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            <title type="main">"The Extasie"</title>
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                  <name>
                     <forename>John</forename>
                     <surname>Donne</surname>
                  </name>
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                  <name ref="editors.xml#JOB">
                     <forename>John</forename>
                     <surname>O'Brien</surname>

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               <resp>Transcription, correction, editorial commentary, and markup</resp>
               <name ref="editors.xml#StudStaff">Students and Staff of the University of
                  Virginia</name>

               <name ref="editors.xml#RR">Rachel Retica</name>

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            <funder>National Endowment for the Humanities</funder>
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            <publisher>Literature in Context</publisher>
            
            <address>
               <addrLine>University of Virginia Department of English</addrLine>
               <addrLine>P. O. Box 400121</addrLine>
               <addrLine>Charlottesville, VA</addrLine>
               <addrLine>22904-4121</addrLine>
               <addrLine>jobrien@virginia.edu</addrLine>
               <addrLine>lic.open.anthology@gmail.com</addrLine>
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               <licence target="http://creativecommons.org/licenses/by-sa/4.0/">Published by
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                  <title>"The Extasie"</title>
                  
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               <monogr>
                  <author>
                     <name>
                        <forename>John</forename>
                        <surname>Donne</surname>
                     </name>
                  </author>
                  
                  <title>Poems, by J. D., With Elegies on the Authors Death</title>
                  
                  <imprint>
                     <pubPlace>
                        <placeName type="tgn" key="7011781">London</placeName>
                     </pubPlace>
                     <publisher>M. F. for John Marriot</publisher>
                     <date when="1633">1633</date>
                     <note>We have taken our text from the Text Creation Partnership's digitized
                        version of the 1633 edition of Donne's poems:
                        https://github.com/textcreationpartnership/A69225/blob/master/A69225.xml.
                        Donne's poems circulated in manuscript during his life time, and were not
                        issued in a print version until this edition, which came out after Donne's
                        death in 1632. The long "s" of the original has been modernized, but we have
                        otherwise kept the original spelling. The title page has been sourced from <ref target="https://specialcollections.princeton.edu/2023/05/a-donne-deal/">Princeton University Special Collections</ref>.</note>
                     
                     
                  </imprint>
                  
                  
                  
                  <extent/>
                  <biblScope>200</biblScope>
                  <!-- Indicate page numbers of the poem from the book described in this <monogr> -->
                  
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            <language ident="en">English</language>
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            <constitution type="single">single poem</constitution>
            <derivation type="original"/>
            <domain/>
            <factuality type="inapplicable"/>
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            <purpose type="express"/>
            <purpose type="entertain" degree="high"/>
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               <name type="tgn" key="7011781">London, England</name>
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               <time from="1600" to="1633">Early 17th Century</time>
               <!-- The time setting may be somewhat interpretive, though research should tell you more. -->
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         <!-- Please keep this language, and follow these encoding guidelines. If in rare circumstances, these guidelines cannot be followed, edit them to indicate your editing guidelines. -->
         <projectDesc>
            <p>This text is prepared as part of the <hi rend="italic">Literature in Context</hi>
               project, which provides an accessible, reliable, curated, and marked-up selection of
               primary sources relevant to the study and the teaching of British and American
               literature. This project is was initially funded by the National Endowment for the
               Humanities and developed by faculty at The University of Virginia and Marymount
               University.</p>
         </projectDesc>
         <editorialDecl>
            <interpretation>
               <p>Research informing these annotations draws on publicly-accessible resources, with
                  links provided where possible. Annotations have also included common knowledge,
                  defined as information that can be found in multiple reliable sources. If you
                  notice an error in these annotations, please contact
                  lic.open.anthology@gmail.com.</p>
            </interpretation>
            <normalization>
               <p>Original spelling and capitalization is retained, though the long s has been
                  silently modernized and ligatured forms are not encoded.</p>
            </normalization>
            <hyphenation>
               <p>Hyphenation has not been retained, except where necessary for the sense of the
                  word.</p>
            </hyphenation>
            <segmentation>
               <p>Page breaks have been retained. Catchwords, signatures, and running headers have
                  not.</p>
            </segmentation>
            <correction>
               <p>Materials have been transcribed from and checked against first editions, where
                  possible. See the Sources section for more information.</p>
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            <taxonomy xml:id="tgm">
               <bibl>Getty Thesaurus of Geographic Names</bibl>
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            <taxonomy xml:id="orcid">
               <bibl>Open Researcher and Contributor ID</bibl>
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      <revisionDesc>
         <change when="2024-06-13" who="editors.xml#RR">Rachel Retica created LIC edition.</change>
      </revisionDesc>
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   <text>
      <front>
            <pb n="[TP]" facs="pageImages/Donne_poems_cover.jpg"/>
         <titlePage>
            
            <titlePart>POEMS,<lb/>
                    <hi rend="italic">By </hi>J. D[onne].<lb/>WITH<lb/>ELEGIES<lb/>ON THE AUTHOR'S<lb/>Death.<lb/>
                    <lb/>
                </titlePart>
            <docImprint>
                    <pubPlace>
                        <placeName type="tgn" key="7011781">LONDON.<lb/>
                        </placeName>
                    </pubPlace>
               <publisher>Printed by <hi rend="italic">M. F. </hi>for [J]OHN MARRIOT,<lb/>and are to be sold at his shop in St <hi rend="italic">Dunstans</hi>
                        <lb/>Church-yard in <hi rend="italic">Fleet-street. </hi>
                    </publisher>
                    <docDate>1633.</docDate>
                </docImprint>
            
            
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 <body>
   <div type="poem">
      <head>The Extasie.</head>
      <l n="1">WHere, like a pillow on a bed,</l>
      <l rend="indent" n="2">A Pregnant banke swel'd up, to rest</l>
      <l n="3">The violets reclining head,</l>
      <l rend="indent" n="4">Sat we two, one anothers best;</l>
      <lb/>
      <l n="5">Our hands were firmely cimented</l>
      <l rend="indent" n="6">With a fast balme, which thence did spring,</l>
      <l n="7">Our eye-beames twisted, and did thred</l>
      <l rend="indent" n="8">Our eyes, upon one double string,</l>
      <lb/>
      <l n="9">So to'entergraft our hands, as yet</l>
      <l rend="indent" n="10">Was all the meanes to make us one,</l>
      <l n="11">And pictures in our eyes to get</l>
      <l rend="indent" n="12">Was all our propagation.</l>
      <lb/>
      <l n="13">As 'twixt two equall Armies, Fate</l>
      <l rend="indent" n="14">Suspends uncertaine victorie,</l>
      <l n="15">Our soules, (which to advance their state,</l>
      <l rend="indent" n="16">Were gone out,) hung 'twixt her, and mee.</l>
      <lb/>
      <l n="17">And whil'st our soules negotiate there,</l>
      <l rend="indent" n="18">Wee like sepulchrall statues lay,</l>
      <l n="19">All day, the same our postures were,</l>
      <l rend="indent" n="20">And wee said nothing, all the day.</l>
      <lb/>
      <l n="21">If any, so by love refin'd,</l>
      <l rend="indent" n="22">That he soules language understood,</l>
      <l n="23">And by good love were growen all minde,</l>
      <l rend="indent" n="24">Within convenient distance stood,</l>
      <lb/>
      <l n="25">He (though he knowes not which soule spake,</l>
      <l rend="indent" n="26">Because both meant, both spake the same)</l>
      <l n="27">Might thence a new concoction take,</l>
      <l rend="indent" n="28">And part farre purer then he came.</l>
      <lb/>
      <l n="29">This Extasie doth unperplex</l>
      <l rend="indent" n="30">(We said) and tell us what we love,</l>
      <l n="31">Wee see by this, it was not sexe</l>
      <l rend="indent" n="32">Wee see, we saw not what did move:</l>
      <lb/>
      <l n="33">But as all severall soules containe</l>
      <l rend="indent" n="34">Mixture of things, they know not what,</l>
      <l n="35">Love, these mixt soules, doth mixe againe,</l>
      <l rend="indent" n="36">And makes both one, each this and that.</l>
      <lb/>
      <l n="37">A single violet transplant,</l>
      <l rend="indent" n="38">The strength, the colour, and the size,</l>
      <l n="39">(All which before was poore, and scant,)</l>
      <l rend="indent" n="40">Redoubles still, and multiplies.</l>
      <lb/>
      <l n="41">When love, with one another so</l>
      <l rend="indent" n="42">Interanimates two soules,</l>
      <l n="43">That abler soule, which thence doth flow,</l>
      <l rend="indent" n="44">Defects of lonelinesse controules.</l>
      <lb/>
      <l n="45">Wee then, who are this new soule, know,</l>
      <l rend="indent" n="46">Of what we are compos'd, and made,</l>
      <l n="47">For, th'Atomies of which we grow,</l>
      <l rend="indent" n="48">Are soules, whom no change can invade.</l>
      <lb/>
      <l n="49">But O alas, so long, so farre</l>
      <l rend="indent" n="50">Our bodies why doe wee forbeare?</l>
      <l n="51">They are ours, though not wee, Wee are</l>
      <l rend="indent" n="52">The intelligences, they the spheares.</l>
      <lb/>
      <l n="53">We owe them thankes, because they thus,</l>
      <l rend="indent" n="54">Did us, to us, at first convay,</l>
      <l n="55">Yeelded their senses force to us,</l>
      <l rend="indent" n="56">Nor are drosse to us, but allay.</l>
      <lb/>
      <l n="57">On man heavens influence workes not so,</l>
      <l rend="indent" n="58">But that it first imprints the ayre,</l>
      <l n="59">For soule into the soule may flow,</l>
      <l rend="indent" n="60">Though it to body first repaire.</l>
      <lb/>
      <l n="61">As our blood labours to beget</l>
      <l rend="indent" n="62">Spirits, as like soules as it can,</l>
      <l n="63">Because such fingers need to knit</l>
      <l rend="indent" n="64">That subtile knot, which makes us man:</l>
      <lb/>
      <l n="65">So must pure lovers soules descend</l>
      <l rend="indent" n="66">T'affections, and to faculties,</l>
      <l n="67">Which sense may reach and apprehend,</l>
      <l rend="indent" n="68">Else a great Prince in prison lies.</l>
      <lb/>
      <l n="69">To'our bodies turne wee then, that so</l>
      <l rend="indent" n="70">Weake men on love reveal'd may looke;</l>
      <l n="71">Loves mysteries in soules doe grow,</l>
      <l rend="indent" n="72">But yet the body is his booke.</l>
      <lb/>
      <l n="73">And if some lover, such as wee,</l>
      <l rend="indent" n="74">Have heard this dialogue of one,</l>
      <l n="75">Let him still marke us, he shall see</l>
      <l rend="indent" n="76">Small change, when we'are to bodies gone.</l>

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