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                <title>"Against Pleasure"</title>

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                        <name>
                            <forename>Katherine </forename>
                            <surname>Philips</surname>
                        </name>
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                <editor>
                    <persName type="orcid" key="0000-0001-6453-8721">
                        <name>
                            <forename>John</forename>
                            <surname>O'Brien</surname>
                        </name>
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                    <resp>Transcription, correction, editorial commentary, and markup</resp>
                    <name>Staff and Research Assistants at The University of Virginia</name>
                    <name>John O'Brien</name>
                    <name>Sara Brunstetter</name>
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                <funder>National Endowment for the Humanities</funder>
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                <publisher>Literature in Context</publisher>

                <address>
                    <addrLine>University of Virginia Department of English</addrLine>
                    <addrLine>P. O. Box 400121</addrLine>
                    <addrLine>Charlottesville, VA </addrLine>
                    <addrLine>22904-4121</addrLine>
                    <addrLine>jobrien@virginia.edu</addrLine>
                    <addrLine>lic.open.anthology@gmail.com</addrLine>
                </address>


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                    <analytic>
                        <title>"Against Pleasure"</title>
                    </analytic>
                    <monogr>
                        <author>
                            <name>
                                <forename>Katherine</forename>
                                <surname>Philips</surname>
                            </name>
                        </author>
                        <title type="main">Poems by the most deservedly admired Mrs. Katherine
                            Philips, the matchless Orinda</title>
                        <title type="sub">to which is added Monsieur Corneille's Pompey &amp;
                            Horace, tragedies; with several other translations out of French</title>

                        <imprint>
                            <pubPlace>
                                <placeName type="TGN" key="7011781">London</placeName>
                            </pubPlace>
                            <publisher>Printed by J.M. for H. Herringman</publisher>
                            <date when="1667">1667</date>
                            <note resp="editors.xml#JOB">This text is based on transcriptions
                                created by the Early English Books Online Texts Creation
                                Partnership, a library-based project directed by the University of
                                Michigan and Oxford University. <ref target="http://name.umdl.umich.edu/A54716.0001.001                                 ">Their digital text</ref> was
                                produced from the 1667 edition, published by Henry Herringman in
                                London in 1667, three years after Philips's death, but with the
                                collaboration of her late husband. We have also consulted <hi rend="italics">The Collected Works of Katherine Philips</hi>,
                                edited by Patrick Thomas (Essex: Stump Cross Books, 1990), which
                                takes Philips's manuscript versions of her poems as its copytext.
                                Annotations have been provided by faculty and students at the
                                University of Virginia. For a full description of this object, see
                                    <ref target="http://estc.bl.uk/R19299">its ESTC entry</ref>.
                            </note>
                        </imprint>
                        <extent>[36], 198, [8], 112, [2] p. : port. ; 2⁰.</extent>
                        <biblScope>pp 66-68</biblScope>
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                    <name type="tgn" key="7011781">London, England</name>
                    <name type="tgn" key="7001306">Dublin, Ireland</name>
                    <time from="1631" to="1664">During her life time: 1631-1664.</time>
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                <p> This text is prepared as part of the <hi rend="italic">Literature in
                        Context</hi> project, which provides an accessible, curated, and marked-up
                    selection of primary sources relevant to the study and the teaching of British
                    and American literature of the 18th century. This project is funded by the
                    National Endowment for the Humanities and developed by faculty at The University
                    of Virginia and Marymount University. </p>
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                    <p>Research informing these annotations draws on publicly-accessible resources,
                        with links provided where possible. Annotations have also included common
                        knowledge, defined as information that can be found in multiple reliable
                        sources. If you notice an error in these annotations, please contact
                        lic.open.anthology@gmail.com.</p>
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                    <p>Materials have been transcribed from and checked against first editions,
                        where possible. See the Sources section.</p>
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            <div type="poem">

                <pb n="66" facs="pageImages/Philips-p66.jpg"/>
                <head type="title">
                    <hi rend="italic">Against Pleasure. Set by Dr.</hi>
                    Coleman.</head>
                <lg>
                    <head type="sub">1.</head>
                    <l n="1">There's no such thing as pleasure here,</l>
                    <l n="2" rend="indent">'Tis all a perfect cheat,</l>

                    <pb n="67" facs="pageImages/Philips-p67.jpg"/>

                    <l n="3">Which does but shine and disappear,</l>
                    <l n="4" rend="indent">Whose charm is but deceit:</l>
                    <l n="5">The empty bribe of yielding souls,</l>
                    <l n="6">Which first betrays, and then controls.</l>
                </lg>

                <lg>
                    <head type="sub">2.</head>
                    <l n="7">'Tis true, it looks at distance fair,</l>
                    <l n="8" rend="indent">But if we do approach,</l>
                    <l n="9">The fruit of <ref target="aSodom" corresp="Sodom">Sodom</ref>
                        <note xml:id="Sodom" target="aSodom">In the biblical accont, Sodom was a city destroyed by God for
                            the wickedness of its inhabitants (Oxford English Dictionary).</note> will impair,</l>
                    <l n="10" rend="indent">And perish at a touch;</l>
                    <l n="11">It being than in fancy less,</l>
                    <l n="12">And we expect more than possess.</l>
                </lg>

                <lg>
                    <head type="sub">3.</head>
                    <l n="13">For by our pleasure we are <ref target="_Cloyd" corresp="Cloyed">cloy'd</ref>
                        <note xml:id="Cloyed" target="_Cloyd">Cloyed refers to being
                            made weary by something that was initially pleasureable or sweet.</note>
                    </l>
                    <l n="14" rend="indent">And so desire is done;</l>
                    <l n="15">Or else, like rivers, they make wide</l>
                    <l n="16" rend="indent">The channels where they run;</l>
                    <l n="17">And either way true bliss destroys,</l>
                    <l n="18">Making us narrow, or our joys.</l>
                </lg>

                <lg>
                    <head type="sub">4.</head>
                    <l n="19">We covet pleasure easily,</l>
                    <l n="20" rend="indent">But ne'er true bliss possess;</l>
                    <l n="21">For many things must make it be,</l>
                    <l n="22" rend="indent">But one may make it less.</l>
                    <l n="23">Nay, were our state as we would choose it,</l>
                    <l n="24">'Twould be consumed by fear to lose it.</l>
                </lg>

                <lg>
                    <head type="sub">5.</head>
                    <l n="25">What art thou, then, thou wingëd air,</l>
                    <l n="26" rend="indent">More weak and swift than fame?</l>
                    <l n="27">Whose next successor is despair,</l>
                    <l n="28" rend="indent">And its attendant shame.</l>

                    <pb n="68" facs="pageImages/Philips-p68.jpg"/>

                    <l n="29">Th' experienced prince then reason had</l>
                    <l n="30">Who said of Pleasure, — "It is mad."</l>
                </lg>


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