l>The maim'd and mangled dug in the dirt, the new-comers saw </l>
                                <l rend="indent">hem there,</l>
                     <pb facs="pageImages/62.jpg" n="62"/>
                     <l>Some half-kill'd attempted to crawl away,</l>
                     <l>These were despatch'd with bayonets or batter'd with the blunts </l>
                                <l rend="indent">of muskets,</l>
                     <l>A youth not seventeen years old seiz'd his assassin till two more </l>
                                <l rend="indent">came to release him,</l>
                     <l>The three were all torn and cover'd with the boy's blood.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>At eleven o'clock began the burning of the bodies;</l>
                     <l>That is the tale of the murder of the four hundred and twelve </l>
                                <l rend="indent">young men.</l>
                  </lg>
               </lg>
               <lg type="section" n="35">
                  <head type="main-authorial">35</head>
                  <lg type="linegroup">
                     <l>Would you hear of an old-time sea-fight?</l>
                     <l>Would you learn who won by the light of the moon and stars?</l>
                     <l>List to the yarn, as my grandmother's father the sailor told it to me.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Our foe was no skulk in his ship I tell you, (said he,)</l>
                     <l>His was the surly English pluck, and there is no tougher or truer,</l>
                                <l rend="indent">and never was, and never will be;</l>
                     <l>Along the lower'd eve he came horribly raking us.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>We closed with him, the yards entangled, the cannon touch'd,</l>
                     <l>My captain lash'd fast with his own hands.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>We had receiv'd some eighteen pound shots under the water,</l>
                     <l>On our lower-gun-deck two large pieces had burst at the first fire,</l>
                                <l rend="indent">killing all around and blowing up overhead.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Fighting at sun-down, fighting at dark,</l>
                     <l>Ten o'clock at night, the full moon well up, our leaks on the gain,</l>
                                <l rend="indent">and five feet of water reported,</l>
                     <l>The master-at-arms loosing the prisoners confined in the after-hold </l>
                                <l rend="indent">to give them a chance for themselves.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>The transit to and from the magazine is now stopt by the sentinels,</l>
                     <l>They see so many strange faces they do not know whom to trust.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Our frigate takes fire,</l>
                     <l>The other asks if we demand quarter?</l>
                     <l>If our colors are struck and the fighting done?</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Now I laugh content, for I hear the voice of my little captain,</l>
                     <l>
                        <hi rend="italic">We have not struck,</hi> he composedly cries, <hi rend="italic">we have just begun our </hi>
                        </l>
                                <l rend="indent">
                        <hi rend="italic">part of the fighting.</hi> 
                     </l>
                  </lg>
                  <pb facs="pageImages/63.jpg" n="63"/>
                        </lg>
                  <lg type="linegroup">
                     <l>Only three guns are in use,</l>
                     <l>One is directed by the captain himself against the enemy's main-</l>
                            <l rend="indent">mast,</l>
                     <l>Two well serv'd with grape and canister silence his musketry and </l>
                            <l rend="indent">clear his decks.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>The tops alone second the fire of this little battery, especially the </l>
                            <l rend="indent">main-top,</l>
                     <l>They hold out bravely during the whole of the action.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Not a moment's cease,</l>
                     <l>The leaks gain fast on the pumps, the fire eats toward the powder-</l>
                            <l rend="indent">magazine.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>One of the pumps has been shot away, it is generally thought we </l>
                            <l rend="indent">are sinking.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Serene stands the little captain,</l>
                     <l>He is not hurried, his voice is neither high nor low,</l>
                     <l>His eyes give more light to us than our battle-lanterns.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Toward twelve there in the beams of the moon they surrender to </l>
                            <l rend="indent">us.</l>
                  </lg>
             
               <lg type="section" n="36">
                  <head type="main-authorial">36</head>
                  <lg type="linegroup">
                     <l>Stretch'd and still lies the midnight,</l>
                     <l>Two great hulls motionless on the breast of the darkness,</l>
                     <l>Our vessel riddled and slowly sinking, preparations to pass to the </l>
                                <l rend="indent">one we have conquer'd,</l>
                     <l>The captain on the quarter-deck coldly giving his orders through </l>
                                <l rend="indent">a countenance white as a sheet,</l>
                     <l>Near by the corpse of the child that serv'd in the cabin,</l>
                     <l>The dead face of an old salt with long white hair and carefully </l>
                                <l rend="indent">curl'd whiskers,</l>
                     <l>The flames spite of all that can be done flickering aloft and below,</l>
                     <l>The husky voices of the two or three officers yet fit for duty,</l>
                     <l>Formless stacks of bodies and bodies by themselves, dabs of flesh </l>
                                <l rend="indent">upon the masts and spars,</l>
                     <l>Cut of cordage, dangle of rigging, slight shock of the soothe of </l>
                                <l rend="indent">waves,</l>
                     <l>Black and impassive guns, litter of powder-parcels, strong scent,</l>
                     <l>A few large stars overhead, silent and mournful shining,</l>
                     <l>Delicate sniffs of sea-breeze, smells of sedgy grass and fields by the </l>
                                <l rend="indent">shore, death-messages given in charge to survivors,</l>
                     <l>The hiss of the surgeon's knife, the gnawing teeth of his saw,</l>
                     <pb facs="pageImages/64.jpg" n="64"/>
                     <l>Wheeze, cluck, swash of falling blood, short wild scream, and long,</l>
                                <l rend="indent">dull, tapering groan,</l>
                     <l>These so, these irretrievable.</l>
                  </lg>
               </lg>
               <lg type="section" n="37">
                  <head type="main-authorial">37</head>
                  <lg type="linegroup">
                     <l>You laggards there on guard! look to your arms!</l>
                     <l>In at the conquer'd doors they crowd! I am possess'd!</l>
                     <l>Embody all presences outlaw'd or suffering,</l>
                     <l>See myself in prison shaped like another man,</l>
                     <l>And feel the dull unintermitted pain.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>For me the keepers of convicts shoulder their carbines and keep </l>
                                <l rend="indent">watch,</l>
                     <l>It is I let out in the morning and barr'd at night.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Not a mutineer walks handcuff'd to jail but I am handcuff'd to </l>
                                <l rend="indent">him and walk by his side,</l>
                     <l>(I am less the jolly one there, and more the silent one with sweat </l>
                                <l rend="indent">on my twitching lips.)</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Not a youngster is taken for larceny but I go up too, and am tried </l>
                                <l rend="indent">and sentenced.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Not a cholera patient lies at the last gasp but I also lie at the last </l>
                                <l rend="indent">gasp,</l>
                     <l>My face is ash-color'd, my sinews gnarl, away from me people </l>
                                <l rend="indent">retreat.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Askers embody themselves in me
                        and I am embodied in them,</l>
                     <l>I project my hat, sit shame-faced, and beg.</l>
                  </lg>
               </lg>
               <lg type="section" n="38">
                  <head type="main-authorial">38</head>
                  <lg type="linegroup">
                     <l>Enough! enough! enough!</l>
                     <l>Somehow I have been stunn'd. Stand back!</l>
                     <l>Give me a little time beyond my cuff'd head, slumbers, dreams,</l>
                                <l rend="indent">gaping,</l>
                     <l>I discover myself on the verge of a usual mistake.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>That I could forget the mockers and insults!</l>
                     <l>That I could forget the trickling tears and the blows of the bludg-</l>
                                <l rend="indent">eons and hammers!</l>
                     <l>That I could look with a separate look on my own crucifixion and </l>
                                <l rend="indent">bloody crowning.</l>
                  </lg>
                  <pb facs="pageImages/65.jpg" n="65"/>
                        </lg>
                  <lg type="linegroup">
                     <l>I remember now,</l>
                     <l>I resume the overstaid fraction,</l>
                     <l>The grave of rock multiplies what has been confided to it, or to </l>
                            <l rend="indent">any graves,</l>
                     <l>Corpses rise, gashes heal, fastenings roll from me.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>I troop forth replenish'd with supreme power, one of an average </l>
                            <l rend="indent">unending procession,</l>
                     <l>Inland and sea-coast we go, and pass all boundary lines,</l>
                     <l>Our swift ordinances on their way over the whole earth,</l>
                     <l>The blossoms we wear in our hats the growth of thousands of </l>
                            <l rend="indent">years.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Eleves, I salute you! come forward!</l>
                     <l>Continue your annotations, continue your questionings.</l>
                  </lg>
           
               <lg type="section" n="39">
                  <head type="main-authorial">39</head>
                  <lg type="linegroup">
                     <l>The friendly and flowing savage, who is he?</l>
                     <l>Is he waiting for civilization, or past it and mastering it?</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Is he some Southwesterner rais'd out-doors? is he Kanadian?</l>
                     <l>Is he from the Mississippi country? Iowa, Oregon, California?</l>
                     <l>The mountains? prairie-life, bush-life? or sailor from the sea?</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Wherever he goes men and women accept and desire him,</l>
                     <l>They desire he should like them, touch them, speak to them, stay </l>
                                <l rend="indent">with them.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Behavior lawless as snow-flakes, words simple as grass, uncomb'd </l>
                                <l rend="indent">head, laughter, and naivetè,</l>
                     <l>Slow-stepping feet, common features, common modes and ema-</l>
                                <l rend="indent">nations,</l>
                     <l>They descend in new forms from the tips of his fingers,</l>
                     <l>They are wafted with the odor of his body or breath, they fly out </l>
                                <l rend="indent">of the glance of his eyes.</l>
                  </lg>
               </lg>
               <lg type="section" n="40">
                  <head type="main-authorial">40</head>
                  <lg type="linegroup">
                     <l>Flaunt of the sunshine I need not your bask—lie over!</l>
                     <l>You light surfaces only, I force surfaces and depths also.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Earth! you seem to look for something at my hands,</l>
                     <l>Say, old top-knot, what do you want?</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Man or woman, I might tell how I like you, but cannot,</l>
                     <pb facs="pageImages/66.jpg" n="66"/>
                     <l>And might tell what it is in me and what it is in you, but cannot,</l>
                     <l>And might tell that pining I have, that pulse of my nights and </l>
                                <l rend="indent">days.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Behold, I do not give lectures or a little charity,</l>
                     <l>When I give I give myself.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>You there, impotent, loose in the knees,</l>
                     <l>Open your scarf'd chops till I blow grit within you,</l>
                     <l>Spread your palms and lift the flaps of your pockets,</l>
                     <l>I am not to be denied, I compel, I have stores plenty and to spare,</l>
                     <l>And any thing I have I bestow.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>I do not ask who you are, that is not important to me,</l>
                     <l>You can do nothing and be nothing but what I will infold you.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>To cotton-field drudge or cleaner of privies I lean,</l>
                     <l>On his right cheek I put the family kiss,</l>
                     <l>And in my soul I swear I never will deny him.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>On women fit for conception I start bigger and nimbler babes,</l>
                     <l>(This day I am jetting the stuff of far more arrogant republics.)</l>
                  </lg>
                  <lg type="linegroup">
                     <l>To any one dying, thither I speed and twist the knob of the door,</l>
                     <l>Turn the bed-clothes toward the foot of the bed,</l>
                     <l>Let the physician and the priest go home.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>I seize the descending man and raise him with resistless will,</l>
                     <l>O despairer, here is my neck,</l>
                     <l>By God, you shall not go down! hang your whole weight upon me.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>I dilate you with tremendous breath, I buoy you up,</l>
                     <l>Every room of the house do I fill with an arm'd force,</l>
                     <l>Lovers of me, bafflers of graves.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Sleep—I and they keep guard all night,</l>
                     <l>Not doubt, not decease shall dare to lay finger upon you,</l>
                     <l>I have embraced you, and henceforth possess you to myself,</l>
                     <l>And when you rise in the morning you will find what I tell you is so.</l>
                  </lg>
               </lg>
               <lg type="section" n="41">
                  <head type="main-authorial">41</head>
                  <lg type="linegroup">
                     <l>I am he bringing help for the sick as they pant on their backs,</l>
                     <l>And for strong upright men I bring yet more needed help.</l>
                  </lg>
                  <pb facs="pageImages/67.jpg" n="67"/>
                        </lg>
            
                  <lg type="linegroup">
                     <l>I heard what was said of the universe,</l>
                     <l>Heard it and heard it of several thousand years;</l>
                     <l>It is middling well as far as it goes—but is that all?</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Magnifying and applying come I,</l>
                     <l>Outbidding at the start the old cautious hucksters,</l>
                     <l>Taking myself the exact dimensions of Jehovah,</l>
                     <l>Lithographing Kronos, Zeus his son, and Hercules his grandson,</l>
                     <l>Buying drafts of Osiris, Isis, Belus, Brahma, Buddha,</l>
                     <l>In my portfolio placing Manito loose, Allah on a leaf, the crucifix </l>
                            <l rend="indent">engraved,</l>
                     <l>With Odin and the hideous-faced Mexitli and every idol and image,</l>
                     <l>Taking them all for what they are worth and not a cent more,</l>
                     <l>Admitting they were alive and did the work of their days,</l>
                     <l>(They bore mites as for unfledg'd birds who have now to rise and </l>
                            <l rend="indent">fly and sing for themselves,)</l>
                     <l>Accepting the rough deific sketches to fill out better in myself,</l>
                            <l rend="indent">bestowing them freely on each man and woman I see,</l>
                     <l>Discovering as much or more in a framer framing a house,</l>
                     <l>Putting higher claims for him there with his roll'd-up sleeves driving </l>
                            <l rend="indent">the mallet and chisel,</l>
                     <l>Not objecting to special revelations, considering a curl of smoke </l>
                            <l rend="indent">or a hair on the back of my hand just as curious as any </l>
                            <l rend="indent">revelation,</l>
                     <l>Lads ahold of fire-engines and hook-and-ladder ropes no less to </l>
                            <l rend="indent">me than the gods of the antique wars,</l>
                     <l>Minding their voices peal through the crash of destruction,</l>
                     <l>Their brawny limbs passing safe over charr'd laths, their white </l>
                            <l rend="indent">foreheads whole and unhurt out of the flames;</l>
                     <l>By the mechanic's wife with her babe at her nipple interceding for </l>
                            <l rend="indent">every person born,</l>
                     <l>Three scythes at harvest whizzing in a row from three lusty angels </l>
                            <l rend="indent">with shirts bagg'd out at their waists,</l>
                     <l>The snag-tooth'd hostler with red hair redeeming sins past and to </l>
                            <l rend="indent">come,</l>
                     <l>Selling all he possesses, traveling on foot to fee lawyers for his </l>
                            <l rend="indent">brother and sit by him while he is tried for forgery;</l>
                     <l>What was strewn in the amplest strewing the square rod about </l>
                            <l rend="indent">me, and not filling the square rod then,</l>
                     <l>The bull and the bug never worshipp'd half enough,</l>
                     <l>Dung and dirt more admirable than was dream'd,</l>
                     <l>The supernatural of no account, myself waiting my time to be one </l>
                            <l rend="indent">of the supremes,</l>
                     <l>The day getting ready for me when I shall do as much good as </l>
                            <l rend="indent">the best, and be as prodigious;</l>
                     <pb facs="pageImages/68.jpg" n="68"/>
                     <l>By my life-lumps! becoming already a creator,</l>
                     <l>Putting myself here and now to the ambush'd womb of the shadows.</l>
                  </lg>
              
               <lg type="section" n="42">
                  <head type="main-authorial">42</head>
                  <lg type="linegroup">
                     <l>A call in the midst of the crowd,</l>
                     <l>My own voice, orotund sweeping and final.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Come my children,</l>
                     <l>Come my boys and girls, my women, household and intimates,</l>
                     <l>Now the performer launches his nerve, he has pass'd his prelude </l>
                                <l rend="indent">on the reeds within.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Easily written loose-finger'd chords—I feel the thrum of your </l>
                                <l rend="indent">climax and close.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>My head slues round on my neck,</l>
                     <l>Music rolls, but not from the organ,</l>
                     <l>Folks are around me, but they are no household of mine.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Ever the hard unsunk ground,</l>
                     <l>Ever the eaters and drinkers, ever the upward and downward sun,</l>
                                <l rend="indent">ever the air and the ceaseless tides,</l>
                     <l>Ever myself and my neighbors, refreshing, wicked, real,</l>
                     <l>Ever the old inexplicable query, ever that thorn'd thumb, that </l>
                                <l rend="indent">breath of itches and thirsts,</l>
                     <l>Ever the vexer's <hi rend="italic">hoot! hoot!</hi> till we find where the sly one hides </l>
                                <l rend="indent">and bring him forth,</l>
                     <l>Ever love, ever the sobbing liquid of life,</l>
                     <l>Ever the bandage under the chin, ever the trestles of death.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Here and there with dimes on the eyes walking,</l>
                     <l>To feed the greed of the belly the brains liberally spooning,</l>
                     <l>Tickets buying, taking, selling, but in to the feast never once going.</l>
                     <l>Many sweating, ploughing, thrashing, and then the chaff for pay-</l>
                                <l rend="indent">ment receiving,</l>
                     <l>A few idly owning, and they the wheat continually claiming.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>This is the city and I am one of the citizens,</l>
                     <l>Whatever interests the rest interests me, politics, wars, markets,</l>
                                <l rend="indent">newspapers, schools,</l>
                     <l>The mayor and councils, banks, tariffs, steamships, factories, stocks,</l>
                                <l rend="indent">stores, real estate and personal estate.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>The little plentiful manikins skipping around in collars and tail'd </l>
                                <l rend="indent">coats,</l>
                     <pb facs="pageImages/69.jpg" n="69"/>
                     <l>I am aware who they are, (they are positively not worms or fleas,)</l>
                     <l>I acknowledge the duplicates of myself, the weakest and shallowest </l>
                                <l rend="indent">is deathless with me,</l>
                     <l>What I do and say the same waits for them,</l>
                     <l>Every thought that flounders in me the same flounders in them.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>I know perfectly well my own egotism,</l>
                     <l>Know my omnivorous lines and must not write any less,</l>
                     <l>And would fetch you whoever you are flush with myself.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Not words of routine this song of mine,</l>
                     <l>But abruptly to question, to leap beyond yet nearer bring;</l>
                     <l>This printed and bound book—but the printer and the printing-</l>
                                <l rend="indent">office boy?</l>
                     <l>The well-taken photographs—but your wife or friend close and </l>
                                <l rend="indent">solid in your arms?</l>
                     <l>The black ship mail'd with iron, her mighty guns in her turrets—</l>
                                <l rend="indent">but the pluck of the captain and engineers?</l>
                     <l>In the houses the dishes and fare and furniture—but the host and </l>
                                <l rend="indent">hostess, and the look out of their eyes?</l>
                     <l>The sky up there—yet here or next door, or across the way?</l>
                     <l>The saints and sages in history—but you yourself?</l>
                     <l>Sermons, creeds, theology—but the fathomless human brain,</l>
                     <l>And what is reason? and what is love? and what is life?</l>
                  </lg>
               </lg>
               <lg type="section" n="43">
                  <head type="main-authorial">43</head>
                  <lg type="linegroup">
                     <l>I do not despise you priests, all time, the world over,</l>
                     <l>My faith is the greatest of faiths and the least of faiths,</l>
                     <l>Enclosing worship ancient and modern and all between ancient </l>
                                <l rend="indent">and modern,</l>
                     <l>Believing I shall come again upon the earth after five thousand </l>
                                <l rend="indent">years,</l>
                     <l>Waiting responses from oracles, honoring the gods, saluting the </l>
                                <l rend="indent">sun,</l>
                     <l>Making a fetich of the first rock or stump, powowing with sticks in </l>
                                <l rend="indent">the circle of obis,</l>
                     <l>Helping the llama or brahmin as he trims the lamps of the idols,</l>
                     <l>Dancing yet through the streets in a phallic procession, rapt and </l>
                                <l rend="indent">austere in the woods a gymnosophist,</l>
                     <l>Drinking mead from the skull-cup, to Shastas and Vedas admirant,</l>
                                <l rend="indent">minding the Koran,</l>
                     <l>Walking the teokallis, spotted with gore from the stone and knife,</l>
                                <l rend="indent">beating the serpent-skin drum,</l>
                     <l>Accepting the Gospels, accepting him that was crucified, knowing </l>
                                <l rend="indent">assuredly that he is divine,</l>
                     <pb facs="pageImages/70.jpg" n="70"/>
                     <l>To the mass kneeling or the puritan's prayer rising, or sitting </l>
                                <l rend="indent">patiently in a pew,</l>
                     <l>Ranting and frothing in my insane crisis, or waiting dead-like till </l>
                                <l rend="indent">my spirit arouses me,</l>
                     <l>Looking forth on pavement and land, or outside of pavement and </l>
                                <l rend="indent">land,</l>
                     <l>Belonging to the winders of the circuit of circuits.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>One of that centripetal and centrifugal gang I turn and talk like a </l>
                                <l rend="indent">man leaving charges before a journey.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Down-hearted doubters dull and excluded,</l>
                     <l>Frivolous, sullen, moping, angry, affected, dishearten'd, atheistical,</l>
                     <l>I know every one of you, I know the sea of torment, doubt,</l>
                                <l rend="indent">despair and unbelief.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>How the flukes splash!</l>
                     <l>How they contort rapid as lightning, with spasms and spouts of </l>
                                <l rend="indent">blood!</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Be at peace bloody flukes of doubters and sullen mopers,</l>
                     <l>I take my place among you as much as among any,</l>
                     <l>The past is the push of you, me, all, precisely the same,</l>
                     <l>And what is yet untried and afterward is for you, me, all, precisely </l>
                                <l rend="indent">the same.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>I do not know what is untried and afterward,</l>
                     <l>But I know it will in its turn prove sufficient, and cannot fail.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Each who passes is consider'd, each who stops is consider'd, not </l>
                                <l rend="indent">a single one can it fail.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>It cannot fail the young man who died and was buried,</l>
                     <l>Nor the young woman who died and was put by his side,</l>
                     <l>Nor the little child that peep'd in at the door, and then drew back </l>
                                <l rend="indent">and was never seen again,</l>
                     <l>Nor the old man who has lived without purpose, and feels it with </l>
                                <l rend="indent">bitterness worse than gall,</l>
                     <l>Nor him in the poor house tubercled by rum and the bad dis-</l>
                                <l rend="indent">order,</l>
                     <l>Nor the numberless slaughter'd and wreck'd, nor the brutish koboo </l>
                                <l rend="indent">call'd the ordure of humanity,</l>
                     <l>Nor the sacs merely floating with open mouths for food to slip in,</l>
                     <l>Nor any thing in the earth, or down in the oldest graves of the </l>
                                <l rend="indent">earth,</l>
                     <pb facs="pageImages/71.jpg" n="71"/>
                     <l>Nor any thing in the myriads of spheres, nor the myriads of </l>
                                <l rend="indent">myriads that inhabit them,</l>
                     <l>Nor the present, nor the least wisp that is known.</l>
                  </lg>
               </lg>
               <lg type="section" n="44">
                  <head type="main-authorial">44</head>
                  <lg type="linegroup">
                     <l>It is time to explain myself—let us stand up.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>What is known I strip away,</l>
                     <l>I launch all men and women forward with me into the Unknown.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>The clock indicates the moment—but what does eternity indicate?</l>
                  </lg>
                  <lg type="linegroup">
                     <l>We have thus far exhausted trillions of winters and summers,</l>
                     <l>There are trillions ahead, and trillions ahead of them.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Births have brought us richness and variety,</l>
                     <l>And other births will bring us richness and variety.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>I do not call one greater and one smaller,</l>
                     <l>That which fills its period and place is equal to any.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Were mankind murderous or jealous upon you, my brother, my </l>
                                <l rend="indent">sister?</l>
                     <l>I am sorry for you, they are not murderous or jealous upon me,</l>
                     <l>All has been gentle with me, I keep no account with lamentation,</l>
                     <l>(What have I to do with lamentation?)</l>
                  </lg>
                  <lg type="linegroup">
                     <l>I am an acme of things accomplish'd, and I an encloser of things </l>
                                <l rend="indent">to be.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>My feet strike an apex of the apices of the stairs,</l>
                     <l>On every step bunches of ages, and larger bunches between the </l>
                                <l rend="indent">steps,</l>
                     <l>All below duly travel'd, and still I mount and mount.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Rise after rise bow the phantoms behind me,</l>
                     <l>Afar down I see the huge first Nothing, I know I was even there,</l>
                     <l>I waited unseen and always, and slept through the lethargic mist,</l>
                     <l>And took my time, and took no hurt from the fetid carbon.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Long I was hugg'd close—long and long.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Immense have been the preparations for me,</l>
                     <l>Faithful and friendly the arms that have help'd me.</l>
                  </lg>
                  <pb facs="pageImages/72.jpg" n="72"/>
                        </lg>
                  <lg type="linegroup">
                     <l>Cycles ferried my cradle, rowing and rowing like cheerful boatmen,</l>
                     <l>For room to me stars kept aside in their own rings,</l>
                     <l>They sent influences to look after what was to hold me.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Before I was born out of my mother generations guided me,</l>
                     <l>My embryo has never been torpid, nothing could overlay it.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>For it the nebula cohered to an orb,</l>
                     <l>The long slow strata piled to rest it on,</l>
                     <l>Vast vegetables gave it sustenance,</l>
                     <l>Monstrous sauroids transported it in their mouths and deposited </l>
                            <l rend="indent">it with care.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>All forces have been steadily employ'd to complete and delight me,</l>
                     <l>Now on this spot I stand with my robust soul.</l>
                  </lg>
             
               <lg type="section" n="45">
                  <head type="main-authorial">45</head>
                  <lg type="linegroup">
                     <l>O span of youth! ever-push'd elasticity!</l>
                     <l>O manhood, balanced, florid and full.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>My lovers suffocate me,</l>
                     <l>Crowding my lips, thick in the pores of my skin,</l>
                     <l>Jostling me through streets and public halls, coming naked to me </l>
                                <l rend="indent">at night,</l>
                     <l>Crying by day <hi rend="italic">Ahoy!</hi> from the rocks of the river, swinging and </l>
                                <l rend="indent">chirping over my head,</l>
                     <l>Calling my name from flower-beds, vines, tangled underbrush,</l>
                     <l>Lighting on every moment of my life,</l>
                     <l>Bussing my body with soft balsamic busses,</l>
                     <l>Noiselessly passing handfuls out of their hearts and giving them </l>
                                <l rend="indent">to be mine.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Old age superbly rising! O welcome, ineffable grace of dying </l>
                                <l rend="indent">days!</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Every condition promulges not only itself, it promulges what grows </l>
                                <l rend="indent">after and out of itself,</l>
                     <l>And the dark hush promulges as much as any.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>I open my scuttle at night and see the far-sprinkled systems,</l>
                     <l>And all I see multiplied as high as I can cipher edge but the rim </l>
                                <l rend="indent">of the farther systems.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Wider and wider they spread, expanding, always expanding,</l>
                     <l>Outward and outward and forever outward.</l>
                  </lg>
                  <pb facs="pageImages/73.jpg" n="73"/>
                        </lg>
                  <lg type="linegroup">
                     <l>My sun has his sun and round him obediently wheels,</l>
                     <l>He joins with his partners a group of superior circuit,</l>
                     <l>And greater sets follow, making specks of the greatest inside them.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>There is no stoppage and never can be stoppage,</l>
                     <l>If I, you, and the worlds, and all beneath or upon their surfaces,</l>
                            <l rend="indent">were this moment reduced back to a pallid float, it would </l>
                            <l rend="indent">not avail in the long run,</l>
                     <l>We should surely bring up again where we now stand,</l>
                     <l>And surely go as much farther, and then farther and farther.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>A few quadrillions of eras, a few octillions of cubic leagues, do not </l>
                            <l rend="indent">hazard the span or make it impatient,</l>
                     <l>They are but parts, any thing is but a part.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>See ever so far, there is limitless space outside of that,</l>
                     <l>Count ever so much, there is limitless time around that.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>My rendezvous is appointed, it is certain,</l>
                     <l>The Lord will be there and wait till I come on perfect terms,</l>
                     <l>The great Camerado, the lover true for whom I pine will be there.</l>
                  </lg>
            
               <lg type="section" n="46">
                  <head type="main-authorial">46</head>
                  <lg type="linegroup">
                     <l>I know I have the best of time and space, and was never measured </l>
                                <l rend="indent">and never will be measured.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>I tramp a perpetual journey, (come listen all!)</l>
                     <l>My signs are a rain-proof coat, good shoes, and a staff cut from </l>
                                <l rend="indent">the woods,</l>
                     <l>No friend of mine takes his ease in my chair,</l>
                     <l>I have no chair, no church, no philosophy,</l>
                     <l>I lead no man to a dinner-table, library, exchange,</l>
                     <l>But each man and each woman of you I lead upon a knoll,</l>
                     <l>My left hand hooking you round the waist,</l>
                     <l>My right hand pointing to landscapes of continents and the public </l>
                                <l rend="indent">road.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Not I, not any one else can travel that road for you,</l>
                     <l>You must travel it for yourself.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>It is not far, it is within reach,</l>
                     <l>Perhaps you have been on it since you were born and did not </l>
                                <l rend="indent">know,</l>
                     <l>Perhaps it is everywhere on water and on land.</l>
                  </lg>
                  <pb facs="pageImages/74.jpg" n="74"/>
                        </lg>
                  <lg type="linegroup">
                     <l>Shoulder your duds dear son, and I will mine, and let us hasten </l>
                            <l rend="indent">forth,</l>
                     <l>Wonderful cities and free nations we shall fetch as we go.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>If you tire, give me both burdens, and rest the chuff of your hand </l>
                            <l rend="indent">on my hip,</l>
                     <l>And in due time you shall repay the same service to me,</l>
                     <l>For after we start we never lie by again.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>This day before dawn I ascended a hill and look'd at the crowded </l>
                            <l rend="indent">heaven,</l>
                     <l>And I said to my spirit <hi rend="italic">When we become the enfolders of those </hi>
                        </l>
                            <l rend="indent">
                        <hi rend="italic">orbs, and the pleasure and knowledge of every thing in </hi>
                        </l>
                            <l rend="indent">
                        <hi rend="italic">them, shall we be fill'd and satisfied then?</hi> 
                     </l>
                     <l>And my spirit said <hi rend="italic">No, we but level that lift to pass and continue </hi>
                        </l>
                            <l rend="indent">
                        <hi rend="italic">beyond.</hi> 
                     </l>
                  </lg>
                  <lg type="linegroup">
                     <l>You are also asking me questions and I hear you,</l>
                     <l>I answer that I cannot answer, you must find out for yourself.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Sit a while dear son,</l>
                     <l>Here are biscuits to eat and here is milk to drink,</l>
                     <l>But as soon as you sleep and renew yourself in sweet clothes, I </l>
                            <l rend="indent">kiss you with a good-by kiss and open the gate for your </l>
                            <l rend="indent">egress hence.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Long enough have you dream'd contemptible dreams,</l>
                     <l>Now I wash the gum from your eyes,</l>
                     <l>You must habit yourself to the dazzle of the light and of every </l>
                            <l rend="indent">moment of your life.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Long have you timidly waded holding a plank by the shore,</l>
                     <l>Now I will you to be a bold swimmer,</l>
                     <l>To jump off in the midst of the sea, rise again, nod to me, shout,</l>
                            <l rend="indent">and laughingly dash with your hair.</l>
                  </lg>
           
               <lg type="section" n="47">
                  <head type="main-authorial">47</head>
                  <lg type="linegroup">
                     <l>I am the teacher of athletes,</l>
                     <l>He that by me spreads a wider breast than my own proves the </l>
                                <l rend="indent">width of my own,</l>
                     <l>He most honors my style who learns under it to destroy the </l>
                                <l rend="indent">teacher.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>The boy I love, the same becomes a man not through derived </l>
                                <l rend="indent">power, but in his own right,</l>
                     <pb facs="pageImages/75.jpg" n="75"/>
                     <l>Wicked rather than virtuous out of conformity or fear,</l>
                     <l>Fond of his sweetheart, relishing well his steak,</l>
                     <l>Unrequited love or a slight cutting him worse than sharp steel </l>
                                <l rend="indent">cuts,</l>
                     <l>First-rate to ride, to fight, to hit the bull's eye, to sail a skiff, to </l>
                                <l rend="indent">sing a song or play on the banjo,</l>
                     <l>Preferring scars and the beard and faces pitted with small-pox </l>
                                <l rend="indent">over all latherers,</l>
                     <l>And those well-tann'd to those that keep out of the sun.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>I teach straying from me, yet who can stray from me?</l>
                     <l>I follow you whoever you are from the present hour,</l>
                     <l>My words itch at your ears till you understand them.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>I do not say these things for a dollar or to fill up the time while I </l>
                                <l rend="indent">wait for a boat,</l>
                     <l>(It is you talking just as much as myself, I act as the tongue of </l>
                                <l rend="indent">you,</l>
                     <l>Tied in your mouth, in mine it begins to be loosen'd.)</l>
                  </lg>
                  <lg type="linegroup">
                     <l>I swear I will never again mention love or death inside a house,</l>
                     <l>And I swear I will never translate myself at all, only to him or her </l>
                                <l rend="indent">who privately stays with me in the open air.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>If you would understand me go to the heights or water-shore,</l>
                     <l>The nearest gnat is an explanation, and a drop or motion of waves </l>
                                <l rend="indent">a key,</l>
                     <l>The maul, the oar, the hand-saw, second my words.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>No shutter'd room or school can commune with me,</l>
                     <l>But roughs and little children better than they.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>The young mechanic is closest to me, he knows me well,</l>
                     <l>The woodman that takes his axe and jug with him shall take me </l>
                                <l rend="indent">with him all day,</l>
                     <l>The farm-boy ploughing in the field feels good at the sound of my </l>
                                <l rend="indent">voice,</l>
                     <l>In vessels that sail my words sail, I go with fishermen and seamen </l>
                                <l rend="indent">and love them.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>The soldier camp'd or upon the march is mine,</l>
                     <l>On the night ere the pending battle many seek me, and I do not </l>
                                <l rend="indent">fail them,</l>
                     <l>On that solemn night (it may be their last) those that know me </l>
                                <l rend="indent">seek me.</l>
                  </lg>
                  <pb facs="pageImages/76.jpg" n="76"/>
                        </lg>
                  <lg type="linegroup">
                     <l>My face rubs to the hunter's face when he lies down alone in his </l>
                            <l rend="indent">blanket,</l>
                     <l>The driver thinking of me does not mind the jolt of his wagon,</l>
                     <l>The young mother and old mother comprehend me,</l>
                     <l>The girl and the wife rest the needle a moment and forget where </l>
                            <l rend="indent">they are,</l>
                     <l>They and all would resume what I have told them.</l>
                  </lg>
            
               <lg type="section" n="48">
                  <head type="main-authorial">48</head>
                  <lg type="linegroup">
                     <l>I have said that the soul is not more than the body,</l>
                     <l>And I have said that the body is not more than the soul,</l>
                     <l>And nothing, not God, is greater to one than one's self is,</l>
                     <l>And whoever walks a furlong without sympathy walks to his own </l>
                                <l rend="indent">funeral drest in his shroud,</l>
                     <l>And I or you pocketless of a dime may purchase the pick of the </l>
                                <l rend="indent">earth,</l>
                     <l>And to glance with an eye or show a bean in its pod confounds </l>
                                <l rend="indent">the learning of all times,</l>
                     <l>And there is no trade or employment but the young man following </l>
                                <l rend="indent">it may become a hero,</l>
                     <l>And there is no object so soft but it makes a hub for the wheel'd </l>
                                <l rend="indent">universe,</l>
                     <l>And I say to any man or woman, Let your soul stand cool and </l>
                                <l rend="indent">composed before a million universes.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>And I say to mankind, Be not curious about God,</l>
                     <l>For I who am curious about each am not curious about God,</l>
                     <l>(No array of terms can say how much I am at peace about God </l>
                                <l rend="indent">and about death.)</l>
                  </lg>
                  <lg type="linegroup">
                     <l>I hear and behold God in every object, yet understand God not </l>
                                <l rend="indent">in the least,</l>
                     <l>Nor do I understand who there can be more wonderful than </l>
                                <l rend="indent">myself.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Why should I wish to see God better than this day?</l>
                     <l>I see something of God each hour of the twenty-four, and each </l>
                                <l rend="indent">moment then,</l>
                     <l>In the faces of men and women I see God, and in my own face in </l>
                                <l rend="indent">the glass,</l>
                     <l>I find letters from God dropt in the street, and every one is sign'd </l>
                                <l rend="indent">by God's name,</l>
                     <l>And I leave them where they are, for I know that wheresoe'er I go,</l>
                     <l>Others will punctually come for ever and ever.</l>
                  </lg>
               </lg>
            <pb facs="pageImages/77.jpg" n="77"/>
               <lg type="section" n="49">
                  <head type="main-authorial">49</head>
                  <lg type="linegroup">
                     <l>And as to you Death, and you bitter hug of mortality, it is idle to </l>
                                <l rend="indent">try to alarm me.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>To his work without flinching the accoucheur comes,</l>
                     <l>I see the elder-hand pressing receiving supporting,</l>
                     <l>I recline by the sills of the exquisite flexible doors,</l>
                     <l>And mark the outlet, and mark the relief and escape.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>And as to you Corpse I think you are good manure, but that does </l>
                                <l rend="indent">not offend me,</l>
                     <l>I smell the white roses sweet-scented and growing,</l>
                     <l>I reach to the leafy lips, I reach to the polish'd breasts of melons.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>And as to you Life I reckon you are the leavings of many deaths,</l>
                     <l>(No doubt I have died myself ten thousand times before.)</l>
                  </lg>
                  <lg type="linegroup">
                     <l>I hear you whispering there O stars of heaven,</l>
                     <l>O suns—O grass of graves—O perpetual transfers and pro-</l>
                                <l rend="indent">motions,</l>
                     <l>If you do not say any thing how can I say any thing?</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Of the turbid pool that lies in the autumn forest,</l>
                     <l>Of the moon that descends the steeps of the soughing twilight,</l>
                     <l>Toss, sparkles of day and dusk—toss on the black stems that </l>
                                <l rend="indent">decay in the muck,</l>
                     <l>Toss to the moaning gibberish of the dry limbs.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>I ascend from the moon, I ascend from the night,</l>
                     <l>I perceive that the ghastly glimmer is noonday sunbeams reflected,</l>
                     <l>And debouch to the steady and central from the offspring great or </l>
                                <l rend="indent">small.</l>
                  </lg>
               </lg>
               <lg type="section" n="50">
                  <head type="main-authorial">50</head>
                  <lg type="linegroup">
                     <l>There is that in me—I do not know what it is—but I know it is </l>
                                <l rend="indent">in me.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Wrench'd and sweaty—calm and cool then my body becomes,</l>
                     <l>I sleep—I sleep long.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>I do not know it—it is without name—it is a word unsaid,</l>
                     <l>It is not in any dictionary, utterance, symbol.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Something it swings on more than the earth I swing on,</l>
                     <l>To it the creation is the friend whose embracing awakes me.</l>
                  </lg>
                  <pb facs="pageImages/78.jpg" n="78"/>
                        </lg>
                  <lg type="linegroup">
                     <l>Perhaps I might tell more. Outlines! I plead for my brothers </l>
                            <l rend="indent">and sisters.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Do you see O my brothers and sisters?</l>
                     <l>It is not chaos or death—it is form, union,
                        plan—it is eternal </l>
                            <l rend="indent">life—it is Happiness.</l>
                  </lg>
               
               <lg type="section" n="51">
                  <head type="main-authorial">51</head>
                  <lg type="linegroup">
                     <l>The past and present wilt—I have fill'd them, emptied them.</l>
                     <l>And proceed to fill my next fold of the future.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Listener up there! what have you to confide to me?</l>
                     <l>Look in my face while I snuff the sidle of evening,</l>
                     <l>(Talk honestly, no one else hears you, and I stay only a minute </l>
                                <l rend="indent">longer.)</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Do I contradict myself?</l>
                     <l>Very well then I contradict myself,</l>
                     <l>(I am large, I contain multitudes.)</l>
                  </lg>
                  <lg type="linegroup">
                     <l>I concentrate toward them that are nigh, I wait on the door-slab.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Who has done his day's work? who will soonest be through with </l>
                                <l rend="indent">his supper?</l>
                     <l>Who wishes to walk with me?</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Will you speak before I am gone? will you prove already too late?</l>
                  </lg>
               </lg>
               <lg type="section" n="52">
                  <head type="main-authorial">52</head>
                  <lg type="linegroup">
                     <l>The spotted hawk swoops by and accuses me, he complains of my </l>
                                <l rend="indent">gab and my loitering.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>I too am not a bit tamed, I too am untranslatable,</l>
                     <l>I sound my barbaric yawp over the roofs of the world.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>The last scud of day holds back for me,</l>
                     <l>It flings my likeness after the rest and true as any on the shadow'd </l>
                                <l rend="indent">wilds,</l>
                     <l>It coaxes me to the vapor and the dusk.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>I depart as air, I shake my white locks at the runaway sun,</l>
                     <l>I effuse my flesh in eddies, and drift it in lacy jags.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>I bequeath myself to the dirt to grow from the grass I love,</l>
                     <l>If you want me again look for me under your boot-soles.</l>
                  </lg>
                  <pb facs="ppageImages/79.jpg" n="79"/>
                        </lg>
                  <lg type="linegroup">
                     <l>You will hardly know who I am or what I mean,</l>
                     <l>But I shall be good health to you nevertheless,</l>
                     <l>And filter and fibre your blood.</l>
                  </lg>
                  <lg type="linegroup">
                     <l>Failing to fetch me at first keep encouraged,</l>
                     <l>Missing me one place search another,</l>
                     <l>I stop somewhere waiting for you.</l>
                  </lg>
             
           
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                                <surname>Wordsworth</surname>
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                            <title>"Lines, Written a few Miles above Tintern Abbey, On Revising the Banks of the Wye, During a Tour, July 13, 1798"</title>
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                            <author>
                                <name>
                                <forename>William</forename>
                                <surname>Wordsworth</surname> 
                            <forename>Samuel Taylor</forename>
                            <surname>Coleridge</surname> </name>
                            </author>
                            <title>Lyrical Ballads, with a Few Other Poems</title>
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                                    <placeName type="tgn" key="7011781">London</placeName> 
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                                <publisher>J. and A. Arch</publisher>
                                <date when="1798">1798</date>
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                <div>
                    <head>
                        <ref target="Introduction_" corresp="Introduction">LINES
                        <lb/>
                        WRITTEN A FEW MILES ABOVE
                        <lb/>
                       TINTERN ABBEY,
                        <lb/>
                       ON REVISITING THE BANKS OF THE
                       <lb/>
                        WYE<lb/>
                        DURING
                        <lb/>
                         A TOUR,
                        <lb/>
                            <hi rend="italic">July</hi>
                            13, 1798.</ref>
                        <note xml:id="Introduction" target="Introduction_">
                                <p>William Wordsworth’s “Lines, Written a Few Miles Above Tintern Abbey, on Revisiting the Banks of the Wye During a Tour, July 13, 1798“ is one of the most important and influential poems in the English language. Published in 1798 as the last work in <hi rend="italic">Lyrical Ballads</hi>, the collection that Wordsworth put together with his friend and fellow poet Samuel Taylor Coleridge, the poem describes a walking trip to the Wye Valley, on the border between England and Wales, that Wordsworth had made with his sister Dorothy that summer. It was a trip that covered much the same route as one that Wordsworth had made alone five years earlier. The image of a poet recollecting his experience in a beautiful setting became a paradigm for a new kind of poetry: subjective, reflective, emotional, written in the kind of plain speech, that Wordsworth, in his preface to a later edition of <hi rend="italic">Lyrical Ballads</hi>, called “the real language of men.” Wordsworth’s poem is not quite like normal speech; it still has the rhythm of iambic pentameter verse, and is shaped in a way that ordinary speech is not. But Wordsworth deliberately avoids or downplays many of the features of the poetry written in the eighteenth century such as rhyme, word inversion, and figurative language to create verse that feels spontaneous, as though the poem is tracing the poet’s thoughts as they occurred to him. That is not the case, of course; this is a carefully composed poem, one that builds to a climax when the speaker turns to a “dear, dear Friend,” his sister Dorothy, and the reader realizes that she has been there all along. By turning the the memory of their walking tour, a memory that then reminds Wordsworth of another walking tour he had taken along the same route five years earlier, Wordsworth offers what he would later call “emotion recollected in tranquility,” a model for composing poetry that felt original to contemporary readers and has endured.</p>
                            
                            <graphic url="https://lic-assets-staging.s3.amazonaws.com/wordsworth-tintern/tinternabbey--turner.jpg" alt="A painting of Tintern Abbey by J. M. W. Turner"/>
                            <p>The poem is almost always referred to as “Tintern Abbey,” after the ruins of a monastery in the Wye Valley that was close to the route that the Wordsworths took on their tour. By the late 1790s, Tintern Abbey was well-known tourist destination, featured in a number of travel guides to the area, and the subject of paintings by several contemporary painters. But calling the poem “Tintern Abbey” is slightly odd because the Abbey itself does not appear in the poem, and it is clear that the place where William and Dorothy are standing is, as the full title indicates, a few miles upriver than the Abbey itself. It is easier to see significance in the first word of the title: “Lines.” Literally, “Lines” refers to the lines of poetry that make the up the poem, the lines printed on the page that the reader holds in their hands. But within the poem, “lines” is also the word that the poet uses to refer to the lines of hedgerows in the landscape, the lines marking the boundaries between the different farm fields and pastures. The vista spread out before the Wordsworths is a cultural scene as much as it is a natural one, a human landscape, with farms, orchards, cottages, domesticated animals, and smoke rising from forges. The lines on the type-set page stand in, then, for the lines of the landscape, suggesting how poetry can be a surrogate experience for a reader who many never get to visit that remote part of the British Isles, but who can, by meditating with the poet on his experience, share its emotional impact. The layered memories of the walking tours through this area are clearly, for Wordsworth, restorative, a resource that he has drawn upon when he was living far away, “in lonely rooms, and mid the din/Of towns and cities.” His experience, processed and put in the form of this poem, can in turn become a resource for readers.</p>
                            
                            <p>The date included in the title--July 13, 1798--is also significant. Wordsworth notes that he had been at this spot exactly five years before. In the summer of 1793, Wordsworth was in a state of personal crisis. He had gone in late 1791 to France after his graduation from Cambridge. Like many young Englishmen, he was excited by the French Revolution, which seemed at that point to promise a bright future, one where representative government might break through the deadening effect of the aristocratic rule that dominated France and Britain. While in France, Wordsworth met and fell in love with Marie-Anne Vallon (she was usually known as Annette); she had a daughter, Caroline, in December 1792. But by that point, Wordsworth was on his way back to England; he was out of money, and had no way to make any in France. War between England and France broke out in early 1793; William and Annette probably did not see each other for several years. When he visited the Wye Valley in the summer of 1793, then, Wordsworth was a bit of a wreck; broke, without good prospects for employment, separated from his lover and their daughter, still holding to revolutionary ideals and hoping to see them realized in Britain and deeply unhappy that his country was at war with France. But he was also becoming aware of the violent turn that the Revolution had taken, having been in Paris during what were known as the September Massacres in September 1792, when hundreds of people—we still do not know how many—were killed for being suspected counter-revolutionaries. July 13 is the day before Bastille Day, the day when the Revolution initially began in 1789. It is not exactly clear what Wordsworth is thinking of in recording the date, and he never offered an explanation, but it is hard not to think that Wordsworth is drawing attention to the near-coincidence between the date of his tour nine years later and the anniversary of the Revolution’s start. Perhaps ironically or ruefully, aware of how the passage of time has made the Revolution, his previous visit to that location, and his situation now all feel very different from one another. By 1798 Wordsworth had become thoroughly disillusioned by the French Revolution, and turned to poetry, perhaps hoping to create a revolution in hearts and minds rather than in politics. This poem, and <hi rend="italic">Lyrical Ballads</hi>, are landmarks of that revolution, a revolution that we now call Romanticism.</p>
                        <lb/>
                            
                            <p>Image: J. M. W. Turner. <hi rend="italic">Tintern Abbey</hi>, 1792. Tate Britain, London.</p>
                            </note>
                    </head>
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            <div>
                   
                    <lg type="stanza">
                        <l> Five years have passed; five summers, with the length </l>
                        <l>Of five long winters! and again I hear</l>
                        <l>These waters, rolling from their mountain-springs</l>
                        <l>
                            <ref target="murmur_" corresp="murmur">With sweet inland murmur.</ref>
                                <note xml:id="murmur" target="murmur_" type="authorial">The river is not affected by the tides a few miles above Tintern. [Wordsworth's note.]</note>
                            —Once again
                        </l>
                        <l>Do I behold these steep and lofty cliffs,</l>
                        <l>Which on a wild secluded scene impress</l>
                        <l>Thoughts of more deep seclusion; and connect</l>
                        <pb n="202" facs="pageImages/202.png"/>
                        <l>The landscape with the quiet of the sky.</l>
                        <l>The day is come when I again repose</l>
                        <l>Here, under this dark sycamore, and view</l>
                        <l> These plots of cottage-ground, these orchard-tufts, </l>
                        <l>Which, at this season, with their unripe fruits,</l>
                        <l>Among the woods and copses lose themselves,</l>
                        <l>Nor, with their green and simple hue, disturb</l>
                        <l>The wild green landscape. Once again I see</l>
                        <l>These hedge-rows, hardly hedge-rows, little lines</l>
                        <l>Of sportive wood run wild ; these pastoral farms</l>
                        <l>Green to the very door ; and wreathes of smoke</l>
                        <l>Sent up, in silence, from among the trees,</l>
                        <l>And the low copses—coming from the trees</l>
                        <l>With some uncertain notice, as might seem,</l>
                        <l>Of vagrant dwellers in the houseless woods,</l>
                        <l>Or of some hermit’s cave, where by his fire</l>
                        <l>The hermit sits alone.</l>
                    </lg>
                    <lg type="stanza">
                        <l rend="indent">Though absent long,</l>
                        <l>These forms of beauty have not been to me,</l>
                        <pb n="203" facs="pageImages/203.png"/>
                        <l>As is a landscape to a blind man’s eye:</l>
                        <l>But oft, in lonely rooms, and mid the din</l>
                        <l>Of towns and cities, I have owed to them,</l>
                        <l>In hours of weariness, sensations sweet,</l>
                        <l>Felt in the blood, and felt along the heart,</l>
                        <l>And passing even into my purer mind</l>
                        <l>With tranquil restoration :—feelings too</l>
                        <l>Of unremembered pleasure ; such, perhaps,</l>
                        <l>As may have had no trivial influence</l>
                        <l>On that best portion of a good man’s life ;</l>
                        <l>His little, nameless, unremembered acts</l>
                        <l>Of kindness and love. Nor less, I trust,</l>
                        <l>To them I may have owed another gift,</l>
                        <l>Of aspect more sublime; that blessed mood,</l>
                        <l>In which the burthen of the mystery,</l>
                        <l>In which the heavy and the weary weight</l>
                        <l>Of all this unintelligible world</l>
                        <l>Is lighten’d:—that serene and blessed mood,</l>
                        <l>In which the affections gently lead us on,</l>
                        <pb n="204" facs="pageImages/204.png"/>
                        <l>Until, the breath of this corporeal frame,</l>
                        <l>And even the motion of our human blood</l>
                        <l>Almost suspended, we are laid asleep</l>
                        <l>In body, and become a living soul :</l>
                        <l>While with an eye made quiet by the power</l>
                        <l>Of harmony, and the deep power of joy</l>
                        <l>We see into the life of things.</l>
                    </lg>
                    <lg type="stanza">
                        <l rend="indent">If this</l>
                        <l>Be but a vain belief, yet, oh! how oft,</l>
                        <l>In darkness, and amid the many shapes</l>
                        <l>Of joyless day-light ; when the fretful stir</l>
                        <l>Unprofitable, and the fever of the world,</l>
                        <l>Have hung upon the beatings of my heart,</l>
                        <l>How oft, in spirit, have I turned to thee</l>
                        <l>O sylvan Wye! Thou wanderer through the woods,</l>
                        <l>How often has my spirit turned to thee!</l>
                    </lg>
                    <lg>
                        <l>And now, with gleams of half-extinguish’d thought,</l>
                        <pb n="205" facs="pageImages/205.png"/>
                        <l>With many recognitions dim and faint,</l>
                        <l>And somewhat of a sad perplexity,</l>
                        <l>The picture of the mind revives again :</l>
                        <l>While here I stand, not only with the sense</l>
                        <l>Of present pleasure, but with pleasing thoughts</l>
                        <l>That in this moment there is life and food</l>
                        <l>For future years. And so I dare to hope</l>
                        <l> Though changed, no doubt, from what I was, when first</l>
                        <l>I came among these hills ; when like a roe</l>
                        <l>I bounded o’er the mountains, by the sides</l>
                        <l>Of the deep rivers, and the lonely streams,</l>
                        <l>Wherever nature led ; more like a man</l>
                        <l>Flying from something that he dreads, than one</l>
                        <l>Who sought the thing he loved. For nature then</l>
                        <l>(The coarser pleasures of my boyish days,</l>
                        <l>And their glad animal movements all gone by,)</l>
                        <l>To me was all in all.—I cannot paint</l>
                        <pb n="206" facs="pageImages/206.png"/>
                        <l>What then I was. The sounding cataract</l>
                        <l>Haunted me like a passion: the tall rock,</l>
                        <l>The mountain, and the deep and gloomy wood,</l>
                        <l>Their colours and their forms, were then to me</l>
                        <l>An appetite: a feeling and a love,</l>
                        <l>That had no need of a remoter charm,</l>
                        <l>By thought supplied, or any interest</l>
                        <l>Unborrow’d from the eye. — That time is</l>
                        <l rend="indent">past,</l>
                        <l>And all its aching joys are now no more,</l>
                        <l>And all its dizzy raptures. Not for this</l>
                        <l>Faint I, nor mourn nor murmur: other gifts</l>
                        <l>Have followed, for such loss, I would believe,</l>
                        <l>Abundant recompense. For I have learned</l>
                        <l>To look on nature, not as in the hour</l>
                        <l>Of thoughtless youth, but hearing oftentimes</l>
                        <l>The still, sad music of humanity,</l>
                        <l>Not harsh nor grating, though of ample power</l>
                        <pb n="207" facs="pageImages/207.png"/>
                        <l>To chasten and subdue. And I have felt</l>
                        <l>A presence that disturbs me with the joy</l>
                        <l>Of elevated thoughts; a sense sublime</l>
                        <l>Of something far more deeply interfused,</l>
                        <l>Whose dwelling is the light of setting suns,</l>
                        <l>And the round ocean, and the living air,</l>
                        <l>And the blue sky, and in the mind of man,</l>
                        <l>A motion and a spirit, that impels</l>
                        <l>All thinking things, all objects of all thought,</l>
                        <l>And rolls through all things. Therefore am I still</l>
                        <l>A lover of the meadows and the woods,</l>
                        <l>And mountains; and of all that we behold</l>
                        <l>From this green earth; of all the mighty world</l>
                        <l>
                            Of eye and ear, both what they <ref target="half-create_" corresp="half-create">half-create,</ref>
                            <note xml:id="half-create" target="half-create_" type="authorial">This line has a close resemblance to an admirable line of Young, the exact expression of which I cannot recollect. [Wordsworth's note]</note>  </l>
                        <pb n="208" facs="pageImages/208.png"/>
                        <l>And what perceive; well pleased to recognize</l>
                        <l>In nature and the language of the sense,</l>
                        <l>The anchor of my purest thoughts, the nurse,</l>
                        <l>The guide, the guardian of my heart, and soul</l>
                        <l>Of all my moral being.</l>
                    </lg>
                    <lg type="stanza">
                        <l rend="indent">Nor, perchance,</l>
                        <l>If I were not thus taught, should I the more</l>
                        <l>Suffer my genial spirits to decay:</l>
                        <l>For thou art with me, here, upon the banks</l>
                        <l>Of this fair river ; though, my dearest Friend,</l>
                        <l>My dear, dear Friend, and in thy voice I catch</l>
                        <l>The language of my former heart, and read</l>
                        <l>My former pleasures in the shooting lights</l>
                        <l>Of thy wild eyes. Oh! yet a little while</l>
                        <l>May I behold in thee what I was once,</l>
                        <l>My dear, dear Sister! And this prayer I make,</l>
                        <l>Knowing that Nature never did betray</l>
                    </lg>
                <pb n="209" facs="pageImages/209.png"/>
                    <lg type="stanza">
                        <l>The heart that loved her; ’tis her privilege,</l>
                        <l>Through all the years of this our life, to lead</l>
                        <l>From joy to joy: for she can so inform</l>
                        <l>The mind that is within us, so impress</l>
                        <l>With quietness and beauty, and so feed</l>
                        <l>With lofty thoughts, that neither evil tongues,</l>
                        <l>Rash judgments, nor the sneers of selfish men,</l>
                        <l>Nor greetings where no kindness is, nor all</l>
                        <l>The dreary intercourse of daily life,</l>
                        <l>Shall e’er prevail against us, or disturb</l>
                        <l>Our cheerful faith that all which we behold</l>
                        <l>Is full of blessings. Therefore let the moon</l>
                        <l>Shine on thee in thy solitary walk;</l>
                        <l>And let the misty mountain winds be free</l>
                        <l>To blow against thee: and in after years,</l>
                        <l>When these wild ecstasies shall be matured</l>
                        <l>Into a sober pleasure, when thy mind</l>
                        <l>Shall be a mansion for all lovely forms,</l>
                        <l>Thy memory be as a dwelling-place</l>
                        
                        <pb n="210" facs="pageImages/210.png"/>
                        <l>For all sweet sounds and harmonies; Oh! then,</l>
                        <l>If solitude, or fear, or pain, or grief,</l>
                        <l>Should be thy portion, with what healing thoughts</l>
                        <l>Of tender joy wilt thou remember me,</l>
                        <l>And these my exhortations! Nor, perchance,</l>
                        <l>If I should be, where I no more can hear</l>
                        <l>Thy voice, nor catch from thy wild eyes these gleam </l>
                        <l>Of past existence, wilt thou then forget</l>
                        <l>That on the banks of this delightful stream</l>
                        <l>We stood together; and that I, so long</l>
                        <l>A worshipper of Nature, hither came,</l>
                        <l>Unwearied in that service: rather say</l>
                        <l>With warmer love, oh! with far deeper zeal</l>
                        <l>Of holier love. Nor wilt thou then forget,</l>
                        <l>That after many wanderings, many years</l>
                        <l>Of absence, these steep woods and lofty cliffs,</l>
                        <l>And this green pastoral landscape, were to me</l>
                        <l>More dear, both for themselves, and for thy sake.</l>
                    </lg>
                <p>
                            <hi rend="italic">END.</hi>
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<body> <div>
    <pb n="546" facs="pageImages/0546.png"/>
                        <head type="main">BARTLEBY, THE SCRIVENER</head>
    <head type="sub">A Story of Wall Street</head> 
<p/>
                        <p>
I am a rather elderly man. The nature of my avocations for the last thirty
years has brought me into more than ordinary contact with what would seem an
interesting and somewhat singular set of men, of whom as yet nothing that I
know of has ever been written:—I mean the law-copyists or scriveners. I
have known very many of them, professionally and privately, and if I pleased,
could relate divers histories, at which good-natured gentlemen might smile, and
sentimental souls might weep. But I waive the biographies of all other
scriveners for a few passages in the life of Bartleby, who was a scrivener of
the strangest I ever saw or heard of. While of other law-copyists I might write
the complete life, of Bartleby nothing of that sort can be done. I believe that
no materials exist for a full and satisfactory biography of this man. It is an
irreparable loss to literature. Bartleby was one of those beings of whom
nothing is ascertainable, except from the original sources, and in his case
those are very small. What my own astonished eyes saw of Bartleby, <hi rend="italic">that</hi>
is all I know of him, except, indeed, one vague report which will appear in the
sequel.
</p>
<p>
Ere introducing the scrivener, as he first appeared to me, it is fit I make
some mention of myself, my <hi rend="italic">employeés</hi>, my business, my chambers, and general
surroundings; because some such description is indispensable to an adequate
understanding of the chief character about to be presented.
</p>
<p>
Imprimis: I am a man who, from his youth upwards, has been filled with a
profound conviction that the easiest way of life is the best. Hence, though I
belong to a profession proverbially energetic and nervous, even to turbulence,
at times, yet nothing of that sort have I ever suffered to invade my peace. I
am one of those unambitious lawyers who never addresses a jury, or in any way
draws down public applause; but in the cool tranquility of a snug retreat, do a
snug business among 
    <pb n="547" facs="pageImages/0547.png"/>
    rich men’s bonds and mortgages and title-deeds. All
    who know me, consider me an eminently <hi rend="italic">safe</hi> man. The late <persName type="lcnaf" key="n89103767">John Jacob
Astor</persName>, a personage little given to poetic enthusiasm, had no hesitation in
pronouncing my first grand point to be prudence; my next, method. I do not
speak it in vanity, but simply record the fact, that I was not unemployed in my
profession by the late John Jacob Astor; a name which, I admit, I love to
repeat, for it hath a rounded and orbicular sound to it, and rings like unto
bullion. I will freely add, that I was not insensible to the late John Jacob
Astor’s good opinion.
</p>
<p>
Some time prior to the period at which this little history begins, my
avocations had been largely increased. The good old office, now extinct in the
    <placeName type="tgn" key="7007568">State of New York</placeName>, of a Master in Chancery, had been conferred upon me. It was
not a very arduous office, but very pleasantly remunerative. I seldom lose my
temper; much more seldom indulge in dangerous indignation at wrongs and
outrages; but I must be permitted to be rash here and declare, that I consider
the sudden and violent abrogation of the office of Master in Chancery, by the
new Constitution, as a—premature act; inasmuch as I had counted upon a
life-lease of the profits, whereas I only received those of a few short years.
But this is by the way.
</p>
<p>
    My chambers were up stairs at <placeName type="tgn" key="7007567">No.—-Wall-street</placeName>. At one end they looked
upon the white wall of the interior of a spacious sky-light shaft, penetrating
the building from top to bottom. This view might have been considered rather
tame than otherwise, deficient in what landscape painters call
“life.” But if so, the view from the other end of my chambers
offered, at least, a contrast, if nothing more. In that direction my windows
commanded an unobstructed view of a lofty brick wall, black by age and
everlasting shade; which wall required no spy-glass to bring out its lurking
beauties, but for the benefit of all near-sighted spectators, was pushed up to
within ten feet of my window panes. Owing to the great height of the
surrounding buildings, and my chambers being on the second floor, the interval
between this wall and mine not a little resembled a huge square cistern.
</p>
<p>
At the period just preceding the advent of Bartleby, I had two persons as
copyists in my employment, and a promising lad as an office-boy. First, Turkey;
second, Nippers; third, Ginger Nut. These may seem names, the like of which are
not usually found in the Directory. In truth they were nicknames, mutually
conferred upon each other by my three clerks, and were deemed expressive of
their respective persons or characters. Turkey was a short, pursy Englishman of
about my own age, that is, somewhere not far from sixty. In the morning, one
might say, his face was of a fine florid hue, but after twelve o’clock,
meridian—his dinner hour—it blazed like a grate full of Christmas
coals; and continued blazing—but, as it were, with a gradual
wane—till 6 o’clock, P.M. or thereabouts, after which I saw no more
of the proprietor of the face, which gaining its meridian with the sun, seemed
to set with it, to rise, culminate, and decline the following day, with the
like regularity and undiminished glory. There are many singular coincidences I
have known in the course of my life, not the least among which was the fact,
that exactly when Turkey displayed his fullest beams from his red and radiant
countenance, just then, too, at that critical moment, began the daily period
when I considered his business capacities as seriously disturbed for the
remainder of the twenty-four hours. Not that he was absolutely idle, or averse
to business then; far from it. The difficulty was, he was apt to be altogether
too energetic. There was a strange, inflamed, flurried, flighty recklessness of
activity about him. He would be incautious in dipping his pen into his
inkstand. All his blots upon my documents, were dropped there after twelve
o’clock, meridian. Indeed, not only would he be reckless and sadly given
to making blots in the afternoon, but some days he went further, and was rather
noisy. At such times, too, his face flamed with augmented blazonry, as if
cannel coal had been heaped on anthracite. He made an unpleasant racket with
his chair; spilled his sand-box; in mending his pens, impatiently split them
all to pieces, and threw them on the floor in a sudden passion; stood up and
leaned over his table, boxing his papers about in a most indecorous manner,
very sad to behold in an elderly man like him. Nevertheless, as he was in many
ways a most valuable person to me, and all the time before twelve
o’clock, meridian, was the quickest, steadiest creature too,
accomplishing a great deal of work in a style not easy to be matched—for
these reasons, I was willing to overlook his eccentricities, though indeed,
occasionally, I remonstrated with him. I did this very gently, however,
because, though the civilest, nay, the blandest and most reverential of men in
the morning, yet in the afternoon he was disposed, upon provocation, to be
slightly rash with his tongue, in fact, insolent. Now, valuing his morning
services as I did, and resolved not to lose them; yet, at the same time made
uncomfortable by his inflamed ways after twelve o’clock; and being
    <pb n="548" facs="pageImages/0548.png"/>
    a man of peace, unwilling by my admonitions to call forth unseemly retorts from him;
I took upon me, one Saturday noon (he was always worse on Saturdays), to hint
to him, very kindly, that perhaps now that he was growing old, it might be well
to abridge his labors; in short, he need not come to my chambers after twelve
o’clock, but, dinner over, had best go home to his lodgings and rest
himself till teatime. But no; he insisted upon his afternoon devotions. His
countenance became intolerably fervid, as he oratorically assured
me—gesticulating with a long ruler at the other end of the
room—that if his services in the morning were useful, how indispensable,
then, in the afternoon?
</p>
<p>
“With submission, sir,” said Turkey on this occasion, “I
consider myself your right-hand man. In the morning I but marshal and deploy my
columns; but in the afternoon I put myself at their head, and gallantly charge
the foe, thus!”—and he made a violent thrust with the ruler.
</p>
<p>
“But the blots, Turkey,” intimated I.
</p>
<p>
“True,—but, with submission, sir, behold these hairs! I am getting
old. Surely, sir, a blot or two of a warm afternoon is not to be severely urged
against gray hairs. Old age—even if it blot the page—is honorable.
With submission, sir, we <hi rend="itlaic">both</hi> are getting old.”
</p>
<p>
This appeal to my fellow-feeling was hardly to be resisted. At all events, I
saw that go he would not. So I made up my mind to let him stay, resolving,
nevertheless, to see to it, that during the afternoon he had to do with my less
important papers.
</p>
<p>
Nippers, the second on my list, was a whiskered, sallow, and, upon the whole,
rather piratical-looking young man of about five and twenty. I always deemed
him the victim of two evil powers—ambition and indigestion. The ambition
was evinced by a certain impatience of the duties of a mere copyist, an
unwarrantable usurpation of strictly professional affairs, such as the original
drawing up of legal documents. The indigestion seemed betokened in an
occasional nervous testiness and grinning irritability, causing the teeth to
audibly grind together over mistakes committed in copying; unnecessary
maledictions, hissed, rather than spoken, in the heat of business; and
especially by a continual discontent with the height of the table where he
worked. Though of a very ingenious mechanical turn, Nippers could never get
this table to suit him. He put chips under it, blocks of various sorts, bits of
pasteboard, and at last went so far as to attempt an exquisite adjustment by
final pieces of folded blotting paper. But no invention would answer. If, for
the sake of easing his back, he brought the table lid at a sharp angle well up
towards his chin, and wrote there like a man using the steep roof of a Dutch
house for his desk:—then he declared that it stopped the circulation in
his arms. If now he lowered the table to his waistbands, and stooped over it in
writing, then there was a sore aching in his back. In short, the truth of the
matter was, Nippers knew not what he wanted. Or, if he wanted any thing, it was
to be rid of a scrivener’s table altogether. Among the manifestations of
his diseased ambition was a fondness he had for receiving visits from certain
ambiguous-looking fellows in seedy coats, whom he called his clients. Indeed I
was aware that not only was he, at times, considerable of a ward-politician,
but he occasionally did a little business at the Justices’ courts, and
was not unknown on the steps of the Tombs. I have good reason to believe,
however, that one individual who called upon him at my chambers, and who, with
a grand air, he insisted was his client, was no other than a dun, and the
alleged title-deed, a bill. But with all his failings, and the annoyances he
caused me, Nippers, like his compatriot Turkey, was a very useful man to me;
wrote a neat, swift hand; and, when he chose, was not deficient in a
gentlemanly sort of deportment. Added to this, he always dressed in a
gentlemanly sort of way; and so, incidentally, reflected credit upon my
chambers. Whereas with respect to Turkey, I had much ado to keep him from being
a reproach to me. His clothes were apt to look oily and smell of eating-houses.
He wore his pantaloons very loose and baggy in summer. His coats were
execrable; his hat not to be handled. But while the hat was a thing of
indifference to me, inasmuch as his natural civility and deference, as a
dependent Englishman, always led him to doff it the moment he entered the room,
yet his coat was another matter. Concerning his coats, I reasoned with him; but
with no effect. The truth was, I suppose, that a man of so small an income,
could not afford to sport such a lustrous face and a lustrous coat at one and
the same time. As Nippers once observed, Turkey’s money went chiefly for
red ink. One winter day I presented Turkey with a highly-respectable looking
coat of my own, a padded gray coat, of a most comfortable warmth, and which
buttoned straight up from the knee to the neck. I thought Turkey would
appreciate the favor, and abate his rashness and obstreperousness of
afternoons. But no. I verily believe that buttoning himself up in so downy and
blanket-like a coat had
    <pb n="549" facs="pageImages/0549.png"/>
a pernicious effect upon him; upon the same principle
that too much oats are bad for horses. In fact, precisely as a rash, restive
horse is said to feel his oats, so Turkey felt his coat. It made him insolent.
He was a man whom prosperity harmed.
</p>
<p>
Though concerning the self-indulgent habits of Turkey I had my own private
surmises, yet touching Nippers I was well persuaded that whatever might be his
faults in other respects, he was, at least, a temperate young man. But indeed,
nature herself seemed to have been his vintner, and at his birth charged him so
thoroughly with an irritable, brandy-like disposition, that all subsequent
potations were needless. When I consider how, amid the stillness of my
chambers, Nippers would sometimes impatiently rise from his seat, and stooping
over his table, spread his arms wide apart, seize the whole desk, and move it,
and jerk it, with a grim, grinding motion on the floor, as if the table were a
perverse voluntary agent, intent on thwarting and vexing him; I plainly
perceive that for Nippers, brandy and water were altogether superfluous.
</p>
<p>
It was fortunate for me that, owing to its peculiar
cause—indigestion—the irritability and consequent nervousness of
Nippers, were mainly observable in the morning, while in the afternoon he was
comparatively mild. So that Turkey’s paroxysms only coming on about
twelve o’clock, I never had to do with their eccentricities at one time.
Their fits relieved each other like guards. When Nippers’ was on,
Turkey’s was off; and <hi rend="italic">vice versa</hi>. This was a good natural
arrangement under the circumstances.
</p>
<p>
Ginger Nut, the third on my list, was a lad some twelve years old. His father
was a carman, ambitious of seeing his son on the bench instead of a cart,
before he died. So he sent him to my office as student at law, errand boy, and
cleaner and sweeper, at the rate of one dollar a week. He had a little desk to
himself, but he did not use it much. Upon inspection, the drawer exhibited a
great array of the shells of various sorts of nuts. Indeed, to this
quick-witted youth the whole noble science of the law was contained in a
nut-shell. Not the least among the employments of Ginger Nut, as well as one
which he discharged with the most alacrity, was his duty as cake and apple
purveyor for Turkey and Nippers. Copying law papers being proverbially dry,
husky sort of business, my two scriveners were fain to moisten their mouths
very often with Spitzenbergs to be had at the numerous stalls nigh the Custom
House and Post Office. Also, they sent Ginger Nut very frequently for that
peculiar cake—small, flat, round, and very spicy—after which he had
been named by them. Of a cold morning when business was but dull, Turkey would
gobble up scores of these cakes, as if they were mere wafers—indeed they
sell them at the rate of six or eight for a penny—the scrape of his pen
blending with the crunching of the crisp particles in his mouth. Of all the
fiery afternoon blunders and flurried rashnesses of Turkey, was his once
moistening a ginger-cake between his lips, and clapping it on to a mortgage for
a seal. I came within an ace of dismissing him then. But he mollified me by
making an oriental bow, and saying—“With submission, sir, it was
generous of me to find you in stationery on my own account.”
</p>
<p>
Now my original business—that of a conveyancer and title hunter, and
drawer-up of recondite documents of all sorts—was considerably increased
by receiving the master’s office. There was now great work for
scriveners. Not only must I push the clerks already with me, but I must have
additional help. In answer to my advertisement, a motionless young man one
morning, stood upon my office threshold, the door being open, for it was
summer. I can see that figure now—pallidly neat, pitiably respectable,
incurably forlorn! It was Bartleby.
</p>
<p>
After a few words touching his qualifications, I engaged him, glad to have
among my corps of copyists a man of so singularly sedate an aspect, which I
thought might operate beneficially upon the flighty temper of Turkey, and the
fiery one of Nippers.
</p>
<p>
I should have stated before that ground glass folding-doors divided my premises
into two parts, one of which was occupied by my scriveners, the other by
myself. According to my humor I threw open these doors, or closed them. I
resolved to assign Bartleby a corner by the folding-doors, but on my side of
them, so as to have this quiet man within easy call, in case any trifling thing
was to be done. I placed his desk close up to a small side-window in that part
of the room, a window which originally had afforded a lateral view of certain
grimy back-yards and bricks, but which, owing to subsequent erections,
commanded at present no view at all, though it gave some light. Within three
feet of the panes was a wall, and the light came down from far above, between
two lofty buildings, as from a very small opening in a dome. Still further to a
satisfactory arrangement, I procured a high green folding screen, which 
    <pb n="550" facs="pageImages/0550.png"/>
might entirely isolate Bartleby from my sight, though not remove him from my voice.
And thus, in a manner, privacy and society were conjoined.
</p>
<p>
At first Bartleby did an extraordinary quantity of writing. As if long
famishing for something to copy, he seemed to gorge himself on my documents.
There was no pause for digestion. He ran a day and night line, copying by
sun-light and by candle-light. I should have been quite delighted with his
application, had he been cheerfully industrious. But he wrote on silently,
palely, mechanically.
</p>
<p>
It is, of course, an indispensable part of a scrivener’s business to
verify the accuracy of his copy, word by word. Where there are two or more
scriveners in an office, they assist each other in this examination, one
reading from the copy, the other holding the original. It is a very dull,
wearisome, and lethargic affair. I can readily imagine that to some sanguine
temperaments it would be altogether intolerable. For example, I cannot credit
that the mettlesome poet Byron would have contentedly sat down with Bartleby to
examine a law document of, say five hundred pages, closely written in a crimpy
hand.
</p>
<p>
Now and then, in the haste of business, it had been my habit to assist in
comparing some brief document myself, calling Turkey or Nippers for this
purpose. One object I had in placing Bartleby so handy to me behind the screen,
was to avail myself of his services on such trivial occasions. It was on the
third day, I think, of his being with me, and before any necessity had arisen
for having his own writing examined, that, being much hurried to complete a
small affair I had in hand, I abruptly called to Bartleby. In my haste and
natural expectancy of instant compliance, I sat with my head bent over the
original on my desk, and my right hand sideways, and somewhat nervously
extended with the copy, so that immediately upon emerging from his retreat,
Bartleby might snatch it and proceed to business without the least delay.
</p>
<p>
In this very attitude did I sit when I called to him, rapidly stating what it
was I wanted him to do—namely, to examine a small paper with me. Imagine
my surprise, nay, my consternation, when without moving from his privacy,
Bartleby in a singularly mild, firm voice, replied, “I would prefer not
to.”
</p>
<p>
I sat awhile in perfect silence, rallying my stunned faculties. Immediately it
occurred to me that my ears had deceived me, or Bartleby had entirely
misunderstood my meaning. I repeated my request in the clearest tone I could
assume. But in quite as clear a one came the previous reply, “I would
prefer not to.”
</p>
<p>
“Prefer not to,” echoed I, rising in high excitement, and crossing
the room with a stride. “What do you mean? Are you moon-struck? I want
you to help me compare this sheet here—take it,” and I thrust it
towards him.
</p>
<p>
“I would prefer not to,” said he.
</p>
<p>
I looked at him steadfastly. His face was leanly composed; his gray eye dimly
calm. Not a wrinkle of agitation rippled him. Had there been the least
uneasiness, anger, impatience or impertinence in his manner; in other words,
had there been any thing ordinarily human about him, doubtless I should have
violently dismissed him from the premises. But as it was, I should have as soon
thought of turning my pale plaster-of-paris bust of <persName type="lcnaf" key="n79032166">Cicero</persName> out of doors. I
stood gazing at him awhile, as he went on with his own writing, and then
reseated myself at my desk. This is very strange, thought I. What had one best
do? But my business hurried me. I concluded to forget the matter for the
present, reserving it for my future leisure. So calling Nippers from the other
room, the paper was speedily examined.
</p>
<p>
A few days after this, Bartleby concluded four lengthy documents, being
quadruplicates of a week’s testimony taken before me in my High Court of
Chancery. It became necessary to examine them. It was an important suit, and
great accuracy was imperative. Having all things arranged I called Turkey,
Nippers and Ginger Nut from the next room, meaning to place the four copies in
the hands of my four clerks, while I should read from the original. Accordingly
Turkey, Nippers and Ginger Nut had taken their seats in a row, each with his
document in hand, when I called to Bartleby to join this interesting group.
</p>
<p>
“Bartleby! quick, I am waiting.”
</p>
<p>
I heard a slow scrape of his chair legs on the uncarpeted floor, and soon he
appeared standing at the entrance of his hermitage.
</p>
<p>
“What is wanted?” said he mildly.
</p>
<p>
“The copies, the copies,” said I hurriedly. “We are going to
examine them. There”—and I held towards him the fourth
quadruplicate.
</p>
<p>
“I would prefer not to,” he said, and gently disappeared behind the
screen.
</p>
<p>
For a few moments I was turned into a pillar of salt, standing at the head of
my seated column of clerks. Recovering myself, I advanced towards the screen,
and demanded the reason for such extraordinary conduct.
</p>
    <pb n="551" facs="pageImages/0551.png"/>
<p>
“<hi rend="italic">Why</hi> do you refuse?”
</p>
<p>
“I would prefer not to.”
</p>
<p>
With any other man I should have flown outright into a dreadful passion,
scorned all further words, and thrust him ignominiously from my presence. But
there was something about Bartleby that not only strangely disarmed me, but in
a wonderful manner touched and disconcerted me. I began to reason with him.
</p>
<p>
“These are your own copies we are about to examine. It is labor saving to
you, because one examination will answer for your four papers. It is common
usage. Every copyist is bound to help examine his copy. Is it not so? Will you
not speak? Answer!”
</p>
<p>
“I prefer not to,” he replied in a flute-like tone. It seemed to me
that while I had been addressing him, he carefully revolved every statement
that I made; fully comprehended the meaning; could not gainsay the irresistible
conclusions; but, at the same time, some paramount consideration prevailed with
him to reply as he did.
</p>
<p>
“You are decided, then, not to comply with my request—a request
made according to common usage and common sense?”
</p>
<p>
He briefly gave me to understand that on that point my judgment was sound. Yes:
his decision was irreversible.
</p>
<p>
It is not seldom the case that when a man is browbeaten in some unprecedented
and violently unreasonable way, he begins to stagger in his own plainest faith.
He begins, as it were, vaguely to surmise that, wonderful as it may be, all the
justice and all the reason is on the other side. Accordingly, if any
disinterested persons are present, he turns to them for some reinforcement for
his own faltering mind.
</p>
<p>
“Turkey,” said I, “what do you think of this? Am I not
right?”
</p>
<p>
“With submission, sir,” said Turkey, with his blandest tone,
“I think that you are.”
</p>
<p>
“Nippers,” said I, “what do <hi rend="italic">you</hi> think of it?”
</p>
<p>
“I think I should kick him out of the office.”
</p>
<p>
(The reader of nice perceptions will here perceive that, it being morning,
Turkey’s answer is couched in polite and tranquil terms, but Nippers
replies in ill-tempered ones. Or, to repeat a previous sentence, Nippers’
ugly mood was on duty and Turkey’s off.)
</p>
<p>
“Ginger Nut,” said I, willing to enlist the smallest suffrage in my
behalf, “what do you think of it?”
</p>
<p>
“I think, sir, he’s a little <hi rend="italic">luny</hi>,” replied Ginger Nut
with a grin.
</p>
<p>
“You hear what they say,” said I, turning towards the screen,
“come forth and do your duty.”
</p>
<p>
But he vouchsafed no reply. I pondered a moment in sore perplexity. But once
more business hurried me. I determined again to postpone the consideration of
this dilemma to my future leisure. With a little trouble we made out to examine
the papers without Bartleby, though at every page or two, Turkey deferentially
dropped his opinion that this proceeding was quite out of the common; while
Nippers, twitching in his chair with a dyspeptic nervousness, ground out
between his set teeth occasional hissing maledictions against the stubborn oaf
behind the screen. And for his (Nippers’) part, this was the first and
the last time he would do another man’s business without pay.
</p>
<p>
Meanwhile Bartleby sat in his hermitage, oblivious to every thing but his own
peculiar business there.
</p>
<p>
Some days passed, the scrivener being employed upon another lengthy work. His
late remarkable conduct led me to regard his ways narrowly. I observed that he
never went to dinner; indeed that he never went any where. As yet I had never
of my personal knowledge known him to be outside of my office. He was a
perpetual sentry in the corner. At about eleven o’clock though, in the
morning, I noticed that Ginger Nut would advance toward the opening in
Bartleby’s screen, as if silently beckoned thither by a gesture invisible
to me where I sat. The boy would then leave the office jingling a few pence,
and reappear with a handful of ginger-nuts which he delivered in the hermitage,
receiving two of the cakes for his trouble.
</p>
<p>
He lives, then, on ginger-nuts, thought I; never eats a dinner, properly
speaking; he must be a vegetarian then; but no; he never eats even vegetables,
he eats nothing but ginger-nuts. My mind then ran on in reveries concerning the
probable effects upon the human constitution of living entirely on ginger-nuts.
Ginger-nuts are so called because they contain ginger as one of their peculiar
constituents, and the final flavoring one. Now what was ginger? A hot, spicy
thing. Was Bartleby hot and spicy? Not at all. Ginger, then, had no effect upon
Bartleby. Probably he preferred it should have none.
</p>
<p>
Nothing so aggravates an earnest person as a passive resistance. If the
individual so resisted be of a not inhumane temper, and the resisting one
perfectly harmless in his passivity; then, in the better moods of the former,
he will endeavor charitably to construe to his imagination what proves
    <pb n="552" facs="pageImages/0552.png"/>
impossible to be solved by his judgment. Even so, for the most part, I regarded
Bartleby and his ways. Poor fellow! thought I, he means no mischief; it is
plain he intends no insolence; his aspect sufficiently evinces that his
eccentricities are involuntary. He is useful to me. I can get along with him.
If I turn him away, the chances are he will fall in with some less indulgent
employer, and then he will be rudely treated, and perhaps driven forth
miserably to starve. Yes. Here I can cheaply purchase a delicious
self-approval. To befriend Bartleby; to humor him in his strange willfulness,
will cost me little or nothing, while I lay up in my soul what will eventually
prove a sweet morsel for my conscience. But this mood was not invariable with
me. The passiveness of Bartleby sometimes irritated me. I felt strangely goaded
on to encounter him in new opposition, to elicit some angry spark from him
answerable to my own. But indeed I might as well have essayed to strike fire
with my knuckles against a bit of Windsor soap. But one afternoon the evil
impulse in me mastered me, and the following little scene ensued:
</p>
<p>
“Bartleby,” said I, “when those papers are all copied, I will
compare them with you.”
</p>
<p>
“I would prefer not to.”
</p>
<p>
“How? Surely you do not mean to persist in that mulish vagary?”
</p>
<p>
No answer.
</p>
<p>
I threw open the folding-doors near by, and turning upon Turkey and Nippers,
exclaimed in an excited manner—
</p>
<p>
“He says, a second time, he won’t examine his papers. What do you
think of it, Turkey?”
</p>
<p>
It was afternoon, be it remembered. Turkey sat glowing like a brass boiler, his
bald head steaming, his hands reeling among his blotted papers.
</p>
<p>
“Think of it?” roared Turkey; “I think I’ll just step
behind his screen, and black his eyes for him!”
</p>
<p>
So saying, Turkey rose to his feet and threw his arms into a pugilistic
position. He was hurrying away to make good his promise, when I detained him,
alarmed at the effect of incautiously rousing Turkey’s combativeness
after dinner.
</p>
<p>
“Sit down, Turkey,” said I, “and hear what Nippers has to
say. What do you think of it, Nippers? Would I not be justified in immediately
dismissing Bartleby?”
</p>
<p>
“Excuse me, that is for you to decide, sir. I think his conduct quite
unusual, and indeed unjust, as regards Turkey and myself. But it may only be a
passing whim.”
</p>
<p>
“Ah,” exclaimed I, “you have strangely changed your mind
then—you speak very gently of him now.”
</p>
<p>
“All beer,” cried Turkey; “gentleness is effects of
beer—Nippers and I dined together to-day. You see how gentle <hi rend="italic">I</hi> am,
sir. Shall I go and black his eyes?”
</p>
<p>
“You refer to Bartleby, I suppose. No, not to-day, Turkey,” I
replied; “pray, put up your fists.”
</p>
<p>
I closed the doors, and again advanced towards Bartleby. I felt additional
incentives tempting me to my fate. I burned to be rebelled against again. I
remembered that Bartleby never left the office.
</p>
<p>
“Bartleby,” said I, “Ginger Nut is away; just step round to
the Post Office, won’t you? (it was but a three minute walk,) and see if
there is any thing for me.”
</p>
<p>
“I would prefer not to.”
</p>
<p>
“You <hi rend="italic">will</hi> not?”
</p>
<p>
“I <hi rend="italic">prefer</hi> not.”
</p>
<p>
I staggered to my desk, and sat there in a deep study. My blind inveteracy
returned. Was there any other thing in which I could procure myself to be
ignominiously repulsed by this lean, penniless wight?—my hired clerk?
What added thing is there, perfectly reasonable, that he will be sure to refuse
to do?
</p>
<p>
“Bartleby!”
</p>
<p>
No answer.
</p>
<p>
“Bartleby,” in a louder tone.
</p>
<p>
No answer.
</p>
<p>
“Bartleby,” I roared.
</p>
<p>
Like a very ghost, agreeably to the laws of magical invocation, at the third
summons, he appeared at the entrance of his hermitage.
</p>
<p>
“Go to the next room, and tell Nippers to come to me.”
</p>
<p>
“I prefer not to,” he respectfully and slowly said, and mildly
disappeared.
</p>
<p>
“Very good, Bartleby,” said I, in a quiet sort of serenely severe
self-possessed tone, intimating the unalterable purpose of some terrible
retribution very close at hand. At the moment I half intended something of the
kind. But upon the whole, as it was drawing towards my dinner-hour, I thought
it best to put on my hat and walk home for the day, suffering much from
perplexity and distress of mind.
</p>
<p>
Shall I acknowledge it? The conclusion of this whole business was, that it soon
became a fixed fact of my chambers, that a pale young scrivener, by the name of
Bartleby, and a desk there; that he copied for me at the usual rate of four
cents a folio (one hundred words); but he was permanently exempt from examining
the work done by him, that duty being transferred to Turkey and Nippers, one of
compliment doubtless to their su-
    <pb n="553" facs="pageImages/0553.png"/>
perior acuteness; moreover, said Bartleby was
never on any account to be dispatched on the most trivial errand of any sort;
and that even if entreated to take upon him such a matter, it was generally
understood that he would prefer not to—in other words, that he would
refuse pointblank.
</p>
<p>
As days passed on, I became considerably reconciled to Bartleby. His
steadiness, his freedom from all dissipation, his incessant industry (except
when he chose to throw himself into a standing revery behind his screen), his
great stillness, his unalterableness of demeanor under all circumstances, made
him a valuable acquisition. One prime thing was this,—<hi rend="italic">he was always
there;</hi>—first in the morning, continually through the day, and the
last at night. I had a singular confidence in his honesty. I felt my most
precious papers perfectly safe in his hands. Sometimes to be sure I could not,
for the very soul of me, avoid falling into sudden spasmodic passions with him.
For it was exceeding difficult to bear in mind all the time those strange
peculiarities, privileges, and unheard of exemptions, forming the tacit
stipulations on Bartleby’s part under which he remained in my office. Now
and then, in the eagerness of dispatching pressing business, I would
inadvertently summon Bartleby, in a short, rapid tone, to put his finger, say,
on the incipient tie of a bit of red tape with which I was about compressing
some papers. Of course, from behind the screen the usual answer, “I
prefer not to,” was sure to come; and then, how could a human creature
with the common infirmities of our nature, refrain from bitterly exclaiming
upon such perverseness—such unreasonableness. However, every added
repulse of this sort which I received only tended to lessen the probability of
my repeating the inadvertence.
</p>
<p>
Here it must be said, that according to the custom of most legal gentlemen
occupying chambers in densely-populated law buildings, there were several keys
to my door. One was kept by a woman residing in the attic, which person weekly
scrubbed and daily swept and dusted my apartments. Another was kept by Turkey
for convenience sake. The third I sometimes carried in my own pocket. The
fourth I knew not who had.
</p>
<p>
Now, one Sunday morning I happened to go to Trinity Church, to hear a
celebrated preacher, and finding myself rather early on the ground, I thought I
would walk around to my chambers for a while. Luckily I had my key with me; but
upon applying it to the lock, I found it resisted by something inserted from
the inside. Quite surprised, I called out; when to my consternation a key was
turned from within; and thrusting his lean visage at me, and holding the door
ajar, the apparition of Bartleby appeared, in his shirt sleeves, and otherwise
in a strangely tattered dishabille, saying quietly that he was sorry, but he
was deeply engaged just then, and—preferred not admitting me at present.
In a brief word or two, he moreover added, that perhaps I had better walk round
the block two or three times, and by that time he would probably have concluded
his affairs.
</p>
<p>
Now, the utterly unsurmised appearance of Bartleby, tenanting my law-chambers
of a Sunday morning, with his cadaverously gentlemanly <hi rend="italic">nonchalance</hi>, yet
withal firm and self-possessed, had such a strange effect upon me, that
incontinently I slunk away from my own door, and did as desired. But not
without sundry twinges of impotent rebellion against the mild effrontery of
this unaccountable scrivener. Indeed, it was his wonderful mildness chiefly,
which not only disarmed me, but unmanned me, as it were. For I consider that
one, for the time, is a sort of unmanned when he tranquilly permits his hired
clerk to dictate to him, and order him away from his own premises. Furthermore,
I was full of uneasiness as to what Bartleby could possibly be doing in my
office in his shirt sleeves, and in an otherwise dismantled condition of a
Sunday morning. Was any thing amiss going on? Nay, that was out of the
question. It was not to be thought of for a moment that Bartleby was an immoral
person. But what could he be doing there?—copying? Nay again, whatever
might be his eccentricities, Bartleby was an eminently decorous person. He
would be the last man to sit down to his desk in any state approaching to
nudity. Besides, it was Sunday; and there was something about Bartleby that
forbade the supposition that he would by any secular occupation violate the
proprieties of the day.
</p>
<p>
Nevertheless, my mind was not pacified; and full of a restless curiosity, at
last I returned to the door. Without hindrance I inserted my key, opened it,
and entered. Bartleby was not to be seen. I looked round anxiously, peeped
behind his screen; but it was very plain that he was gone. Upon more closely
examining the place, I surmised that for an indefinite period Bartleby must
have ate, dressed, and slept in my office, and that too without plate, mirror,
or bed. The cushioned seat of a rickety old sofa in one corner bore the faint
impress of a lean, reclining form. Rolled away under 
    <pb n="554" facs="pageImages/0554.png"/>
his desk, I found a blanket; under the empty grate, a blacking box and brush; on a chair, a tin
basin, with soap and a ragged towel; in a newspaper a few crumbs of ginger-nuts
and a morsel of cheese. Yes, thought I, it is evident enough that Bartleby has
been making his home here, keeping bachelor’s hall all by himself.
Immediately then the thought came sweeping across me, What miserable
friendlessness and loneliness are here revealed! His poverty is great; but his
solitude, how horrible! Think of it. Of a Sunday, Wall-street is deserted as
Petra; and every night of every day it is an emptiness. This building too,
which of week-days hums with industry and life, at nightfall echoes with sheer
vacancy, and all through Sunday is forlorn. And here Bartleby makes his home;
sole spectator of a solitude which he has seen all populous—a sort of
innocent and transformed Marius brooding among the ruins of Carthage!
</p>
<p>
For the first time in my life a feeling of overpowering stinging melancholy
seized me. Before, I had never experienced aught but a not-unpleasing sadness.
The bond of a common humanity now drew me irresistibly to gloom. A fraternal
melancholy! For both I and Bartleby were sons of <persName type="lcnaf" key="n82025265">Adam</persName>. I remembered the bright
silks and sparkling faces I had seen that day, in gala trim, swan-like sailing
down the Mississippi of Broadway; and I contrasted them with the pallid
copyist, and thought to myself, Ah, happiness courts the light, so we deem the
world is gay; but misery hides aloof, so we deem that misery there is none.
These sad fancyings—chimeras, doubtless, of a sick and silly
brain—led on to other and more special thoughts, concerning the
eccentricities of Bartleby. Presentiments of strange discoveries hovered round
me. The scrivener’s pale form appeared to me laid out, among uncaring
strangers, in its shivering winding sheet.
</p>
<p>
Suddenly I was attracted by Bartleby’s closed desk, the key in open sight
left in the lock.
</p>
<p>
I mean no mischief, seek the gratification of no heartless curiosity, thought
I; besides, the desk is mine, and its contents too, so I will make bold to look
within. Every thing was methodically arranged, the papers smoothly placed. The
pigeon holes were deep, and removing the files of documents, I groped into
their recesses. Presently I felt something there, and dragged it out. It was an
old bandanna handkerchief, heavy and knotted. I opened it, and saw it was a
savings’ bank.
</p>
<p>
I now recalled all the quiet mysteries which I had noted in the man. I
remembered that he never spoke but to answer; that though at intervals he had
considerable time to himself, yet I had never seen him reading—no, not
even a newspaper; that for long periods he would stand looking out, at his pale
window behind the screen, upon the dead brick wall; I was quite sure he never
visited any refectory or eating house; while his pale face clearly indicated
that he never drank beer like Turkey, or tea and coffee even, like other men;
that he never went any where in particular that I could learn; never went out
for a walk, unless indeed that was the case at present; that he had declined
telling who he was, or whence he came, or whether he had any relatives in the
world; that though so thin and pale, he never complained of ill health. And
more than all, I remembered a certain unconscious air of pallid—how shall
I call it?—of pallid haughtiness, say, or rather an austere reserve about
him, which had positively awed me into my tame compliance with his
eccentricities, when I had feared to ask him to do the slightest incidental
thing for me, even though I might know, from his long-continued motionlessness,
that behind his screen he must be standing in one of those dead-wall reveries
of his.
</p>
<p>
Revolving all these things, and coupling them with the recently discovered fact
that he made my office his constant abiding place and home, and not forgetful
of his morbid moodiness; revolving all these things, a prudential feeling began
to steal over me. My first emotions had been those of pure melancholy and
sincerest pity; but just in proportion as the forlornness of Bartleby grew and
grew to my imagination, did that same melancholy merge into fear, that pity
into repulsion. So true it is, and so terrible too, that up to a certain point
the thought or sight of misery enlists our best affections; but, in certain
special cases, beyond that point it does not. They err who would assert that
invariably this is owing to the inherent selfishness of the human heart. It
rather proceeds from a certain hopelessness of remedying excessive and organic
ill. To a sensitive being, pity is not seldom pain. And when at last it is
perceived that such pity cannot lead to effectual succor, common sense bids the
soul rid of it. What I saw that morning persuaded me that the scrivener was the
victim of innate and incurable disorder. I might give alms to his body; but his
body did not pain him; it was his soul that suffered, and his soul I could not
reach.
</p>
<p>
I did not accomplish the purpose of 
    <pb n="555" facs="pageImages/0555.png"/>
going to Trinity Church that morning. Somehow, the things I had seen disqualified me for the time from church-going.
I walked homeward, thinking what I would do with Bartleby. Finally, I resolved
upon this;—I would put certain calm questions to him the next morning,
touching his history, etc., and if he declined to answer them openly and
unreservedly (and I supposed he would prefer not), then to give him a twenty
dollar bill over and above whatever I might owe him, and tell him his services
were no longer required; but that if in any other way I could assist him, I
would be happy to do so, especially if he desired to return to his native
place, wherever that might be, I would willingly help to defray the expenses.
Moreover, if, after reaching home, he found himself at any time in want of aid,
a letter from him would be sure of a reply.
</p>
<p>
The next morning came.
</p>
<p>
“Bartleby,” said I, gently calling to him behind his screen.
</p>
<p>
No reply.
</p>
<p>
“Bartleby,” said I, in a still gentler tone, “come here; I am
not going to ask you to do any thing you would prefer not to do—I simply
wish to speak to you.”
</p>
<p>
Upon this he noiselessly slid into view.
</p>
<p>
“Will you tell me, Bartleby, where you were born?”
</p>
<p>
“I would prefer not to.”
</p>
<p>
“Will you tell me <hi rend="italic">any thing</hi> about yourself?”
</p>
<p>
“I would prefer not to.”
</p>
<p>
“But what reasonable objection can you have to speak to me? I feel
friendly towards you.”
</p>
<p>
He did not look at me while I spoke, but kept his glance fixed upon my bust of
Cicero, which as I then sat, was directly behind me, some six inches above my
head.
</p>
<p>
“What is your answer, Bartleby?” said I, after waiting a
considerable time for a reply, during which his countenance remained immovable,
only there was the faintest conceivable tremor of the white attenuated mouth.
</p>
<p>
“At present I prefer to give no answer,” he said, and retired into
his hermitage.
</p>
<p>
It was rather weak in me I confess, but his manner on this occasion nettled me.
Not only did there seem to lurk in it a certain calm disdain, but his
perverseness seemed ungrateful, considering the undeniable good usage and
indulgence he had received from me.
</p>
<p>
Again I sat ruminating what I should do. Mortified as I was at his behavior,
and resolved as I had been to dismiss him when I entered my offices,
nevertheless I strangely felt something superstitious knocking at my heart, and
forbidding me to carry out my purpose, and denouncing me for a villain if I
dared to breathe one bitter word against this forlornest of mankind. At last,
familiarly drawing my chair behind his screen, I sat down and said:
“Bartleby, never mind then about revealing your history; but let me
entreat you, as a friend, to comply as far as may be with the usages of this
office. Say now you will help to examine papers to-morrow or next day: in
short, say now that in a day or two you will begin to be a little
reasonable:—say so, Bartleby.”
</p>
<p>
“At present I would prefer not to be a little reasonable,” was his
mildly cadaverous reply.
</p>
<p>
Just then the folding-doors opened, and Nippers approached. He seemed suffering
from an unusually bad night’s rest, induced by severer indigestion than
common. He overheard those final words of Bartleby.
</p>
<p>
“<hi rend="italic">Prefer not</hi>, eh?” gritted Nippers—“I’d
<hi rend="italic">prefer</hi> him, if I were you, sir,” addressing
me—“I’d <hi rend="italic">prefer</hi> him; I’d give him preferences,
the stubborn mule! What is it, sir, pray, that he <hi rend="italic">prefers</hi> not to do
now?”
</p>
<p>
Bartleby moved not a limb.
</p>
<p>
“Mr. Nippers,” said I, “I’d prefer that you would
withdraw for the present.”
</p>
<p>
Somehow, of late I had got into the way of involuntarily using this word
“prefer” upon all sorts of not exactly suitable occasions. And I
trembled to think that my contact with the scrivener had already and seriously
affected me in a mental way. And what further and deeper aberration might it
not yet produce? This apprehension had not been without efficacy in determining
me to summary means.
</p>
<p>
As Nippers, looking very sour and sulky, was departing, Turkey blandly and
deferentially approached.
</p>
<p>
“With submission, sir,” said he, “yesterday I was thinking
about Bartleby here, and I think that if he would but prefer to take a quart of
good ale every day, it would do much towards mending him, and enabling him to
assist in examining his papers.”
</p>
<p>
“So you have got the word too,” said I, slightly excited.
</p>
<p>
“With submission, what word, sir,” asked Turkey, respectfully
crowding himself into the contracted space behind the screen, and by so doing,
making me jostle the scrivener. “What word, sir?”
</p>
<p>
“I would prefer to be left alone here,” said Bartleby, as if
offended at being mobbed in his privacy.
</p>
    <pb n="556" facs="pageImages/0556.png"/>
<p>
“<hi rend="italic">That’s</hi> the word, Turkey,” said
I—“that’s it.”
</p>
<p>
“Oh, <hi rend="italic">prefer</hi>? oh yes—queer word. I never use it myself. But,
sir, as I was saying, if he would but prefer—”
</p>
<p>
“Turkey,” interrupted I, “you will please withdraw.”
</p>
<p>
“Oh certainly, sir, if you prefer that I should.”
</p>
<p>
As he opened the folding-door to retire, Nippers at his desk caught a glimpse
of me, and asked whether I would prefer to have a certain paper copied on blue
paper or white. He did not in the least roguishly accent the word prefer. It
was plain that it involuntarily rolled from his tongue. I thought to myself,
surely I must get rid of a demented man, who already has in some degree turned
the tongues, if not the heads of myself and clerks. But I thought it prudent
not to break the dismission at once.
</p>
<p>
The next day I noticed that Bartleby did nothing but stand at his window in his
dead-wall revery. Upon asking him why he did not write, he said that he had
decided upon doing no more writing.
</p>
<p>
“Why, how now? what next?” exclaimed I, “do no more
writing?”
</p>
<p>
“No more.”
</p>
<p>
“And what is the reason?”
</p>
<p>
“Do you not see the reason for yourself,” he indifferently replied.
</p>
<p>
I looked steadfastly at him, and perceived that his eyes looked dull and
glazed. Instantly it occurred to me, that his unexampled diligence in copying
by his dim window for the first few weeks of his stay with me might have
temporarily impaired his vision.
</p>
<p>
I was touched. I said something in condolence with him. I hinted that of course
he did wisely in abstaining from writing for a while; and urged him to embrace
that opportunity of taking wholesome exercise in the open air. This, however,
he did not do. A few days after this, my other clerks being absent, and being
in a great hurry to dispatch certain letters by the mail, I thought that,
having nothing else earthly to do, Bartleby would surely be less inflexible
than usual, and carry these letters to the post-office. But he blankly
declined. So, much to my inconvenience, I went myself.
</p>
<p>
Still added days went by. Whether Bartleby’s eyes improved or not, I
could not say. To all appearance, I thought they did. But when I asked him if
they did, he vouchsafed no answer. At all events, he would do no copying. At
last, in reply to my urgings, he informed me that he had permanently given up
copying.
</p>
<p>
“What!” exclaimed I; “suppose your eyes should get entirely
well—better than ever before—would you not copy then?”
</p>
<p>
“I have given up copying,” he answered, and slid aside.
</p>
<p>
He remained as ever, a fixture in my chamber. Nay—if that were
possible—he became still more of a fixture than before. What was to be
done? He would do nothing in the office: why should he stay there? In plain
fact, he had now become a millstone to me, not only useless as a necklace, but
afflictive to bear. Yet I was sorry for him. I speak less than truth when I say
that, on his own account, he occasioned me uneasiness. If he would but have
named a single relative or friend, I would instantly have written, and urged
their taking the poor fellow away to some convenient retreat. But he seemed
alone, absolutely alone in the universe. A bit of wreck in the mid Atlantic. At
length, necessities connected with my business tyrannized over all other
considerations. Decently as I could, I told Bartleby that in six days’
time he must unconditionally leave the office. I warned him to take measures,
in the interval, for procuring some other abode. I offered to assist him in
this endeavor, if he himself would but take the first step towards a removal.
“And when you finally quit me, Bartleby,” added I, “I shall
see that you go not away entirely unprovided. Six days from this hour,
remember.”
</p>
<p>
At the expiration of that period, I peeped behind the screen, and lo! Bartleby
was there.
</p>
<p>
I buttoned up my coat, balanced myself; advanced slowly towards him, touched
his shoulder, and said, “The time has come; you must quit this place; I
am sorry for you; here is money; but you must go.”
</p>
<p>
“I would prefer not,” he replied, with his back still towards me.
</p>
<p>
“You <hi rend="italic">must</hi>.”
</p>
<p>
He remained silent.
</p>
<p>
Now I had an unbounded confidence in this man’s common honesty. He had
frequently restored to me sixpences and shillings carelessly dropped upon the
floor, for I am apt to be very reckless in such shirt-button affairs. The
proceeding then which followed will not be deemed extraordinary.
</p>
<p>
“Bartleby,” said I, “I owe you twelve dollars on account;
here are thirty-two; the odd twenty are yours.—Will you take it?”
and I handed the bills towards him.
</p>
<p>
But he made no motion.
</p>
<p>
“I will leave them here then,” putting them under a weight on the
table. Then taking my hat and cane and going to
    <pb n="557" facs="pageImages/0557.png"/> 
the door I tranquilly turned and added—“After you have removed your things from these offices,
Bartleby, you will of course lock the door—since every one is now gone
for the day but you—and if you please, slip your key underneath the mat,
so that I may have it in the morning. I shall not see you again; so good-bye to
you. If hereafter in your new place of abode I can be of any service to you, do
not fail to advise me by letter. Good-bye, Bartleby, and fare you well.”
</p>
<p>
But he answered not a word; like the last column of some ruined temple, he
remained standing mute and solitary in the middle of the otherwise deserted
room.
</p>
<p>
As I walked home in a pensive mood, my vanity got the better of my pity. I
could not but highly plume myself on my masterly management in getting rid of
Bartleby. Masterly I call it, and such it must appear to any dispassionate
thinker. The beauty of my procedure seemed to consist in its perfect quietness.
There was no vulgar bullying, no bravado of any sort, no choleric hectoring,
and striding to and fro across the apartment, jerking out vehement commands for
Bartleby to bundle himself off with his beggarly traps. Nothing of the kind.
Without loudly bidding Bartleby depart—as an inferior genius might have
done—I <hi rend="italic">assumed</hi> the ground that depart he must; and upon that
assumption built all I had to say. The more I thought over my procedure, the
more I was charmed with it. Nevertheless, next morning, upon awakening, I had
my doubts,—I had somehow slept off the fumes of vanity. One of the
coolest and wisest hours a man has, is just after he awakes in the morning. My
procedure seemed as sagacious as ever.—but only in theory. How it would
prove in practice—there was the rub. It was truly a beautiful thought to
have assumed Bartleby’s departure; but, after all, that assumption was
simply my own, and none of Bartleby’s. The great point was, not whether I
had assumed that he would quit me, but whether he would prefer so to do. He was
more a man of preferences than assumptions.</p>
<p>(To be continued.)</p>  
    <pb n="609" facs="pageImages/0609.png"/>
<p>(Concluded from page 557.)</p>  
    <div/>
   <p>After breakfast, I walked down town, arguing the probabilities <hi rend="italic">pro</hi> and
<hi rend="italic">con</hi>. One moment I thought it would prove a miserable failure, and
Bartleby would be found all alive at my office as usual; the next moment it
seemed certain that I should see his chair empty. And so I kept veering about.
At the corner of Broadway and Canal-street, I saw quite an excited group of
people standing in earnest conversation.
</p>
<p>
“I’ll take odds he doesn’t,” said a voice as I passed.
</p>
<p>
“Doesn’t go?—done!” said I, “put up your
money.”
</p>
<p>
I was instinctively putting my hand in my pocket to produce my own, when I
remembered that this was an election day. The words I had overheard bore no
reference to Bartleby, but to the success or non-success of some candidate for
the mayoralty. In my intent frame of mind, I had, as it were, imagined that all
Broadway shared in my excitement, and were debating the same question with me.
I passed on, very thankful that the uproar of the street screened my momentary
absent-mindedness.
</p>
<p>
As I had intended, I was earlier than usual at my office door. I stood
listening for a moment. All was still. He must be gone. I tried the knob. The
door was locked. Yes, my procedure had worked to a charm; he indeed must be
vanished. Yet a certain melancholy mixed with this: I was almost sorry for my
brilliant success. I was fumbling under the door mat for the key, which
Bartleby was to have left there for me, when accidentally my knee knocked
against a panel, producing a summoning sound, and in response a voice came to
me from within—“Not yet; I am occupied.”
</p>
<p>
It was Bartleby.
</p>
<p>
I was thunderstruck. For an instant I stood like the man who, pipe in mouth,
was killed one cloudless afternoon long ago in Virginia, by a summer lightning;
at his own warm open window he was killed, and remained leaning out there upon
the dreamy afternoon, till some one touched him, when he fell.
</p>
<p>
“Not gone!” I murmured at last. But again obeying that wondrous
ascendancy which the inscrutable scrivener had over me, and from which
ascendancy, for all my chafing, I could not completely escape, I slowly went
down stairs and out into the street, and while walking round the block,
considered what I should next do in this unheard-of perplexity. Turn the man
out by an actual thrusting I could not; to drive him away by calling him hard
names would not do; calling in the police was an unpleasant idea; and yet,
permit him to enjoy his cadaverous triumph over me,—this too I could not
think of. What was to be done? or, if nothing could be done, was there any
thing further that I could <hi rend="italic">assume</hi> in the matter? Yes, as before I had
prospectively assumed that Bartleby would depart, so now I might
retrospectively assume that departed he was. In the legitimate carrying out of
this assumption, I might enter my office in a great hurry, and pretending not
to see Bartleby at all, walk straight against him as if he were air. Such a
proceeding would in a singular degree have the appearance of a home-thrust. It
was hardly possible that Bartleby could withstand such an application of the
doctrine of assumptions. But upon second thoughts the success of the plan
seemed rather dubious. I resolved to argue the matter over with him again.
</p>
<p>
“Bartleby,” said I, entering the office, with a quietly severe
expression, “I am seriously displeased. I am pained, Bartleby. I had
thought better of you. I had imagined you of such a gentlemanly organization,
that in any delicate dilemma a slight hint would have suffice—in short,
an assumption. But it appears I am deceived. Why,” I added, unaffectedly
starting, “you have not even touched that money yet,” pointing to
it, just where I had left it the evening previous.
</p>
<p>
He answered nothing.
</p>
<p>
“Will you, or will you not, quit me?” I now demanded in a sudden
passion, advancing close to him.
</p>
<p>
“I would prefer <hi rend="italic">not</hi> to quit you,” he replied, gently
emphasizing the <hi rend="italic">not</hi>.
</p>
<p>
“What earthly right have you to stay here? Do you pay any rent? Do you
pay my taxes? Or is this property yours?”
</p>
<p>
He answered nothing.
</p>
<p>
“Are you ready to go on and write now? Are your eyes recovered? Could you
copy a small paper for me this morning? or help examine a few lines? or step
round to the post-office? In a word, will you do any thing at all, to give a
coloring to your refusal to depart the premises?”
</p>
<p>
He silently retired into his hermitage.
</p>
    <pb n="610" facs="pageImages/0610.png"/>
<p>
I was now in such a state of nervous resentment that I thought it but prudent
to check myself at present from further demonstrations. Bartleby and I were
alone. I remembered the tragedy of the unfortunate Adams and the still more
unfortunate Colt in the solitary office of the latter; and how poor Colt, being
dreadfully incensed by Adams, and imprudently permitting himself to get wildly
excited, was at unawares hurried into his fatal act—an act which
certainly no man could possibly deplore more than the actor himself. Often it
had occurred to me in my ponderings upon the subject, that had that altercation
taken place in the public street, or at a private residence, it would not have
terminated as it did. It was the circumstance of being alone in a solitary
office, up stairs, of a building entirely unhallowed by humanizing domestic
associations—an uncarpeted office, doubtless, of a dusty, haggard sort of
appearance;—this it must have been, which greatly helped to enhance the
irritable desperation of the hapless Colt.
</p>
<p>
But when this old Adam of resentment rose in me and tempted me concerning
Bartleby, I grappled him and threw him. How? Why, simply by recalling the
divine injunction: “A new commandment give I unto you, that ye love one
another.” Yes, this it was that saved me. Aside from higher
considerations, charity often operates as a vastly wise and prudent
principle—a great safeguard to its possessor. Men have committed murder
for jealousy’s sake, and anger’s sake, and hatred’s sake, and
selfishness’ sake, and spiritual pride’s sake; but no man that ever
I heard of, ever committed a diabolical murder for sweet charity’s sake.
Mere self-interest, then, if no better motive can be enlisted, should,
especially with high-tempered men, prompt all beings to charity and
philanthropy. At any rate, upon the occasion in question, I strove to drown my
exasperated feelings towards the scrivener by benevolently construing his
conduct. Poor fellow, poor fellow! thought I, he don’t mean any thing;
and besides, he has seen hard times, and ought to be indulged.
</p>
<p>
I endeavored also immediately to occupy myself, and at the same time to comfort
my despondency. I tried to fancy that in the course of the morning, at such
time as might prove agreeable to him, Bartleby, of his own free accord, would
emerge from his hermitage, and take up some decided line of march in the
direction of the door. But no. Half-past twelve o’clock came; Turkey
began to glow in the face, overturn his inkstand, and become generally
obstreperous; Nippers abated down into quietude and courtesy; Ginger Nut
munched his noon apple; and Bartleby remained standing at his window in one of
his profoundest dead-wall reveries. Will it be credited? Ought I to acknowledge
it? That afternoon I left the office without saying one further word to him.
</p>
<p>
Some days now passed, during which, at leisure intervals I looked a little into
“Edwards on the Will,” and “Priestly on Necessity.”
Under the circumstances, those books induced a salutary feeling. Gradually I
slid into the persuasion that these troubles of mine touching the scrivener,
had been all predestinated from eternity, and Bartleby was billeted upon me for
some mysterious purpose of an all-wise Providence, which it was not for a mere
mortal like me to fathom. Yes, Bartleby, stay there behind your screen, thought
I; I shall persecute you no more; you are harmless and noiseless as any of
these old chairs; in short, I never feel so private as when I know you are
here. At last I see it, I feel it; I penetrate to the predestinated purpose of
my life. I am content. Others may have loftier parts to enact; but my mission
in this world, Bartleby, is to furnish you with office-room for such period as
you may see fit to remain.
</p>
<p>
I believe that this wise and blessed frame of mind would have continued with
me, had it not been for the unsolicited and uncharitable remarks obtruded upon
me by my professional friends who visited the rooms. But thus it often is, that
the constant friction of illiberal minds wears out at last the best resolves of
the more generous. Though to be sure, when I reflected upon it, it was not
strange that people entering my office should be struck by the peculiar aspect
of the unaccountable Bartleby, and so be tempted to throw out some sinister
observations concerning him. Sometimes an attorney having business with me, and
calling at my office and finding no one but the scrivener there, would
undertake to obtain some sort of precise information from him touching my
whereabouts; but without heeding his idle talk, Bartleby would remain standing
immovable in the middle of the room. So after contemplating him in that
position for a time, the attorney would depart, no wiser than he came.
</p>
<p>
Also, when a Reference was going on, and the room full of lawyers and witnesses
and business was driving fast; some deeply occupied legal gentleman present,
seeing Bartleby wholly unemployed, would request him to run round to his (the
legal gentleman’s) office and fetch some papers for him. Thereupon,
Bartleby would 
    <pb n="611" facs="pageImages/0611.png"/>
tranquilly decline, and yet remain idle as before. Then the
lawyer would give a great stare, and turn to me. And what could I say? At last
I was made aware that all through the circle of my professional acquaintance, a
whisper of wonder was running round, having reference to the strange creature I
kept at my office. This worried me very much. And as the idea came upon me of
his possibly turning out a long-lived man, and keep occupying my chambers, and
denying my authority; and perplexing my visitors; and scandalizing my
professional reputation; and casting a general gloom over the premises; keeping
soul and body together to the last upon his savings (for doubtless he spent but
half a dime a day), and in the end perhaps outlive me, and claim possession of
my office by right of his perpetual occupancy: as all these dark anticipations
crowded upon me more and more, and my friends continually intruded their
relentless remarks upon the apparition in my room; a great change was wrought
in me. I resolved to gather all my faculties together, and for ever rid me of
this intolerable incubus.
</p>
<p>
Ere revolving any complicated project, however, adapted to this end, I first
simply suggested to Bartleby the propriety of his permanent departure. In a
calm and serious tone, I commended the idea to his careful and mature
consideration. But having taken three days to meditate upon it, he apprised me
that his original determination remained the same; in short, that he still
preferred to abide with me.
</p>
<p>
What shall I do? I now said to myself, buttoning up my coat to the last button.
What shall I do? what ought I to do? what does conscience say I <hi rend="italic">should</hi>
do with this man, or rather ghost. Rid myself of him, I must; go, he shall. But
how? You will not thrust him, the poor, pale, passive mortal,—you will
not thrust such a helpless creature out of your door? you will not dishonor
yourself by such cruelty? No, I will not, I cannot do that. Rather would I let
him live and die here, and then mason up his remains in the wall. What then
will you do? For all your coaxing, he will not budge. Bribes he leaves under
your own paperweight on your table; in short, it is quite plain that he prefers
to cling to you.
</p>
<p>
Then something severe, something unusual must be done. What! surely you will
not have him collared by a constable, and commit his innocent pallor to the
common jail? And upon what ground could you procure such a thing to be
done?—a vagrant, is he? What! he a vagrant, a wanderer, who refuses to
budge? It is because he will <hi rend="italic">not</hi> be a vagrant, then, that you seek to
count him <hi rend="italic">as</hi> a vagrant. That is too absurd. No visible means of support:
there I have him. Wrong again: for indubitably he <hi rend="italic">does</hi> support himself,
and that is the only unanswerable proof that any man can show of his possessing
the means so to do. No more then. Since he will not quit me, I must quit him. I
will change my offices; I will move elsewhere; and give him fair notice, that
if I find him on my new premises I will then proceed against him as a common
trespasser.
</p>
<p>
Acting accordingly, next day I thus addressed him: “I find these chambers
too far from the City Hall; the air is unwholesome. In a word, I propose to
remove my offices next week, and shall no longer require your services. I tell
you this now, in order that you may seek another place.”
</p>
<p>
He made no reply, and nothing more was said.
</p>
<p>
On the appointed day I engaged carts and men, proceeded to my chambers, and
having but little furniture, every thing was removed in a few hours.
Throughout, the scrivener remained standing behind the screen, which I directed
to be removed the last thing. It was withdrawn; and being folded up like a huge
folio, left him the motionless occupant of a naked room. I stood in the entry
watching him a moment, while something from within me upbraided me.
</p>
<p>
I re-entered, with my hand in my pocket—and—and my heart in my
mouth.
</p>
<p>
“Good-bye, Bartleby; I am going—good-bye, and God some way bless
you; and take that,” slipping something in his hand. But it dropped upon
the floor, and then,—strange to say—I tore myself from him whom I
had so longed to be rid of.
</p>
<p>
Established in my new quarters, for a day or two I kept the door locked, and
started at every footfall in the passages. When I returned to my rooms after
any little absence, I would pause at the threshold for an instant, and
attentively listen, ere applying my key. But these fears were needless.
Bartleby never came nigh me.
</p>
<p>
I thought all was going well, when a perturbed looking stranger visited me,
inquiring whether I was the person who had recently occupied rooms at
No.—Wall-street.
</p>
<p>
Full of forebodings, I replied that I was.
</p>
<p>
“Then sir,” said the stranger, who proved a lawyer, “you are
responsible for the man you left there. He refuses to do any copying; he
refuses to do any thing; he says he prefers not to; and he refuses to quit the
premises.”
</p>
    <pb n="612" facs="pageImages/0612.png"/>
<p>
“I am very sorry, sir,” said I, with assumed tranquility, but an
inward tremor, “but, really, the man you allude to is nothing to
me—he is no relation or apprentice of mine, that you should hold me
responsible for him.”
</p>
<p>
“In mercy’s name, who is he?”
</p>
<p>
“I certainly cannot inform you. I know nothing about him. Formerly I
employed him as a copyist; but he has done nothing for me now for some time
past.”
</p>
<p>
“I shall settle him then,—good morning, sir.”
</p>
<p>
Several days passed, and I heard nothing more; and though I often felt a
charitable prompting to call at the place and see poor Bartleby, yet a certain
squeamishness of I know not what withheld me.
</p>
<p>
All is over with him, by this time, thought I at last, when through another
week no further intelligence reached me. But coming to my room the day after, I
found several persons waiting at my door in a high state of nervous excitement.
</p>
<p>
“That’s the man—here he comes,” cried the foremost one,
whom I recognized as the lawyer who had previously called upon me alone.
</p>
<p>
“You must take him away, sir, at once,” cried a portly person among
them, advancing upon me, and whom I knew to be the landlord of
No.—Wall-street. “These gentlemen, my tenants, cannot stand it any
longer; Mr. B—” pointing to the lawyer, “has turned him out
of his room, and he now persists in haunting the building generally, sitting
upon the banisters of the stairs by day, and sleeping in the entry by night.
Every body is concerned; clients are leaving the offices; some fears are
entertained of a mob; something you must do, and that without delay.”
</p>
<p>
Aghast at this torrent, I fell back before it, and would fain have locked
myself in my new quarters. In vain I persisted that Bartleby was nothing to
me—no more than to any one else. In vain:—I was the last person
known to have any thing to do with him, and they held me to the terrible
account. Fearful then of being exposed in the papers (as one person present
obscurely threatened) I considered the matter, and at length said, that if the
lawyer would give me a confidential interview with the scrivener, in his (the
lawyer’s) own room, I would that afternoon strive my best to rid them of
the nuisance they complained of.
</p>
<p>
Going up stairs to my old haunt, there was Bartleby silently sitting upon the
banister at the landing.
</p>
<p>
“What are you doing here, Bartleby?” said I.
</p>
<p>
“Sitting upon the banister,” he mildly replied.
</p>
<p>
I motioned him into the lawyer’s room, who then left us.
</p>
<p>
“Bartleby,” said I, “are you aware that you are the cause of
great tribulation to me, by persisting in occupying the entry after being
dismissed from the office?”
</p>
<p>
No answer.
</p>
<p>
“Now one of two things must take place. Either you must do something, or
something must be done to you. Now what sort of business would you like to
engage in? Would you like to re-engage in copying for some one?”
</p>
<p>
“No; I would prefer not to make any change.”
</p>
<p>
“Would you like a clerkship in a dry-goods store?”
</p>
<p>
“There is too much confinement about that. No, I would not like a
clerkship; but I am not particular.”
</p>
<p>
“Too much confinement,” I cried, “why you keep yourself
confined all the time!”
</p>
<p>
“I would prefer not to take a clerkship,” he rejoined, as if to
settle that little item at once.
</p>
<p>
“How would a bar-tender’s business suit you? There is no trying of
the eyesight in that.”
</p>
<p>
“I would not like it at all; though, as I said before, I am not
particular.”
</p>
<p>
His unwonted wordiness inspirited me. I returned to the charge.
</p>
<p>
“Well then, would you like to travel through the country collecting bills
for the merchants? That would improve your health.”
</p>
<p>
“No, I would prefer to be doing something else.”
</p>
<p>
“How then would going as a companion to Europe, to entertain some young
gentleman with your conversation,—how would that suit you?”
</p>
<p>
“Not at all. It does not strike me that there is any thing definite about
that. I like to be stationary. But I am not particular.”
</p>
<p>
“Stationary you shall be then,” I cried, now losing all patience,
and for the first time in all my exasperating connection with him fairly flying
into a passion. “If you do not go away from these premises before night,
I shall feel bound—indeed I <hi rend="italic">am</hi> bound—to—to—to
quit the premises myself!” I rather absurdly concluded, knowing not with
what possible threat to try to frighten his immobility into compliance.
Despairing of all further efforts, I was precipitately leaving him, when a
final thought occurred to me—one which had not been wholly unindulged
before.
</p>
    <pb n="613" facs="pageImages/0613.png"/>
<p>
“Bartleby,” said I, in the kindest tone I could assume under such
exciting circumstances, “will you go home with me now—not to my
office, but my dwelling—and remain there till we can conclude upon some
convenient arrangement for you at our leisure? Come, let us start now, right
away.”
</p>
<p>
“No: at present I would prefer not to make any change at all.”
</p>
<p>
I answered nothing; but effectually dodging every one by the suddenness and
rapidity of my flight, rushed from the building, ran up Wall-street towards
Broadway, and jumping into the first omnibus was soon removed from pursuit. As
soon as tranquility returned I distinctly perceived that I had now done all
that I possibly could, both in respect to the demands of the landlord and his
tenants, and with regard to my own desire and sense of duty, to benefit
Bartleby, and shield him from rude persecution. I now strove to be entirely
care-free and quiescent; and my conscience justified me in the attempt; though
indeed it was not so successful as I could have wished. So fearful was I of
being again hunted out by the incensed landlord and his exasperated tenants,
that, surrendering my business to Nippers, for a few days I drove about the
upper part of the town and through the suburbs, in my rockaway; crossed over to
    <placeName type="tgn" key="7013813">Jersey City</placeName> and <placeName type="tgn" key="7013711">Hoboken</placeName>, and paid fugitive visits to Manhattanville and
    <placeName type="tgn" key="7015838">Astoria</placeName>. In fact I almost lived in my rockaway for the time.
</p>
<p>
When again I entered my office, lo, a note from the landlord lay upon the desk.
I opened it with trembling hands. It informed me that the writer had sent to
the police, and had Bartleby removed to the Tombs as a vagrant. Moreover, since
I knew more about him than any one else, he wished me to appear at that place,
and make a suitable statement of the facts. These tidings had a conflicting
effect upon me. At first I was indignant; but at last almost approved. The
landlord’s energetic, summary disposition had led him to adopt a
procedure which I do not think I would have decided upon myself; and yet as a
last resort, under such peculiar circumstances, it seemed the only plan.
</p>
<p>
As I afterwards learned, the poor scrivener, when told that he must be
conducted to the Tombs, offered not the slightest obstacle, but in his pale
unmoving way, silently acquiesced.
</p>
<p>
Some of the compassionate and curious bystanders joined the party; and headed
by one of the constables arm in arm with Bartleby, the silent procession filed
its way through all the noise, and heat, and joy of the roaring thoroughfares
at noon.
</p>
<p>
The same day I received the note I went to the Tombs, or to speak more
properly, the Halls of Justice. Seeking the right officer, I stated the purpose
of my call, and was informed that the individual I described was indeed within.
I then assured the functionary that Bartleby was a perfectly honest man, and
greatly to be compassionated, however unaccountably eccentric. I narrated all I
knew, and closed by suggesting the idea of letting him remain in as indulgent
confinement as possible till something less harsh might be done—though
indeed I hardly knew what. At all events, if nothing else could be decided
upon, the alms-house must receive him. I then begged to have an interview.
</p>
<p>
Being under no disgraceful charge, and quite serene and harmless in all his
ways, they had permitted him freely to wander about the prison, and especially
in the inclosed grass-platted yard thereof. And so I found him there, standing
all alone in the quietest of the yards, his face towards a high wall, while all
around, from the narrow slits of the jail windows, I thought I saw peering out
upon him the eyes of murderers and thieves.
</p>
<p>
“Bartleby!”
</p>
<p>
“I know you,” he said, without looking round,—“and I
want nothing to say to you.”
</p>
<p>
“It was not I that brought you here, Bartleby,” said I, keenly
pained at his implied suspicion. “And to you, this should not be so vile
a place. Nothing reproachful attaches to you by being here. And see, it is not
so sad a place as one might think. Look, there is the sky, and here is the
grass.”
</p>
<p>
“I know where I am,” he replied, but would say nothing more, and so
I left him.
</p>
<p>
As I entered the corridor again, a broad meat-like man, in an apron, accosted
me, and jerking his thumb over his shoulder said—“Is that your
friend?”
</p>
<p>
“Yes.”
</p>
<p>
“Does he want to starve? If he does, let him live on the prison fare,
that’s all.”
</p>
<p>
“Who are you?” asked I, not knowing what to make of such an
unofficially speaking person in such a place.
</p>
<p>
“I am the grub-man. Such gentlemen as have friends here, hire me to
provide them with something good to eat.”
</p>
<p>
“Is this so?” said I, turning to the turnkey.
</p>
<p>
He said it was.
</p>
<p>
“Well then,” said I, slipping some silver into the grub-man’s
hands (for so they called him). “I want you to give 
    <pb n="614" facs="pageImages/0614.png"/>
particular attention to my friend there; let him have the best dinner you can get. And you must be
as polite to him as possible.”
</p>
<p>
“Introduce me, will you?” said the grub-man, looking at me with an
expression which seem to say he was all impatience for an opportunity to give a
specimen of his breeding.
</p>
<p>
Thinking it would prove of benefit to the scrivener, I acquiesced; and asking
the grub-man his name, went up with him to Bartleby.
</p>
<p>
“Bartleby, this is Mr. Cutlets; you will find him very useful to
you.”
</p>
<p>
“Your sarvant, sir, your sarvant,” said the grub-man, making a low
salutation behind his apron. “Hope you find it pleasant here,
sir;—spacious grounds—cool apartments, sir—hope you’ll
stay with us some time—try to make it agreeable. May Mrs. Cutlets and I
have the pleasure of your company to dinner, sir, in Mrs. Cutlets’
private room?”
</p>
<p>
“I prefer not to dine to-day,” said Bartleby, turning away.
“It would disagree with me; I am unused to dinners.” So saying he
slowly moved to the other side of the inclosure, and took up a position
fronting the dead-wall.
</p>
<p>
“How’s this?” said the grub-man, addressing me with a stare
of astonishment. “He’s odd, aint he?”
</p>
<p>
“I think he is a little deranged,” said I, sadly.
</p>
<p>
“Deranged? deranged is it? Well now, upon my word, I thought that friend
of yourn was a gentleman forger; they are always pale and genteel-like, them
forgers. I can’t pity’em—can’t help it, sir. Did you
know Monroe Edwards?” he added touchingly, and paused. Then, laying his
hand pityingly on my shoulder, sighed, “he died of consumption at
Sing-Sing. So you weren’t acquainted with Monroe?”
</p>
<p>
“No, I was never socially acquainted with any forgers. But I cannot stop
longer. Look to my friend yonder. You will not lose by it. I will see you
again.”
</p>
<p>
Some few days after this, I again obtained admission to the Tombs, and went
through the corridors in quest of Bartleby; but without finding him.
</p>
<p>
“I saw him coming from his cell not long ago,” said a turnkey,
“may be he’s gone to loiter in the yards.”
</p>
<p>
So I went in that direction.
</p>
<p>
“Are you looking for the silent man?” said another turnkey passing
me. “Yonder he lies—sleeping in the yard there. ’Tis not
twenty minutes since I saw him lie down.”
</p>
<p>
The yard was entirely quiet. It was not accessible to the common prisoners. The
surrounding walls, of amazing thickness, kept off all sounds behind them. The
Egyptian character of the masonry weighed upon me with its gloom. But a soft
imprisoned turf grew under foot. The heart of the eternal pyramids, it seemed,
wherein, by some strange magic, through the clefts, grass-seed, dropped by
birds, had sprung.
</p>
<p>
Strangely huddled at the base of the wall, his knees drawn up, and lying on his
side, his head touching the cold stones, I saw the wasted Bartleby. But nothing
stirred. I paused; then went close up to him; stooped over, and saw that his
dim eyes were open; otherwise he seemed profoundly sleeping. Something prompted
me to touch him. I felt his hand, when a tingling shiver ran up my arm and down
my spine to my feet.
</p>
<p>
The round face of the grub-man peered upon me now. “His dinner is ready.
Won’t he dine to-day, either? Or does he live without dining?”
</p>
<p>
“Lives without dining,” said I, and closed his eyes.
</p>
<p>
“Eh!—He’s asleep, aint he?”
</p>
<p>
“With kings and counselors,” murmured I.
</p>
</div>
    <div>
                        <head type="sub">
*      *       *      *       *       *       *</head>
<p>
There would seem little need for proceeding further in this history.
Imagination will readily supply the meager recital of poor Bartleby’s
interment. But ere parting with the reader, let me say, that if this little
narrative has sufficiently interested him, to awaken curiosity as to who
Bartleby was, and what manner of life he led prior to the present
narrator’s making his acquaintance, I can only reply, that in such
curiosity I fully share, but am wholly unable to gratify it. Yet here I hardly
know whether I should divulge one little item of rumor, which came to my ear a
few months after the scrivener’s decease. Upon what basis it rested, I
could never ascertain; and hence, how true it is I cannot now tell. But
inasmuch as this vague report has not been without certain strange suggestive
interest to me, however sad, it may prove the same with some others; and so I
will briefly mention it. The report was this: that Bartleby had been a
subordinate clerk in the Dead Letter Office at Washington, from which he had
been suddenly removed by a change in the administration. When I think over this
rumor, I cannot adequately express the emotions which seize me. Dead letters!
does it not sound like dead men? Conceive a man by nature and misfortune prone
to a pallid hopelessness, can any business seem more fitted to heighten it than
that of continually handling these dead letters,
    <pb n="615" facs="pageImages/0615.png"/>
and assorting them for the flames? For by the cart-load they are annually burned. Sometimes from out the
folded paper the pale clerk takes a ring:—the finger it was meant for,
perhaps, moulders in the grave; a bank-note sent in swiftest charity:—he
whom it would relieve, nor eats nor hungers any more; pardon for those who died
despairing; hope for those who died unhoping; good tidings for those who died
stifled by unrelieved calamities. On errands of life, these letters speed to
death.
</p>
<p>
Ah Bartleby! Ah humanity!
</p>
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